One Mysterious Night

One Mysterious Night (1944)

** 1/2 (out of 4)

Seventh film in Columbia's Boston Blackie series features the directorial debut of Budd Boetticher and features future Oscar winner Dorothy Malone is a small role. In the film, thieves steal a diamond right in front of the police so Inspector Farraday (Richard Lane) calls in Blackie (Chester Morris) for help. With Boetticher directing I was really expecting something special but in all honesty his direction is probably the weakest I've seen in the series. The film runs 61-minutes so there's never a slow moment and as usual, Morris and Lane do a great job together. The story itself is pretty good but again, the director doesn't do anything special with it. Janis Carter is good in her supporting role as well.

Boston Blackie and the Runt finally get recognition of a sort in One Mysterious Night. This time when a jewel robbery is perpetrated instead of immediately suspecting them, Richard Lane as Inspector Farraday seeks their assistance in apprehending the real crooks. Chester Morris and George E. Stone even get badges.

Of course they give Lane a few anxious moments as he has second thoughts that they might really have been the thieves who stole the Star of the Nile diamond from an exhibition for war relief. And as usual the cops are more of a hindrance than help in Blackie's mission.

Sultry and sexy Janis Carter plays a sob sister reporter looking to become Lois Lane and who has more on the ball than the cops. Morris gives her more than a passing glance.

Future Oscar winner Dorothy Malone is in this as well as the sister of the guy who was the inside man in the robbery. Her brother is killed by his accomplices making this a homicide as well as a robbery.

Breezy entry in the Boston Blackie series, I think viewers will like it.

At an exhibition of art and jewelry for the purpose of raising money for war funds, the most valuable of all pieces, a huge diamond, is mysteriously stolen - so what does Inspector Faraday tell the reporters to print? That Boston Blackie did the 'job'! But why? To get him to help the police solve the case!!

Now that's a new one, Blackie with a police badge in his pocket - but the rest is more or less familiar: the most hilarious chases, the most daring escapes - and two dumb flatfoots playing cards for an hour right next to the two thieves who are posing as dummies in a store!

Good, solid, and clever entertainment as always by Blackie with the thousand faces (this time Chester Morris impersonates an elderly professor, for instance, with the greatest credibility!), his friend the Runt, and the whole bunch of stupid policemen; and not a dull moment!

"One Mysterious Night" is a Boston Blackie film starring Chester Morris and made in 1944. In this one, Inspector Farraday accuses Blackie of stealing a valuable diamond, in the hopes of bringing him to the police station so he can get his help in recovering it. It works, and Blackie and the Runt (George E. Stone) are put on the case. Meanwhile, Blackie is dogged by a good-looking reporter (Janis Carter) who sees through a couple of his disguises.

What makes this series is the good fun provided by Chester Morris as Blackie. It's not much of a mystery - in fact, we know at least one of the participants in the robbery from the beginning.

The attractive Janis Carter stands out as the reporter.

Entertaining if not great.

To help raise funds for the war effort, a collection of jewels is being displayed at a posh hotel. That's manna from heaven for a thief and when the famous "Blue Star of the Nile" diamond goes walkabouts and "Blackie" (Chester Morris) is found in the vicinity, well then what else might "Insp. Faraday" (Richard Lane) do but accuse his long-term, if almost always helpful, nemesis. Of course we know all along what's going on, but it's going to be down to "Blackie" and the ever reliable "Runt" (George E. Stone) to clear their names and help the police so that they all find out who did the pinching and retrieve the priceless stone. None of this is really helped by the tenacious journalist "Dorothy" (Janis Carter) who is determined to get the story and who has some useful distractions in her arsenal to trick people into helping her, or giving her information. Though it's perfectly watchable for an hour, this is not one of the more memorable outings from our comedy sleuths, and the story doesn't really give Morris so much opportunity to impose his usually wise-cracking charisma on the proceedings either. Dorothy Malone features sparingly but adds little as the procedural drama does it's job, but not much more, as it reminds the audience to chip in for the war effort.