Ill Met by Moonlight

I re-watched this as I am currently reading the history of Crete during WW2. Many of the component parts of the true events are in the movie, which makes it a pretty good representation of what happened without it being a documentary. Of course, you have to factor in the 1950s acting and effects limitations but, having read a little about the real-life players, it wholly underplays events. Those guys spent a long time in the mountains fighting the Nazis - might have made them a little crazy.

"Ill Met by Moonlight" is a different kind of film for The Archers, and sadly, their last venture together.

It's a World War II film, based on real-life events in Crete, about the British army and members of the Crete resistance who kidnap a German officer (Marius Goring) in order to send him to Egypt.

The British are headed up by Dirk Bogarde.

It's a slow moving film, without a tremendous amount of suspense, but I have to say I enjoyed it. It's rich in humor and examples of camaraderie among the soldiers and resistance workers. The photography is excellent, though it's no Black Narcissus.

The problem with it is that it isn't up to the usual standards of Powell and Pressburger and not representative of them. I do love Dirk Bogarde, though, in everything.

What may not be widely known to movie fans is that at least two, or possibly three members of the cast of Ill Met by Moonlight, were former serving British Army Intelligence Officers. Dirk Bogart served as a British Intelligence Officer during WW2 on mainland Europe and in particular in Germany. His job was to round up Nazi Concentration Camp Guards. Bogart was at Belsen CC on day one of liberation. The movie, although based upon a novel by the same name, is not a fiction, but based upon actual events which took place in Crete involving SIS (Secret Intelligence Service) Officers and Greek Army Officers and local Cretan Royalists. The plan was to capture a German general and smuggle him out to Cairo. This was in effect an SAS operation which was highly successful. The movie came too close to reality for comfort and I believe that UK SIS wanted to protect former members of the Cretan Resistance as well as it's own serving officers who had taken part in the operation. To this end, I think SIS saw to it that the movie was dominated by one of their own, Dirk Bogart.

daxart

On the Greek island of Crete during WWII, British agents are assisted by local partisans fighting the Nazi occupation. One night on a beach, they welcome Major Patrick Leigh Fermor DSO (Dirk Bogarde) and Captain Bill Stanley Moss MC (David Oxley) of the British Special Operations Executive (SOE). They come up with a plan to kidnap German commander Major General Kreipe (Marius Goring).

It's a British war movie based on real people. The Italian locations look great and seem pretty close. There is a bit of espionage and some action. Mostly, it's collegial cat and mouse stuff. I would have liked to see the big ambush. The movie should follow Niko after the gold coin until the ambush happens. It's missing the big action finish.

This must be the worst film by Powell and Pressburger. Powell describes its failures so well (in his autobiography MILLION DOLLAR MOVIE, page 364) that one need not dwell on all the details. The biggest problem is the flip, arch, schoolboy attitude of the characters. Powell complains of Bogarde, and claims that his performance effected the others, but the script and direction can't escape blame. One of the strong moments in the much more interesting non-fiction book this is based on is when the author realizes that it's not just fun and games but all for real when the general's driver gets killed. This moment of realization is not in the film. The travel across the island with the general is much too long, and there is no evolution to the relationship between the general and his captors, which makes it very tedious. Goring is a weak-sister general; perhaps Powell's first choice of Curt Jurgens could have made a difference. But the greatest disappointment is the use of hackneyed dramatic structure, particularly in the final scenes. Whether Powell and Pressburger were good or bad, they were always original. But the sequence where the general tries to bribe the boy is so familiarly presented that every step of its structure is obvious from the start. Ditto the scene when the general leaves his hat, where we're given a clue in the dialogue that the British are on to this ruse. The scene is baldly inserted to give some sense of danger to the trek. Then there's the "I don't know Morse code, do you?" routine at the end, which is lazily resolved by Cusak coming up out of nowhere with no particular explanation. These, and other tired script devices are taken, unadorned, straight out of Saturday matinée westerns. I can forgive the lack of pacing, but not this. The photography is stunning, even though the "on-location" isn't Crete. And despite Powell's disparaging remarks about VistaVision, it really enhances the black and white.