Trapped by Boston Blackie

Trapped by Boston Blackie (1948)

** 1/2 (out of 4)

Thirteenth film in the Columbia series has Boston (Chester Morris) and the Runt (George E. Stone) accused of stealing some jewels so they must try and clear themselves as well as save another innocent woman. This film starts off pretty slow and routine but once Morris gets going the film takes off, although it's still not one of the better films of the series. Richard Lane is back as the dimwitted Farraday and he and Morris mix it up like old time. The highlight is a scene where the Runt has to dress in drag to get by some police waiting for him at a hotel.

Penultimate Boston Blackie movie starring Chester Morris. This time Blackie is accused of stealing a pearl necklace at a costume party. Inspector Farraday is as big a jerk as ever about it. He does have the movie's funniest line, though: "In the dull, blank expanse of your face I can read the dismal promise of the years to come."

This isn't one of the better films in this series. There are the usual "Blackie in disguise" gags, including one with his sidekick Runt in drag. I'm not a big fan of these costume gags. They're rarely funny to me and seem like an example of a type of comedy that isn't timeless. Anyway, this is fine I guess for a B picture of its type. The cast is solid but neither the mystery nor the comedy is much to get excited about. Check out the scene with that huge dog and the Runt. Poor George E. Stone looked like he was scared for his life!

Much as I like Chester Morris and the Boston Blackie series, when you see these films in close proximity to one another, the formula becomes a little bit of a bore.

Blackie (Morris) and The Runt (George E. Stone) are given the assignment of guarding a woman who is wearing her very expensive pearls at a party. Guess what. They're stolen and Inspector Farraday (Richard Lane) and company blame Blackie. So he has to clear himself by finding them.

There were some cute scenes in this film, the best when Blackie with a mustache goes to a dance school to take lessons. He's hilarious, talking about from the time he was so high - no, this high, he's wanted to dance. "I'm a bird in a cage," he says. "Dancing will release me." June Vincent is a beautiful blonde who gives the film some real class - she really should have had a better career in films. She never moved up from the Bs. She moved into television in the '50s and did very well.

I never understand how Farraday can't see right through all those disguises, but I guess you have to go along with the illusion of film.

Morris gives the film a light, relaxed touch, and thank goodness because he keeps these movies going. This particular film is okay, worth seeing for Blackie trying to infiltrate his way into the dance studio and for seeing them pose as husband and wife - a riot.

This was George E. Stone's last appearance as The Runt.

Fun stuff, easy on the mind after working all day. Chester Morris fits Blackie to a tea! Blackie and Runt do a great Ma and Pa disguise. They are just as I remembered them. I look forward to watching more of Boston Blackie.

"When I was in stir, I heard these boys was going straight... Ain't it terrible what vicious gossip you hear about people?" That's what people are saying about "Blackie" (Chester Morris) and his pal "Runt" (George E. Stone) when they are naturally top of the list of suspects for "Insp. Faraday" (Richard Lane) and his dim-witted sergeant "Matthews" (Frank Sully). It's all the more complicated because our recently reformed pairing have only just taken over the running of a private investigation firm that was previously owned by a friend who suddenly lost control of his car on a dark and windy road. Their first job is to protect some valuable pearls, they get pinched, then found, then found again - somewhere else. Just what has dancing instructor "Igor" (Edward Norris) got to do with things, too? This is quite good fun with Morris and Stone spending quite a bit of it in fancy dress, a bit of drag and engaged in some daft fisticuffs as they hone in on the dastardly perpetrators. On that last front, it's not so very difficult to guess who they are - there are so many different cast members to choose from, but it's a quickly paced and enjoyable hour that is at the better end of the series.