अपनी भाषा में प्लॉट जोड़ेंAn ex-GI becomes involved with the American Communist party, and falls in love with his instructor. The pair quickly realise their mistake, when they see how party leaders handle a member wh... सभी पढ़ेंAn ex-GI becomes involved with the American Communist party, and falls in love with his instructor. The pair quickly realise their mistake, when they see how party leaders handle a member who questioned the party's principles. When they try to leave, they're marked for assassinat... सभी पढ़ेंAn ex-GI becomes involved with the American Communist party, and falls in love with his instructor. The pair quickly realise their mistake, when they see how party leaders handle a member who questioned the party's principles. When they try to leave, they're marked for assassination and hunted by the party killers.
- Nina Petrovka
- (as Hanne Axman)
- Jack Tyler
- (as William J. Lally)
- Sheriff of Talbot
- (as Robert Purcell)
फ़ीचर्ड समीक्षाएं
At the same time, communism stood for equality and class warfare, allowing for only one class, the working class, since allowing for different classes of people was just Another Word for inequality and injustice.
Now, if you could therefore renounce equality and justice by renouncing the Soviet Union, which, through communism, stood for these qualities, why, then you could defend the injustices and inequalities you wanted to keep by Calling every wish for equality and justice to be the same as a wish for communism and that is just what has been done in the USA for the last 70 years, which this film bears witness to.
The Soviet Union was a failed system but that has Little to do with communism because, although the SU called itself "communist" it was not a system of equality and justice and instead just a dictatorship ensuring that a Little Group of people had all the wealth and all the Power just like in the USA, where the same was ensured by somewhat different means.
How to achieve equality and justice is still a problem to be solved but it will never be solved by simply Writing these qualities off by Calling them "communism".
This film illustrates the propaganda being used against the American Citizen and is helpful to understand the brainwash that Americans seem to suffer from. I therefore give it 5 stars.
communism demanding slavelike servitude and obedience, and wilfully encouraging historical revisionism are an ever present threat as even today our history is under threat by people who seek to push a mandela effect on people and gaslight away truth, and act violently towards anyone who dares question it or seek to maintain truth
of all movies that need a remake to keep the message alive, THIS is one badly in need to be revisited.
The film begins with a couple driving from California into Arizona. The lady, in particular, is very nervous and you learn via a LONG flashback what it's all about and why she's worried. Bill Jones (Robert Rockwell) is an angry WWII vet. His bitterness attracts the attention of a Communist recruiter who gets him hooked up with folks who seduce him gradually into embracing Communism...and they use women to do this gentle 'guidance'. However, while Bill soon becomes a full-fledged Commie, some of the women working to convert him towards this system are beginning to have their doubts...particularly when they see how vicious their superiors are in dealing with dissent. Bill, too, begins to see how the Party is filled with jerks...folks who couldn't care less about truth or equality.
So is this film any good? Well, yes and no. As a history teacher, I must point out that there was a Communist Party USA and many of their tactics shown in the film are pretty realistic...despite how we tend to look on the Red Scare as almost comical today. This would especially be true of the Party just before WWII--when folks went from being lionized to demonized by them. But it also comes off as a bit over- earnest...a bit too trite as well---especially at the barf-inducing ending. Subtle, it sure isn't...but it is entertaining. So, despite low production values, it does keep your interest.
I noticed one review compared this to "Reefer Madness". Well, that's their opinion, but I felt "The Red Menace" had much, much better production values and isn't even close to being as schlocky as "Reefer Madness" or "Sex Madness" (by the same production company). This film is much slicker by comparison...though I gotta admit that speech at the INS office near the end of the film was amazingly over the top...and a bit reminiscent of the guy playing the piano in "Reefer Madness".
It seems to be a rule of Hollywood movies that no pretty woman remains a communist when loved by a handsome leading man, and that's pretty much what happens here. Meanwhile, in ideology land, the multi-racial, tolerant views of the party begin to shred in the presence of individual thought and sympathy.
It's one of the many virulently anti-Communist movies made in Hollywood in this period in an effort to avoid losing the entire studio to the Blacklist -- just the highly priced writers and directors. The script by Albert Demond and Gerald Geraghty makes a play at intellectual fairness by noting the CPUSA work in unionization and civil rights. Having done that, it goes off the rails in a manner that Red Channels would approve of.
क्या आपको पता है
- ट्रिवियाDebut of actresses Barbra Fuller, Betty Lou Gerson, Kay Riehl and Mary DeGolyer.
- भाव
[first lines]
Nina Petrovka: No... Don't let them... I'm afraid.
Bill Jones: Nina, stop it. It's me, Bill! They can't get us now.
Nina Petrovka: They're gonna kill us!
Bill Jones: Nina... Get a hold of yourself. Snap out of it.
Nina Petrovka: That same dream. Those frightening, sadistic faiths chasing me. Turning guns at me.
Bill Jones: It's nothing to worry about. They can't get us out here.
Nina Petrovka: You don't really believe that. You know we can't get away.
Bill Jones: They haven't caught us yet, have they?
Nina Petrovka: No, but... they are real! Oh please Bill, let me get myself up. It isn't you they're after, want me, why don't you...
Bill Jones: This is why.
[kisses her on the cheek]
Nina Petrovka: Well, we'll have to stop for the next gas station.
Bill Jones: Bill... I hate to stop for anything.
Nina Petrovka: Well, we can't run without gas.
- कनेक्शनFeatured in Hollywood on Trial (1976)
- साउंडट्रैकMy Country, 'Tis of Thee
Lyrics by Samuel Francis Smith (1831)
Sung by a male chorus at the end, over shots of the Statue of Liberty
टॉप पसंद
- How long is The Red Menace?Alexa द्वारा संचालित
विवरण
- चलने की अवधि
- 1 घं 21 मि(81 min)
- रंग
- पक्ष अनुपात
- 1.37 : 1