The Naked Spur

James Stewart and Anthony Mann worked together on several films during the 1950's, and this film, "The Naked Spur", represents a very satisfying effort, pooling the collective talents of a great star with a renowned director and letting a story tell itself on film.

There is very little action in the sense of a normal western, no shootouts in the streets, no bar-room brawls, no breakouts from the jail, or even a bank robbery. There is no town, period; the film was made outdoors in Colorado, and the scenery simply enhances and enriches the plot of the film.

Basically, James Stewart plays a bounty hunter, Howard Kemp, who has a chance to catch a major outlaw, Ben Vandergroat portrayed by Robert Ryan. To Kemp, capturing the outlaw represents a chance to make something of himself, start over, with no ties to the former failures he has met. Along the way, he bumps into a weather-beaten prospector, Jesse, played by veteran Milliard Mitchell, and a deserter from the army, played by Ralph Meeker. Ryan has a traveling companion, Lina, (Janet Leigh), and when Ben is captured, she does make efforts to free him, thus causing Stewart's character all sorts of grief and anguish. Ryan, in a starkly brilliant performance, also attempts to create chances to escape.

In watching the film develop, one has to wonder if Kemp will ultimately, due to his hardened nature, surrender Ben to the authorities, or will he simply let the outlaw go, and try to make a fresh start elsewhere. The answer comes at the side of a roaring river set between a rocky gorge. A very unique film, and one that deserves a watch by western fans.

I never realized what a scene-stealer ROBERT RYAN could be until I saw THE NAKED SPUR. Although JAMES STEWART is the nominal big name star, it's Ryan's charming, snake-like villain who dominates this rugged western despite strong performances from the entire cast. He obviously relishes his role and is a joy to watch.

This is more a character study of a group of desperate losers than your average shoot 'em up western and Anthony Mann has directed it with the focus on the strong clashes between each one of them. RALPH MEEKER does an outstanding job as a war deserter who is both a help and a hindrance to the group as they seek to return outlaw Ryan to Kansas so justice can prevail. Stewart's character is given strong motivation for his deeds but Janet Leigh, as the outlaw's girlfriend, has a role that is not plausibly explained.

Photographed in Colorado's Rocky Mountains, it's a rugged kind of technicolor western that gives all of the performers physically demanding roles--and all of them are more than up to it.

Stewart, Leigh, Mitchell and Meeker are all superb--but it's Robert Ryan's devious villain that will linger longest in the memory.

I saw this for the first time recently.

The plot in short n without any spoilers - A man with a tragic past becomes a bounty hunter to catch a cunning murderer so that he can buy back his land via the bounty reward. Unwillingly he partners with two fellas, one an ex soldier who is discharged dishonorably n the other an old fella looking for gold mine. The trio manages to catch the murderer but on the trail the cunning wanted murderer wages a continous psychological game to turn his captors against each other by various means.

This is no doubt a very different western which started off very engrossing, specially the psychological duel n the journey but somehow towards the end it felt a bit odd.

The girl suddenly changes her mind, the soldiers' fate in the end was uncalled for n what was the need for digging a grave for a murderer n where will the couple live if the man is broke n without a house.

Still i am generous with a 7 cos of the performances n cinematography.

Set in the post Civil War American West, The Naked Spur is more than a western. The director, Anthony Mann, took a script by two relatively unknown screenwriters (later nominated for an Oscar) and made a great picture about losers trying to survive in a tough postwar world. James Stewart, the star, plays a rancher who lost everything because before going off to the Civil War, he signed his ranch over to his girlfriend. In 1952, when this picture was filmed, World War II was no distant memory, the Korean War was going on and the idea that a soldier thought he wasn't going to return from a war was real enough. The writers and Anthony Mann placed the story almost a hundred years earlier, but the movie is about regular people on the skids. The cashiered Army officer, always looking out for number one, whatever the cost to others, had to ring true with war veterans in the audience in 1953. There is a villain, and Robert Ryan plays a great one, but James Stewart's character, Howard Kemp, is no hero. Ryan's character, Ben Vandergroat, complains that he knew Howard and he never did Howie any wrong, so there was no reason for Kemp to track him down, regardless of the reward money. Ryan has a point, a western hero doesn't hunt down someone just for money, knowing that if caught the person will be executed. But the scenic views of the Rocky Mountains, the great production values (including Technicolor) by MGM and the stars all are a façade for what could have been a film noir picture, Anthony Mann's earlier specialty. Stewart's character in The Naked Spur is trying to get back the ranch he lost after his world was turned upside down by war. The screaming nightmares he has, showing the psychological trauma the war was responsible for, would now go under the name post traumatic stress syndrome. War veterans trying to return to a normal life has always been a subject for movies, but rarely has the message been hidden as well as here. The Naked Spur is the type of class picture studios don't (or can't) make anymore, and that is the moviegoers' loss.

Angry James Stewart is out to get killer Robert Ryan and claim his reward. On his way he meets up with 2 strangers - Millard Mitchell, an old prospector looking for his first strike and Ralph Meeker, an ex army lieutenant. Both agree to help him for a share of the bounty, but can they be trusted.

A terrific, character lead study of 5 people, including Janet Leigh, who all have individual greed and obsessional issues. This is probably the best of the Mann / Stewart westerns with Stewart giving an often frightening dramatic performance and with exceptional support from the other 4. It is a first rate character piece where the action, good though it is, comes second to the characters such that all of them are given enough time and script to really develop.