Cheaper by the Dozen

One of my favorite characters is Mr. Belvedere as played by Clifton Webb. A man that is a genius and knows everything about anything including raising children but very little patience for kids. So the idea of Webb raising a dozen little ones was interesting. The film about the Gilbreth family, in the early 20th century turns into a wonderful family picture as Webb is Mr Frank Gilbreth, a man concerned with efficiency. A role perfect for Webb. Gilbreth is a very strict and opinionated man about how to do things quicker and faster. Gilbreth even has opinions about the quickest way to operate on tonsils, even though he is not a doctor. The best way to prove his theory is to film the mass operation of eleven children and himself. The whole film truly centers on the love of a man for his family and Webb is the perfect person for this picture. The ending is a sad event because the film takes the time to develop lovable characters that you care about. A film well worth the time to sit and have a bag of popcorn and "soda pop" and don't forget your dog. Enjoy!

Forget the mediocre Steve Martin remake, this film is the Cheaper By the Dozen to see. Jeannie Crain is a little too old for her role as the oldest daughter that I have to agree with. The rest however is delightful entertainment. There is nothing hilarious here, but some lines and scenes are funny and very pleasant, plus some moments are touching. The film looks great, has a beautiful soundtrack and a story to warm the heart, and it has a script that has its humorous and sweet parts. The film is short but not too short, and it is snappily paced. The children are very believable, Myrna Loy doesn't have as much to do but is suitably warm and sympathetic and Clifton Webb is absolutely wonderful. All in all, still a joy. 8/10 Bethany Cox

Once again, this is a movie in which the original is better than the re-make, even though the latter was a decent, popular film.

What the two films offered, however, was another stark contrast in how the culture (and Hollywood) has changed. In this original version, unlike today's films: 1 - The father rules the roost; 2 - the kids are nice kids. They actually behave and are respectful; 3 - The general atmosphere is a far more kind and gentle one than scene in today's "family films."

In other words, this is a real throwback to an era of nice family films, when they really were truly that. It reminded me of "Life With Father." If you liked that film, you'd enjoy this.

Clifton Webb was fun to watch as the strict father. Myrna Loy's role as the mother wasn't as much as one would expect. Perhaps if the title hadn't already been taken, this would have been more aptly named "Life With Father" since Loy's part was so minor. The kids were pretty wholesome and believable for that era except Jeanne Crain was far too old to be playing a 17-year-old.

If the film could be described in one word, it would be CHARM. It doesn't provide a lot of big laughs but it's pleasant, and at 86 minutes doesn't overstay its welcome.

I saw this movie on our local PBS station last night. I had never seen it before, and sat there sorta wondering why on earth I wasn't changing the channel. As I watched the characters develop, and the continued background scenery of spacious houses and country that looked much different than what we see now - I understood why I couldn't change the channel. This film makes you think. It makes you realize how spoon-fed we are. We are spoon-fed movies, plots, stories, violence, sex, etc.

A film such as this allows us to stop being spoon-fed, and lets us pick and choose what we want from the story, from the film.

It is amusing to me that most of the posts against this fine film appear to be posted while watching the film through 2004-style glasses. It isn't a pretty thing, but women weren't held in the same position that they are today - and the film portrayed this wonderfully. Did it make the wife in the film any less admirable? I think it showed the inner strength that women had to have, making a remarkable statement about women of the era - that even though they might not be able to be out in the forefront - they had every bit as much (if not more) strength then the men. Even the father couldn't handle all the children - but the mother could -WHILE having a profession to boot!!

While the father wasn't necessarily warm, and you didn't get that fuzzy feeling modern movies give us - I believe the character was very true to life when put in the context of the 1920s. I have spoken a great deal with many people I know, that had lived through that time period. I can tell you now, that many people in the early 1900s never experienced the type of love and closeness we feel today. Survival wasn't a near-guarantee back then, and harshness, crassness, and distance from others was more common. Children died at an alarming rate . . . adults too.

History is what it is - and it is NOT subject to change, regardless of the nature of today's political attempts. Slavery happened, women weren't seen as equals, people were lynched by mobs of overzealous citizens, people starved, the dust bowl occurred. None of these events are wonderful, but they are our history, and there should be no shame in discussing - or accurately portraying / conveying these topics. I think this film is what it is too - a look at the life of an average family (perhaps an above average number of children - but even that wasn't all that rare).

Enjoy this film - but please, be prepared to leave your glasses smudged with 2004 politics and standards behind - this is a treasure where we can get a glimpse of the type of characters that lived with our grand parents, great grand parents, and the like. If you like to be spoon-fed, please DON'T watch this movie.

Clifton Webb is a joy in this delightful film, based on a true story, of an eccentric genius and his twelve children. The color is gorgeous, and the interior design of the family's New Jersey home ought to have won an Oscar. Myrna Loy is solid as Webb's patient, loving wife, and Jeanne Crain energetic as his spunky daughter. There isn't much story here, as events unfold naturally, as they do in life, and one isn't always sure where the film is going. Early twentieth century America is captured in all its overstuffed, art nouveau-ish glory, as the film's plot, irregular, often going off on odd tangents, perfectly mimics that style of design so popular at the time. The movie is really about the end of an era, as we see the very tail end of the Gilded Age turning into the roaring twenties, and with it the death of the old paternalism, at times stiff, occasionally charming, perfectly embodied by Mr. Webb; and there is an awesome sadness at the film's conclusion, as we see a man and his era pass into history.