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The Hoodlum

  • 1951
  • PG
  • 1 घं 1 मि
IMDb रेटिंग
6.2/10
1.3 हज़ार
आपकी रेटिंग
The Hoodlum (1951)
अपराधकेपरड्रामाफ़िल्म नोयर

अपनी भाषा में प्लॉट जोड़ेंParoled sociopath and career criminal Vincent Lubeck betrays his family's trust when he masterminds a complex armored car robbery.Paroled sociopath and career criminal Vincent Lubeck betrays his family's trust when he masterminds a complex armored car robbery.Paroled sociopath and career criminal Vincent Lubeck betrays his family's trust when he masterminds a complex armored car robbery.

  • निर्देशक
    • Max Nosseck
  • लेखक
    • Sam Neuman
    • Nat Tanchuck
  • स्टार
    • Lawrence Tierney
    • Allene Roberts
    • Marjorie Riordan
  • IMDbPro पर प्रोडक्शन की जानकारी देखें
  • IMDb रेटिंग
    6.2/10
    1.3 हज़ार
    आपकी रेटिंग
    • निर्देशक
      • Max Nosseck
    • लेखक
      • Sam Neuman
      • Nat Tanchuck
    • स्टार
      • Lawrence Tierney
      • Allene Roberts
      • Marjorie Riordan
    • 48यूज़र समीक्षाएं
    • 11आलोचक समीक्षाएं
  • IMDbPro पर प्रोडक्शन की जानकारी देखें
  • IMDbPro पर प्रोडक्शन की जानकारी देखें
  • फ़ोटो25

    पोस्टर देखें
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    टॉप कलाकार20

    बदलाव करें
    Lawrence Tierney
    Lawrence Tierney
    • Vincent Lubeck
    Allene Roberts
    Allene Roberts
    • Rosa
    Marjorie Riordan
    • Eileen
    Lisa Golm
    Lisa Golm
    • Mrs. Lubeck
    Edward Tierney
    Edward Tierney
    • Johnny Lubeck
    Stuart Randall
    Stuart Randall
    • Lt. Burdick
    Angela Stevens
    Angela Stevens
    • Christie Lang
    • (as Ann Zika)
    John De Simone
    • Marty Connell
    Tom Hubbard
    • Sgt. Schmidt
    Eddie Foster
    • Mickey Sessions
    O.Z. Whitehead
    O.Z. Whitehead
    • Breckenridge
    Richard Barron
    • Eddie Bright
    Rudy Rama
    • Harry Hill
    Raymond Bond
    • Old Man
    • (बिना क्रेडिट के)
    James Conaty
    • Parole Officer W.D. Allen
    • (बिना क्रेडिट के)
    Bill Coontz
    Bill Coontz
    • Gang Member
    • (बिना क्रेडिट के)
    Russell Custer
    • Police Officer
    • (बिना क्रेडिट के)
    Rudy Germane
    • Guard
    • (बिना क्रेडिट के)
    • निर्देशक
      • Max Nosseck
    • लेखक
      • Sam Neuman
      • Nat Tanchuck
    • सभी कास्ट और क्रू
    • IMDbPro में प्रोडक्शन, बॉक्स ऑफिस और बहुत कुछ

    उपयोगकर्ता समीक्षाएं48

    6.21.2K
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    फ़ीचर्ड समीक्षाएं

    7AlsExGal

    Lawrence Tierney, the original method actor...

    ... because TIerney was such a seemingly tortured soul and his own worst enemy that he really seemed to understand the most memorable characters that he played. His drunken brawling destroyed his movie career in less than ten years. Once he called the police and told them there was a fight in a bar and they needed to come break it up. There wasn't, Tierney just wanted some fist to cuffs with some cops. In the 1970s his girlfriend died from a fall from a high rise window. Tierney was there and told the police that as he had entered the apartment she had just jumped out of the window, seemingly for no reason. Charges were never filed. But I digress.

    The point is that here Tierney plays the brooding violent seemingly tormented hoodlum Vincent Lubeck, into far more nefarious stuff than Tierney ever was, but Tierney has the titular character's mood and mentality down pat. VInce is somewhat enigmatic with few words. It is with posture and factial expressions that you come to know this character.

    The first part of the film is almost in documentary style. It talks about Vincent's ride through the revolving door of the criminal justice system with his crimes elevating in gravity with his age. Finally at age 25 he is sentenced to 5-10 in the pen for armed robbery. At his parole hearing after 5 of those 10 years, the parole board can't think of why they should loose this guy on the public. But then his gray haired mama enters and after she slings enough chicken soup, cliches, and mixed metaphors at the board she apparently convinces (confuses???) the board into letting Vince go.

    But you might as well meet the new VInce, same as the old Vince. He feels the world owes him something because of his impoverished upbringing, living next to the city dump as a kid. But his little brother (and this actually IS Tierney's little brother folks) doesn't seem to have any of Vince's hardness, is enterprising, and has opened a gas station and gives Vince a job, which he needs to stay out on parole.

    But Vince is busy eyeing the things he can't have and that he wants. One is his kid brother's fiancee, Rosa. The other is the contents of the bank across from the gas station where he works. And this is where he plans a rather intricate bank hold-up. This is where low budget Eagle-Lion excelled, what they couldn't afford in really big name stars - TIerney is the only one in this film - they spent on rather clever plots.

    Tierney gets to show a bit of range here. He even shows fear and regret, although in small doses. And the end of the film is quite ironic. I would recommend this little film.
    6whpratt1

    Tierney Was Hateful

    Never viewed this 1951 film starring Lawrence Tierney,(Vincent Lubeck) who is up for parole from prison, however, the warden does not want to release him because he almost knows he is evil through and through. Mrs. Lubeck,(Lisa Golm) walks into the parole board meeting and pleads for her sons release and it is finally granted. Vincent spent five years in prison and is worse than when he went into the prison. Johnny Lubeck, (Edward Tierney) greets his brother back and offers him a job at his gas station to work and get himself on the right side of the law. It is not long before Vincent steals his brothers girl friend and then decides to pull off a big job across the street from his brothers gas station. If you viewed the film "Dillinger" in 1945, Tierney plays almost the same role with plenty of hate for everybody and a mean look on his face all the time. In this film, Lawrence Tierneys brother, Edward Tierney gave a great supporting role. Lisa Golm, (Mrs. Lubeck) gave a great portrayal of Vincent Lubeck's mother and acted just like a loving mother would towards her wayward son. Enjoy
    FilmFlaneur

    Excellent low budget Tierney vehicle, follow up to 'Dillinger'

    The Hoodlum (1951)

    In this sequel to Nosseck's remarkable Dillinger (1945), real life tough guy Lawrence Tierney reprises his role of a scowling, unredeemable thug (he also appeared in the same director's equally hardboiled Kill or Be Killed (1950). The result is another tight and tough little film, if not quite on the same level. The main reason for this is a plot that's less convincing than Yordan's was back in 1945 when the real Dillinger's famously dramatic life provided excellent inspiration. Yordan, who went on to script such projects as El Cid, was plainly more of an artist than Neumann and Tanchuk, providing the story here. Events are more predictable – the anti-hero is even provided with a sentimental death bed scene to weep his belated crocodile tears. Fortunately Tierney plays this final pay off with little sentimentality, even hiding his face rather than letting the audience see him ‘weaken'. As Lubeck, the hoodlum just out from jail finding life too dull working in his brother's pump station, Tierney is once again excellent, up to and including the inevitable denouement. His determined unrepentance creates a thrusting charisma which both Rosa (his brother's girl, whom he briefly seduces, impregnates and discards), the bank manager's secretary and the audience find hard to ignore. As an actor Tierney can manage a cruel arrogance even when working a petrol pump, while Lubeck's cynical disassocation from his family makes him seem a very modern.

    Interestingly, almost half the running time of the film has elapsed before he commits his first crime, or even fires a shot. For the rest of the time the hoodlum is brooding, contemplating the raw deal he has been handed, feeling as imprisoned by his humdrum job as no doubt millions of others did (and do) at the time. The difference is that he wants to reach for his big break in dramatic and violent fashion as he has it `all figured out now'. Its the heist he has planned, with the desperate aftermath, occupies the remainder of the film.

    Ironically it is Lubeck's mother whose tears soften the heat of his parole board, thereby releasing her vicious son back into circulation. By the end, along with society, she inevitably regrets this decision, but her role in obtaining his release means that, in some respect at least, she is responsible for the anti-social acts he performs. In this light her final scene can be seen as much an act of necessary repentence as it is her reconciliation with reality.

    The Hoodlum also boasts a minor first in that Tierney's real life brother Edward appears on screen for the first time, playing Vince's nice-but-dull brother. Despite all his good intentions, he ends up holding a gun on his sibling before literally driving him to his death - an event the significance of which frames the main action of the film in flashback, a typical noir conceit. Edward has little of Lawrence's screen presence, although here the novelty of the casting (which recalls the on-screen partnership of the Mitchum brothers in the cult film Thunder Road (1958 )) makes up for some his gaucheness.

    Nosseck's muscular, ever hard to see films are overdue for reassessment. His three with Tierney are generally excellent, although hampered by constraints of budget and length. Also recommended is his British black out thriller The Brighton Strangler, more atmospheric than one might expect, and directed in the same vintage year as Dillinger.
    6wes-connors

    Crime Smells

    Although his warden considers him an unrepentant hoodlum, bank robber Lawrence Tierney (as Vincent "Vince" Lubeck) is granted parole. This is largely due to Mr. Tierney's pleading mother Lisa Golm (as Mama Lubeck). Lawrence moves home with the family and begins working for younger brother Edward Tierney (as Johnny Lubeck) at his auto service station. Lawrence proves to be a terrible worker and drives customers away from the gas station, which happens to be across the street from a bank. He meets bank secretary Marjorie Riordan (as Eileen) and gathers information for a planned robbery. Lawrence also assaults Edward's girlfriend Allene Roberts (as Rosa Czermak) with a kiss, which succeeds in getting her to copulate in that old "you know you want it" way...

    Leading man Lawrence Tierney scowls through his part. His best scenes occur near the end, especially with mother Golm. Though theatrical, Golm performs most passionately for director Max Nosseck. Edward Tierney is Lawrence's real-life brother and is okay his first featured role. They are interesting in the bracketing car scene which opens the story with flashbacks. While Ms. Roberts is a pushover, a couple of other women assert themselves. All things considered, the best part of this unassuming crime drama is the story/screenplay, well-written by Sam Neuman and Nat Tanchuck. They make the characters more interesting than they are played – and "the city dump" is an artfully used metaphor. The main caper, involving the bank and a nearby mortuary, is nicely staged.

    ****** The Hoodlum (7/5/51) Max Nosseck ~ Lawrence Tierney, Edward Tierney, Lisa Golm, Allene Roberts
    6bmacv

    Lawrence Tierney at most feral in brutal, starvation-budget programmer

    The Hoodlum opens with a montage illustrating Lawrence Tierney's rap sheet, starting when he was a holy terror still in short pants. From preparatory work in juvenile hall to matriculation at the Big House, he majored in recidivism and minored in anti-social personality disorder. When, now a surly menace, he comes up for parole, most members of the board object but are swayed by the tearful pleas of his saintly immigrant mother (Lisa Golm), who thinks he's misunderstood (by the time she's on her deathbed, she's comparing him to the city dump).

    Released, he moves back home. He's reluctantly offered, and reluctantly takes, a job at the filling station owned by his straight-arrow sibling (and real-life brother Ed Tierney, later Tracy; actor Scott Brady was a third brother). But, apart from a personal campaign to prove that the customer is never right, Tierney's main interest is getting into the pants of the bank manager's secretary who works across the street so he can plan his next big job. (He also manages, in his off-hours, to rape and impregnate his brother's fiancée, driving her to suicide.) The rest of the movie recounts the brutal bank heist, which is synchronized with a phonily arranged funeral....

    The Hoodlum was made at a time when Tierney's off-screen roughhousing was starting to make him, after striking roles in Born to Kill and The Devil Thumbs A Ride, an undesirable in Hollywood. It's a short, stripped-down, starvation-budget programmer. Still, it shows those ragged edges that more artifice might have smoothed away (the rape and pregnancy are startling for their era); a few plot strands seem like distant echoes of the incomparably superior White Heat, of two years earlier. The most noteworthy aspect of The Hoodlum's script is that Tierney undergoes no character development whatsoever: He starts out as a cur and dies like a dog.

    इस तरह के और

    Shakedown
    7.1
    Shakedown
    Trapped
    6.4
    Trapped
    Parole, Inc.
    5.7
    Parole, Inc.
    Highway Dragnet
    6.2
    Highway Dragnet
    Port of New York
    6.0
    Port of New York
    Strange Illusion
    6.1
    Strange Illusion
    13 West Street
    6.3
    13 West Street
    Abandoned
    6.7
    Abandoned
    Guns Girls and Gangsters
    6.1
    Guns Girls and Gangsters
    Quicksand
    6.6
    Quicksand
    The Naked Street
    6.5
    The Naked Street
    Man with the Gun
    6.7
    Man with the Gun

    कहानी

    बदलाव करें

    क्या आपको पता है

    बदलाव करें
    • ट्रिविया
      A new print has been made of this film which received its premiere at the Motion Picture Academy of Arts and Sciences on 21 May 1999.
    • गूफ़
      When the taxi pulls into the gas station during the dry run, about 35 minutes into the film, a shadow of the boom microphone is visible on the pavement, then the side of the car as it pulls up to the pumps.
    • भाव

      Mrs. Lubeck: Take a breath, Vincent. Go ahead. Smell! You can smell fresh air here. Not like where we used to live by the city dump. Every time the wind changed... my!... the smell! And Papa running around all day yelling, 'Keep the windows closed! Keep the windows... '

      Vincent Lubeck: Stop it, Ma! Keep the windows closed? What was the use? The stink came through them anyhow into all the corners of your lungs... your skin! Even if you took a bath every day, the stink would still stink! Our playground, where we picked up a few pieces of junk to get spending money. A rotten stink! Even now we're not too far away from it! But you wait! I've got ideas. I'll get plenty of money! Yeah, dough! That's the only thing that'll ever cover up the stink of the city dump!

    • कनेक्शन
      Edited into Haunted Hollywood: The Hoodlum (2016)

    टॉप पसंद

    रेटिंग देने के लिए साइन-इन करें और वैयक्तिकृत सुझावों के लिए वॉचलिस्ट करें
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    अक्सर पूछे जाने वाला सवाल14

    • How long is The Hoodlum?Alexa द्वारा संचालित

    विवरण

    बदलाव करें
    • रिलीज़ की तारीख़
      • 5 जुलाई 1951 (यूनाइटेड स्टेट्स)
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      • यूनाइटेड स्टेट्स
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      • Streaming on "a colorized generation" YouTube Channel (colorized)
      • Streaming on "All Time Classic Movies" YouTube Channel
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      • Jack Schwarz Productions
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