Trapped

The opening of the film is a prolonged ode to the US Treasury in all its offices but particularly its role in the issuing of bank notes and prevention of counterfeit dosh. Then off we go with our hero released from jail (for counterfeiting) so he can help find who is now using his marvellous plates. This is no great noir but it is interesting enough and has its moments on the streets of LA. The finale in a tram shed containing LA electric street cars is effective and there are other set pieces making this worth a view. Bridges is most effective and Barbara Payton does well as the good looking moll. Predictable in parts but the action switches enough to maintain attention.

This was a good movie. Considering that it was probably made on a shoestring budget, it was a very good movie. Personally, I enjoy a good plot and storyline and this picture had it; it was interesting and absorbing throughout. Pacing was good and the picture moved along at a brisk pace. There was very little if any padding material.

Good job by Lloyd Bridges, who had not yet made it big. It had a good cast of dependable character actors. I did not know the sad story of Barbara Payton until I read it on the website, and she was very good as Bridges' girlfriend. It must have been Director Richard Fleischer's first solid hit, as he went on to have a pretty distinguished career in Hollywood.

If it ever comes on one of the movie channels do yourself a favor and see it, even if you're not a cops-and-robbers fan.

This neat little thriller was directed by Richard Fleischer at the beginning of his "noir" period. He got better at it after this one--the terrific "Narrow Margin" and "Armored Car Robbery"--but this is still a good one, if a bit too slow at times.

Lloyd Bridges is a convicted counterfeiter serving time when he cuts a deal with the Treasury Department. It seems that when he was nabbed, his partner kept the plates and now almost flawless counterfeit currency is flooding Los Angeles. The feds believe it's Bridges' partner, and they'll cut his sentence in exchange for letting him out to find his partner and retrieve the plates. Once he gets out, however, he double-crosses them and plans to get the plates himself. As it turns out, Bridges isn't quite as slick as he thinks he is, and things start to go south rather quickly. Although not quite as fast-paced as Fleischer's better-known thrillers, it benefits tremendously from Bridges' presence. He's very tightly wound in this one, and quite a bit more brutal than you would expect him to be, even playing a bad guy. Tragic figure Barbara Payton actually does quite well as his floozy girlfriend, and the sinister John Hoyt does an excellent job as a somewhat enigmatic character who turns out to be not quite what he seems.

Good atmosphere and some neat plot--and other--twists make this a good companion piece to Fleischer's later noirs, and definitely worth a watch.

Counterfeiting obviously exercised the authories greatly during the postwar period, since it's here the subject of yet another crime film. Director Richard Fleischer further enhanced his burgeoning career with this astringent, sometimes eye-wateringly violent little potboiler dramatising the problem extensively shot on location in the days when Lloyd Bridges was playing "cheap, penny-antsy grifters".

This is a fine, dark, nasty little movie. It's very well directed by Richard Fleischer. It takes place in a scary night town version of San Francisco.

Lloyd Bridges plays a character with the unusual first name Tris. Short for Tristan, I suppose. Real-life bad-girl Barbara Payton is no Isolde. Payton is good as his romantic interest, though.

The film begins with a scene in which someone is discovered to have counterfeit money. Bridges is in prison but is tapped by the Feds to help break up the counterfeiting ring. And it takes off from there.

There are double-crosses, confused identities. The supporting cast is excellent. Crime may not pay but we have some pretty interesting criminals in this story.