Yellow Sky

This western has adventure, romance, passion, and a very heartwarming ending. The stars, Gregory Peck and Anne Baxter, have great chemistry and their acting is just wonderful. Anne Baxter is feisty and really shines in this movie. Although the movie is over half a century old, it is nonetheless very entertaining and delivers on all fronts.

It's interesting that when it comes to Westerns, most people don't think of Gregory Peck--even though he's made some of the very best films of the genre. Sure he made a lot of other types of films, but this film, THE GUNFIGHTER and THE BIG COUNTRY are absolutely top-notch films.

This film is odd in that Peck is the lead but he isn't exactly a hero. In fact, when the movie begins he's running with a gang of slimy desperadoes. However, through the course of the film, his character changes--revealing SOME decency underneath all that filth. However, despite this change, his character is still very believable and compelling--not preachy or one-dimensional. As a result, this is more of a "thinking person's" film--not just some cardboard characters fighting it out in the middle of the town (something that almost NEVER happened in the Old West). So, take my advice and see this film. The acting, direction and especially the writing make this a must-see Western,...even if you don't particularly like Westerns!

UPDATE: I just saw a remake of "Yellow Sky" called "The Jackals". Instead of the old west, it's set in South Africa and is also quite good.

This is not just your ordinary western. Top stars, great scenery and a well acted, but ordinary story. Gregory Peck leads a gang of bank robbers into the desert with the law hot on the trail. Peck ends up romancing Anne Baxter; and dealing with an Arizona ghost town while trying to calm down his angry pack of thieves. Also in the cast are: Richard Widmark, John Russell, Harry Morgan and Jay Silverheels. Beautiful black & white western action.

This fine, moody Western was one of a handful of efforts – heralded, incidentally, by the same director’s THE OX-BOW INCIDENT (1943) – which elevated the form and led the genre into its most popular (and prolific) era.

Superbly shot in crisp black-and-white by Joe MacDonald, the film makes the most of its stark location (Death Valley) and terse plot – following a robbery, a band of outlaws eludes the pursuing posse by crossing the desert and finally hitting the titular ghost town (where the only inhabitants are a grizzled prospector and his tomboyish, gun-toting half-breed niece). The cast is headed by relatively new stars of the era – Gregory Peck (in only his second Western), Anne Baxter (she had just won a Supporting Oscar for THE RAZOR’S EDGE [1946]) and Richard Widmark (this was his first of many genre outings, having only debuted a year previously) – which allowed an agreeably fresh and remarkably mature outlook on familiar themes (a small group of people fighting the elements, and themselves over lust and greed).

Though Widmark is surprisingly off-screen for long periods of time (and, consequently, tends to be overshadowed by his co-stars), this still emerges as perhaps the most satisfying among the Westerns he appeared in. For the record, he would play variations on his role here in both GARDEN OF EVIL (1954) and THE LAW AND JAKE WADE (1958); incidentally, I have two more Westerns of his lined up for this week – the former among them (see below) – as part of my tribute to the recently deceased actor. With YELLOW SKY, Peck followed his roguish turn in DUEL IN THE SUN (1946): the character is eventually revealed to be an upstanding person – an intrinsic part of the star’s on-screen persona, which he could play against effectively but did so only occasionally – forced into a life of crime by circumstances. Naturally, the gang subsequently turns on Peck for not wanting to keep all the gold to themselves – and he holes himself up in Baxter and her grandfather’s house, under siege from his former companions! Baxter, then, has been raised in a tough environment where she can practically overcome any obstacle despite her young age and sex: in fact, even more than the outlaws’ intrusion on the life she knew and the property that was rightfully hers, Baxter fears her personal reaction to them (finding herself especially drawn to Peck, who arouses her dormant feminine instincts!).

The film was adapted by Lamar Trotti (who also produced) from a novel by W.R. Burnett, an author more usually associated with gangster/noir pictures and, in fact, as can also be seen from the colorful character names here – Stretch (Peck), Dude (Widmark), Lengthy (dastardly John Russell), Half-Pint (diminutive Henry Morgan), the youthful Bull-Run, the cheerfully heavy-set Walrus, etc. – the narrative could very easily be tailored to that particular milieu. That said, when it was actually remade – in 1967 under the title THE JACKALS, and atypically featuring horror icon Vincent Price in the role of the prospector (by the way, I’ll be watching this version presently since I came across it as a rental) – it retained the Western ambiance, albeit with a difference (which I’ll discuss in that film’s own review).

At the end of the day, I’d say that YELLOW SKY is pretty much essential fare (beautifully handled by the practiced and versatile Wellman – highlighted by a three-way shoot-out which audaciously takes place in a darkened bar-room, and off-screen to boot!). Even so, the film seems to me to be relatively undervalued within the pantheon of the genre itself: for instance, it doesn’t rate as highly as Peck’s three most prestigious Western titles (the afore-mentioned “super production” DUEL IN THE SUN – elaborate, garish but overpowering, the no less grandiose and star-studded THE BIG COUNTRY [1958], and the intimate but psychologically-dense THE GUNFIGHTER [1950] – of which a second viewing is truly in order!).

The plot of "Yellow Sky" may not be the most original but the performances more than make up for it. A gang of bank robbers cross a dangerous desert only to find themselves in a ghost town. But there are two inhabitants in the ruins; a young woman and her prospecting grandfather. The gang members immediately suspect that the two are hiding gold in their dilapidated mine and set out to rob them. The leader of the gang, however, (a young Gregory Peck) falls in love with the young woman (Anne Baxter) and a showdown is inevitable with the rest of the outlaws. Richard Widmark, in fine form as "Dude" a gambler/murderer with his trademark smirk intact, is Peck's main rival in the gang. The Black and White photography is excellent and the exteriors, filmed in Death Valley, give the movie a much-needed sense of realism. Director William Wellman received outstanding performances from this cast and the movie is considered a minor classic by most film historians. They don't make 'em like this anymore---but they should.