Undercover Girl

Rookie policewoman Alexis Smith (Chris/Sally) goes undercover to help Police Lieutenant Scott Brady (Trent) smash a drugs gang and exact revenge on the man who killed her father.

The story is ok but the picture quality isn't too good. It's also unbelievable nonsense. Smith is badly cast - she doesn't have the looks to physically attract so many people and she is too square-looking to convince as a top gangster woman. It also makes no sense why seasoned bad girl Gladys George (Liz) would open up to her and tell her all that she does. There is also no way that Smith would be sent in to carry out that final sting. There is so much that is just a load of tosh with this film, but it keeps the audience watching.

Goodness knows why the female trainee officers have to wear shorts during target practice. Very funny. They should also wear shorts when making arrests. And when answering the telephone.

Undercover Girl is the second noir movie directed by Joseph Pevney after the interesting Shakedown. A policeman is killed and his policewoman daughter (Alexis Smith) searches for the killer and his drug organisation, she meets all kind of weird and deranged people, the best being Royal Dano really creepy as a desperate wolf looking for a nasty thing to do, crawling along walls with his tie with a naked girl (he makes me think of Jack Elam we see in another script writer Harry Essex noir title, Kansas City Confidential). The all cast is great, giving an anguishing atmosphere to this too rare movie.

A cop has taken money from mobsters, though he now has second thoughts and decides instead to arrest these drug dealers. But they get the drop on him...killing him instead. A short time later, a cop approaches a policewoman candidate, Christine Miller (Alexis Smith) to inform her that her father was the man who had been killed and he needs help to figure out who was responsible. She agrees to leave her department to come to work with him on exposing the killers. This will mean her going under cover and pretending to be a crook looking to make a big drug deal and the hope is that as she works her way up through the gang that they'll find out who is in charge...and who killed her dad.

The best thing about this film is that it doesn't resort to the usual cliches and is a well made tale. Not exactly brilliant but still quite enjoyable and worth your time.

Alexis Smith and Scott Brady star in "Undercover Girl" from 1950.

After her police detective father (Regis Toomey) is murdered by people in the drug business, Chris Miller (Smith), a cop herself, infiltrates the gang on the recommendation of another female officer (Connie Gilchrist).

Chris turns out to be made for undercover, a quick thinker and quite an actress, able to be tough and sexy. She manages to convince them all.

Director Joseph Penney keeps the suspense going and the audience wondering if Chris will be found out.

Routine but a nice part for Gladys George, and an early one for Richard Egan as Chris' boyfriend. And Smith is a knockout.

Cop Regis Toomey returns the ten grand to Gerald Mohr and arrests him. In return, Mohr kills him. Some time later, police lieutenant Scott Brady wants Alexis Smith, Toomey's daughter to help him crack open a drug ring and clear the whispers about her father. She goes undercover on a path to leads to doctor Edmon Ryan.

It's a melodramatic and foolish movie, one I never found very engrossing, although Royal Dano, in his movie debut, gives a fine performance as an obvious hophead who's always looking for a score of any sort. There's nothing obviously wrong about any of it, except that everyone's motivations get in the way of any sort of accomplishment, from Ryan's lust for Miss Smith, to Miss Smith's quest for vengeance against whoever it was that killed her father, to Brady's lust for Miss Smith. It makes one admire Mohr, who at least knows what he's in the dirty business for. Neither is the dialogue ever particularly surprising. Cinematographer Carl Guthrie gets in some nice compositions, but they're not enough to lift this out of the ordinary.