Painting the Clouds with Sunshine

Painting The Clouds With Sunshine casts Virginia Mayo, Lucille Norman, and Virginia Gibson as a singing trio who disappointed in love go west to Las Vegas. That city was just starting to develop as the sin city capital of America although it was a decade or so until the Rat Pack really put it on the map. The clubs in Las Vegas, Reno, and other areas in the state were just starting to attract show business acts like you see the women portray here. Singer Dennis Morgan with a bad gambling addiction is also there and so is Gene Nelson who is a hoofer who has a terrible secret, he's a Back Bay Boston millionaire.

Terrible at least in the eyes of his cousin Tom Conway who wants to save him and the family reputation from Nelson's chosen career. Of course he falls for one of the women as well.

I saw elements here from films like Moon Over Miami and Goldiggers Of 1933 and even Donovan's Reef in Painting The Clouds With Sunshine. The musical numbers were nice, but nothing terribly new. The score was taken from a variety of composers, I'm sure the Brothers Warner owned the rights to them. The film is a remake of the first Goldigger films both of which may be lost.

Everybody here has done better work.

I have to say that I would never have watched this films by some of the reviews I read online, but glad I took a chance. It is a delightful film! I will admit I was pleasantly surprised with how much I did like it. I enjoyed it so much that I purchased a DVD copy for my own film library. Yes the story is corny by today's standards, but then again I can only take so much of 'today's standards'. This is a light, funny and wonderfully musical film that has a beginning, a middle, and an end unlike most films that are produced today. Love Virginia Mayo, who looks more beautiful in color than you could imagine.Dennis Morgan sings...who could ask for more! A great movie for a rainy afternoon...nothing more than pure entertainment!

It was discouraging to read the director's anti-his-movie comments. Granted it was not a big ole MGM spectacular, but I enjoyed "Painting the Clouds With Sunshine." The songs were oldies but goodies and delightful to hear, and it kept moving nicely. The 'girls-looking-for-millionaires' plot was - granted -- old hat, but the musical numbers were thoroughly enjoyable.

Special kudos to Gene Nelson who is as good as, or better than, some of his screen contemporaries. Was he really playing the trumpet while dancing? That number was pure joy.

Mayo and the sisters were lovely to look at, Dennis Morgan is, as usual, a pleasant talent.

WB tossed ole Cuddles in every third picture, it seems. The 'cute-mit-accent' stuff eventually wears thin.

Sorry, Mr. Butler, but I enjoyed your efforts on this one.

Jack Warner handed this script to Doris Day, but she begged out. It was too much like the other films she had made at Warners (she made "Lullaby of Broadway" that same year and "Tea For Two" right before that). Virgina Mayo, who was free, loved doing musicals, so she stepped in and Dennis Morgan's name went up one step. Doris, by this time was extremely popular, so she would have gotten billing over Morgan.

This was colorful (I saw it once) and Mayo looked incredible, as usual.

Day, after "Calamity Jane" got "picky" about parts. She also turned down "The Helen Morgan Story" with Paul Newman, "The Jazz Singer" with Danny Thomas and WB had planned "Miss America" for Doris and Virginia, a musical.

This color remake of the landmark 'Gold Diggers' series of musicals of the 1930s is a pretty limp effort, despite individual bits that are excellent. 'Cuddles' Sakall is present for his usual Bavarian doubletalk, partnered, for some reason, with Wallace Ford playing a knife-throwing dessert rat. Dennis Morgan, tailing off in his Warners' career, plays the other guy. Basically this is a typical Warners musical of the era: a lightweight, retread plot and songs lifted from the catalogue. All it misses is Doris Day and she turned down the script.

The real point of this movie is the dance numbers, featuring lead Gene Nelson with choreography by Warners' stalwart dance director Leroy Prinz. Nelson never really became a star, but he was as fine a dancer as any, averaging much more athletic and balletic than headliners Astaire and Kelly; his signature step was a leap onto a table from the floor. Prinz directs him perfectly with monochromatically colored lights that allow him to act and move without words. 'Birth of the Blues' is the real highlight of the film.

Alas, aside from those moments, it's pretty much of a rote production. See it once for the dance numbers and be done.