Kill or Be Killed

If I had to remember a film reuniting Lawrence Tierney and Max Nosseck the director, it would be DILLINGER and why not THE HOODLUM, but strangely not this one, which remains however a good time waster, adventure drama very pleasant to watch. It is not a thriller, nor a crime film, and Lawrence Tierney was born to be bad, to kill on screen - as he was precisely in Robert Wise's BORN TO KILL; he was not the best choice for something else. But, I repeat, the whole result is not bad at all. So, if you are a great fan of Lawrence Tierney because of Dillinger, this movie is not DILLINGER, nor THE HOODLUM. Appreciate it anyway. Please.

Laurence Tierney is an engineer and architect in Brazil. He wants to be paid for installing an air-conditioning unit in a dive, but he's put off. Before you know it, he's been accused of a murder, shot at by the police, swum underwater for a couple of hundred yards with a bleeding wound, and been rescued by concert pianist Marissa O'Brien who's about to go find some peace in the jungle. He invites himself along, lest the police's aim improves with practice, and finds himself designing a new house for George Coulouris, who's talking with a German accent.

Odd people you meet on the Universal Studios back lot! Some of the street scenes were shot in Lisbon, but they don't add anything I noticed to this indie B movie, directed by Max Nosseck. It's a bog-standard B movie, barely indistinguishable from dozens of others of the period. Everyone seems to be competent, except possibly for the costume designer, whose name is understandably omitted from the credits.

Only Lawrence Tierney completists should subject themselves to this dull, inert and unengaging flick about an engineer wrongly accused of murder. A lot of the story takes place in ships or a jungle as he goes on the run, and falls for a dippy dame who protects him. The sappy dialogue hopes to make us believe there is a romantic spark between these two despite there being little chemistry between them and they both act stiff as ironing boards throughout. Then the coincidences pile up to make matters worse. However, I'll give it three points: (1) for some OK action (2) the exotic locations and (3) there is some curious plotting involving a mute youth. But that's about it. Although it has a very short run-time I found myself checking my watch several times before I gave up on it 45 mins through (and watched the rest a few days later). You've been warned!

I am a big fan of Lawrence Tierney and I look for all his films whenever I have a few hours to kill. In this film, Tierney is a protagonist rather than a cold-blooded killer, like he was in Born to Kill. The characters in this film are far less seedy and sleazy as well. The major weakness of the film is the music; it appears as if the film was hijacked by the people responsible for the music soundtrack. Instead of having foreboding music similar to that in Psycho, the composers for this sound track try to recreate The Sound of Music. "The River with Killer Fish is alive with the sound of music". would have been lyrics they might have created to further ruin what was a decent story line. The music is terribly overbearing and overwhelms the characters and the plot at times. Fortunately, Tierney saves us from this version of The Producers by sticking to his hard guy pesonna. Lesson: dont let music ruin your film.

I am not a fan of Lawrence Tierney's but because he did noirs, my favorite genre, I watch him.

Tierney plays Robert Warren, an engineer working in Brazil. In an attempt to collect money, he walks into a bar owner's office just as the man has been killed. The killer escapes. Thinking Warren did it, the police chase him.

He manages to board a ship going to the Amazon. A concert pianist on board Maria (Marissa O'Brien) helps him hide. Once off the ship, he gets a job at a plantation where the workers are being exploited. Their boss is Maria's husband, Gregory (Rudolph Anders).

Gregory has an associate, Victor (George Coulouris) who does all his dirty work. Victor recognizes Robert from the bar. Realizing he was at the scene of the murder, Robert becomes his assignment. In the meantime, Robert and Maria have fallen in love. So Victor and Gregory really aren't happy with him.

This is an okay film. Boy have times changed. Tierney states in this film that he's 32. He was, though you'd believe looking at him by today's standards that he's 55. In this film he plays a hero, which was unusual for him.

Some scenes shot in Lisbon.

People are always saying if Tierney hadn't been such a bad boy off the screen, he could have done this and that in films. Frankly I've never seen the attraction, though occasionally he says a line in something besides a monotone.