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Gone to Earth

  • 1950
  • Approved
  • 1 घं 50 मि
IMDb रेटिंग
6.9/10
1.7 हज़ार
आपकी रेटिंग
Gone to Earth (1950)
ड्रामारोमांस

अपनी भाषा में प्लॉट जोड़ेंA beautiful, superstitious, animal-loving Gypsy is hotly desired by a fox-hunting squire even after she marries a clergyman.A beautiful, superstitious, animal-loving Gypsy is hotly desired by a fox-hunting squire even after she marries a clergyman.A beautiful, superstitious, animal-loving Gypsy is hotly desired by a fox-hunting squire even after she marries a clergyman.

  • निर्देशक
    • Michael Powell
    • Emeric Pressburger
    • Rouben Mamoulian
  • लेखक
    • Mary Webb
    • Michael Powell
    • Emeric Pressburger
  • स्टार
    • Jennifer Jones
    • David Farrar
    • Cyril Cusack
  • IMDbPro पर प्रोडक्शन की जानकारी देखें
  • IMDb रेटिंग
    6.9/10
    1.7 हज़ार
    आपकी रेटिंग
    • निर्देशक
      • Michael Powell
      • Emeric Pressburger
      • Rouben Mamoulian
    • लेखक
      • Mary Webb
      • Michael Powell
      • Emeric Pressburger
    • स्टार
      • Jennifer Jones
      • David Farrar
      • Cyril Cusack
    • 44यूज़र समीक्षाएं
    • 29आलोचक समीक्षाएं
    • 60मेटास्कोर
  • IMDbPro पर प्रोडक्शन की जानकारी देखें
  • IMDbPro पर प्रोडक्शन की जानकारी देखें
    • पुरस्कार
      • 3 जीत और कुल 1 नामांकन

    फ़ोटो63

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    + 57
    पोस्टर देखें

    टॉप कलाकार99+

    बदलाव करें
    Jennifer Jones
    Jennifer Jones
    • Hazel Woodus
    David Farrar
    David Farrar
    • John 'Jack' Reddin
    Cyril Cusack
    Cyril Cusack
    • Edward Marston
    Sybil Thorndike
    Sybil Thorndike
    • Mrs. Marston
    Edward Chapman
    Edward Chapman
    • Mr. James
    Esmond Knight
    Esmond Knight
    • Abel Woodus
    Hugh Griffith
    Hugh Griffith
    • Andrew Vessons
    George Cole
    George Cole
    • Cousin Albert
    Beatrice Varley
    Beatrice Varley
    • Aunt Prowde
    Frances Clare
    • Amelia Clomber
    Raymond Rollett
    Raymond Rollett
    • Landlord…
    Gerald Lawson
    • Roadmender…
    Bartlett Mullins
    • Chapel elder, dress shop owner
    Arthur Mainzer
    • Chapel elder
    • (as Arthur Reynolds)
    Ann Titheradge
    • Miss James
    Joseph Cotten
    Joseph Cotten
    • Opening Narration Spoken by
    Peter Dunlop
    • Cornet player
    Louis Phillip
    • Policeman
    • निर्देशक
      • Michael Powell
      • Emeric Pressburger
      • Rouben Mamoulian
    • लेखक
      • Mary Webb
      • Michael Powell
      • Emeric Pressburger
    • सभी कास्ट और क्रू
    • IMDbPro में प्रोडक्शन, बॉक्स ऑफिस और बहुत कुछ

    उपयोगकर्ता समीक्षाएं44

    6.91.6K
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    फ़ीचर्ड समीक्षाएं

    7m0rphy

    A Foxy Tale

    I now own this title on a DVD since it has recently been issued in the UK in its' new digital, re-mastered version.The colours are certainly impressive.I also visited Much Wenlock, Shropshire recently and photographed us next to the town clock (seen at the beginning of the film) which commemorates Queen Victoria's diamond jubilee in 1897, the year the film is set.

    The music of Brain Easdale has a haunting quality and I don't think enough credit has been given to this by other reviewers since it adds immeasurably to the atmosphere of the film.While in Much Wenlock I bought a review of Mary Webb's short stories, including "Gone To Earth" as I always like to read the book from which films are adapted (to see where the film plot diverges).Yes it is rather a corny Victorian melodrama but the acting is convincing enough.I could not help but think there were certain parralls with her (Jennifer Jones) previous epic of "Duel in the Sun" (1946).For Lewton McCanless read Jack Reddin, for Jesse McCanless read Reverend Marston, for Mrs Marston read Senator McCanless etc etc.In both films Jennifer Jones plays a half breed, Native American to Gypsy and is discriminated on accordingly by society.

    This film has been hidden from view for too long since its' release in 1950 by the major tv networks and viewers should certainly see this Michael Powell/Emeric Pressburger film if they can, especially if they enjoyed their other films like "Black Narcissus", "The Red Shoes" or "A Matter of Life & Death" from 1946.Technicolour has rarely been put to such good use.I suppose the main reason why you would watch "Gone To Earth" is to see the ravishing Jennifer Jones in the role of Hazel Woodus although all the cast are very effective.If viewers would like to see another example of David Farrar I saw him in "They Met in the Dark (1944) with James Mason and Joyce Howard.
    Jimlad

    Appreciation of unique style.

    A beautifully made and gently rolling film, almost surreal in content.

    Some moments almost seem off cue and through a breathtakingly simple narrative visual style, comes a story of innocence, passion and ultimate tragedy. The music is hypnotic and compliments the flow of the film.

    Superb performance by all - including 'Foxy'! If this film was made today it would be showered with Oscars.

    Finally, it is hard to see a comparable style in the British film industry prior to this and certainly nothing after it. It is this fact that I believe contributes to the films unique qualities.
    9donhogsett

    Strange, bold, compellingly beautiful. An utterly fearless Jennifer Jones.

    Among the strangest, and loveliest, of the Archers films. As with so many of their films, its real subject is the profound, almost mystical, connection of people to their physical environment, most notably the British countryside. The much under-rated Jennifer Jones gives an utterly fearless performance, throwing herself into a role that sounds unplayable on paper. The Christopher Challis three-strip Technicolor photography is bold and gorgeous, underlining the central importance of the landscape. Strange in the best possible sense, in that it takes us somewhere we've never really been. Even the Bronte sisters couldn't capture rustic England as well. But they never had the benefit of Technicolor.
    10jandesimpson

    The Archers hit the bullseye

    I saw this glorious film when it first appeared. The following week I tracked it down to a small London cinema where they screened single films continuously several times a day without supporting features. I hadn't intended seeing it more than once on this occasion but I can recall being so mesmerised that I watched the programme through three times. Clearly I was out of step with the climate of critical opinion. The reviewers had slated it and the audience around me was distinctly hostile. There was a lot of fidgeting and derisory shouts. Quite a few walked out. Behaviour was often bad in British cinemas in the 'fifties particularly if viewers got bored. The manager called the police in during a screening I attended a few years later of "The Trouble WIth Harry" and I can even remember screaming at the usherettes to stop talking when I first saw "A Face in the Crowd". I had to wait many years before I heard good things being said about "Gone to Earth". It was in 1988 when someone introduced a showing of it on British television most enthusiastically. Whatever one thinks about the relative merits of Powell and Pressburger's films (I am clearly in a minority in thinking this their finest) there is no doubt that they are now appreciated in a way they never were when they first appeared. But if passion for what is still considered one of their minor works may seem rather over the top, let me say but one thing; where else in the whole of cinema is there a more haunting and magical evocation of English landscape! Christopher Challis, a brilliant cinematographer, is the real star of the film. Undoubtedly (and this is perhaps at the core of its original problems) style matters more than content. The plot is little more than Victorian melodrama - lecherous squire deflowers simple country girl who has married local vicar - and the dialogue is curiously stilted. However this hardly matters in a work cinematically choreographed with such brilliance. The final foxhunting sequence, where the film's many strands are brought together, is visually and aurally one of the most spellbinding in all cinema. The huntsman's cry of "Gone to earth!" at the very end has haunted me for well over half a lifetime.
    7MogwaiMovieReviews

    A Wild, Dark, Pagan Beauty

    This was a hard film to see for a very long time, at least in any form that would do it justice. But the small snippets of it I'd caught made me steadfastly wait for the day I could view it, and having done so, I can say it's considerably better than its fairly middling reputation.

    Maybe the easiest way to describe it is as Powell & Pressburger's "Wuthering Heights" - it's set in that gothic period drama genre, anyway - but at root it's a grown-up, thoughtful and adult romance-of-sorts set on windswept fairy-tale moors.

    The two films it fits closest to in their body of work would be "I Know Where I'm Going" (for the elemental setting) and especially Black Narcissus, for the matchless colour photography and mood of suppressed eroticism bubbling savagely beneath the surface. You can feel the invisible forces of superstition and desire affecting events, the tiny figures swamped by a greater Nature beyond their understanding or powers.

    As I've already said, this is a grown-up film, a good 15 years or more before its time in its depiction of adultery and complexity of emotion in a potboiler setting. The sexuality in it is not explicit, but it's firmly engraved in stone between the lines of the script and in small moments of quiet force - flickers of understanding, judgement or confusion passing over every face throughout, speaking volumes.

    There's a lurid, hyperreal, almost cartoonishly painterly look to the colour films of the 40s and 50s, which was never seen again afterwards, and is now impossible to recreate. This one has the texture of Singin' In The Rain but is, unusually, set largely outdoors, in the real world, in wide open spaces. Because of this, the nature scenes look, gorgeously, straight out of Bambi.

    Gone To Earth is not P&P's greatest film, but it's a real treasure nonetheless. A wild, dark, pagan beauty.

    इस तरह के और

    The Small Back Room
    7.1
    The Small Back Room
    The Tales of Hoffmann
    7.1
    The Tales of Hoffmann
    A Canterbury Tale
    7.3
    A Canterbury Tale
    Ill Met by Moonlight
    6.5
    Ill Met by Moonlight
    The Edge of the World
    7.3
    The Edge of the World
    Oh... Rosalinda!!
    6.1
    Oh... Rosalinda!!
    Contraband
    6.9
    Contraband
    The Spy in Black
    6.9
    The Spy in Black
    The Elusive Pimpernel
    6.0
    The Elusive Pimpernel
    49th Parallel
    7.3
    49th Parallel
    One of Our Aircraft Is Missing
    7.0
    One of Our Aircraft Is Missing
    I Know Where I'm Going!
    7.4
    I Know Where I'm Going!

    कहानी

    बदलाव करें

    क्या आपको पता है

    बदलाव करें
    • ट्रिविया
      The choir was the real choir from the local Methodist chapel. When he heard them singing, director Michael Powell said they were too good and he wanted them to sound "more ragged, like a choir of country folk" only to be told "But we ARE country folk, Mr. Powell."
    • गूफ़
      As Abel and Hazel Woodus come down the hill to the chapel, the mine engine house disappears and then reappears between shots
    • भाव

      Hazel Woodus: The world wasn't made in seven days only for Abel Woodus.

    • इसके अलावा अन्य वर्जन
      The reedited and shortened version titled "The Wild Heart" was produced after a disagreement and court case between director Michael Powell and producer David O. Selznick. Selznick's changes are mainly:- (1) Adding a prologue. (2) Adding scenes explaining things, often by putting labels or inscriptions on them. (3) Adding more close-ups of Jennifer Jones (Selznick's wife). He also deleted a few scenes that he felt weren't dramatic enough. Sadly some of these were major plot points so the story doesn't make as much sense as the original. In his autobiographies, Powell claimed that Selznick only left about 35 mins of the original film. In fact there's a lot more than that. About 2/3 of the original remains.
    • कनेक्शन
      Featured in The Late Show: Michael Powell (1992)
    • साउंडट्रैक
      The Mountain Ash
      (uncredited)

      Words and music by Brian Easdale

      Performed by Jennifer Jones

    टॉप पसंद

    रेटिंग देने के लिए साइन-इन करें और वैयक्तिकृत सुझावों के लिए वॉचलिस्ट करें
    साइन इन करें

    अक्सर पूछे जाने वाला सवाल18

    • How long is Gone to Earth?Alexa द्वारा संचालित

    विवरण

    बदलाव करें
    • रिलीज़ की तारीख़
      • 6 नवंबर 1950 (यूनाइटेड किंगडम)
    • कंट्री ऑफ़ ओरिजिन
      • यूनाइटेड किंगडम
      • यूनाइटेड स्टेट्स
    • भाषा
      • अंग्रेज़ी
    • इस रूप में भी जाना जाता है
      • The Wild Heart
    • फ़िल्माने की जगहें
      • Much Wenlock, Shropshire, इंग्लैंड, यूनाइटेड किंगडम
    • उत्पादन कंपनियां
      • Selznick International Pictures
      • The Archers
      • London Film Productions
    • IMDbPro पर और कंपनी क्रेडिट देखें

    तकनीकी विशेषताएं

    बदलाव करें
    • चलने की अवधि
      • 1 घं 50 मि(110 min)
    • पक्ष अनुपात
      • 1.37 : 1

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