Smugglers' Cove

Smugglers' Cove (1948)

** (out of 4)

Terrance Mahoney (Leo Gorcey) is left a large mansion on a cliff overlooking the sea. Slip and the boys head out there to take a look not knowing that he's the wrong Terrance Mahoney and that there are some smuggler's working in the house. Number eleven in the series isn't at the bottom but it's no where near the top either. This is the first entry in the series that pretty much left me cold as there wasn't a single laugh to be found anywhere. That might make you think that the movie is a complete waste since this is a comedy after all but in fact I think the more dramatic moments work the best. The actual mystery of what's going on in the basement made for a good drama and director Beaudine actually handles it quite well. I thought he did a very good job at building up the mystery and making the drama work. So, why doesn't the film work better? Because the comedy is so poorly written that it really takes away from the drama. Sach (Huntz Hall) is so out of place here you can't help but wish they'd left him out like they did Louie. The comedy bits from the other players including Gorcey isn't anything special either and in the end we're left with a rather bland attempt at humor. What mild humor does work comes from Gabriel Dell who is once again playing the same character but with a different job. This time out he's playing a rather nerd-ish character who is constantly getting into trouble. I thought the actor did a good job with the role and helped keep the film moving at a decent pace.

Terrence Mahoney--wrong one

"Smuggler's Cove" is a pretty standard Bowery Boys film, though with less antisocial behavior than usual! The film begins with Slap and Sach working at a building doing janitorial work. As usual, Slap doesn't do much of the work and is mostly there to 'supervise'. Soon a messenger brings a note for Terrence Mahoney (Sach's real given name) and he assumes it's for him...though they also happen to be in the office for a difference Terrence Mahoney...the REAL recipient of the letter. Sach reads it and it says he's the heir to a mansion...and even though all his relatives are apparently poor slobs and he's never heard of this family member, he automatically assumes it's meant to be. After all, Sach is, as usual, a bit of an idiot.

Unfortunately, when Sach and the gang arrive at the place, they don't realize that a gang of smugglers are using the place. What's worse, the OTHER Terrence Mahoney soon shows up and the usual hilarity (?) occurs. Oddly, however, the ending comes awfully easily and abruptly between the two Terrences. Overall, it's the usual undemanding time-passer you'd expect. Nothing brilliant but considering it's from Monogram pictures, this isn't a bad thing.

You know there has to be a mistake when Leo Gorcey inherits a spooky Long Island mansion. Spooky mansions only mean one thing in movies, that there is villainy afoot. Otherwise why would you have trap doors, hidden rooms and the like built into your home.

The place is actually owned by another Terrence Aloysius Mahoney if you think the world is ready for another one. This one is played by Paul Harvey who has a command of the English language, but is a rather tired and put upon individual who also visits his Long Island home where caretaker Eddie Gribbon has allowed a group of smugglers headed by Martin Kosleck to operate.

Harvey and the Bowery Boys come separately on the same night, Harvey to visit his house and Gorcey and the gang to claim it. After that it's the usual group of gags that occur in every haunted house picture.

Smuggler's Cove is a pretty good Bowery Boys film, but I personally prefer Hold That Ghost where Abbott&Costello did so much more with the haunted house genre.

Maybe the greatest Bowery Boy pic ever, right up there with Ghost Chasers & Spook Busters. Leo Gorcey, Huntz Hall, Billy Benedict & Gabriel Dell join in the hijinks when Slip (Leo) mistakingly believes he inherits a mansion on the Sea Coast in Bayshore Long Island. Although he isn't the true owner of the house the Bowery Boys end up taking over the house & make it their own, only to discover that Diamond Smugglers are using the Mansion as their drop off point.

Well enough on the plot, the best parts of this movie are the Boys destroying the English language at every turn & battling the bad guys into submission. The caretaker, played by the GREAT EDDIE GRIBBON, has a great name that Satch (Huntz) messes up, his name is DIGGER, but Satch calls him SHOVELER... Satch & Whitey (Billy Benedict) have some great performance as Satch says...Whitey, Whitey, Whitey..., see this film, it's GREAT!

Leo Gorcey comes to the mistaken conclusion that he has inherited an estate on Long Island's North Shore; actually, it is series semi-regular Paul Harvey, also named 'Terence Mahoney' who has done so. They all wind up at the house where diamond smuggler Martin Kosleck has set up shot. The usual low hijinx ensue.

The Bowery Boys movies are held in disesteem by serious cineastes, and there's no sensible way to elevate them to high art -- although the same thing can be said about the Lemmy Caution movies, which didn't stop the New Wave. Cheaply made, formulaically written and directed by William Beaudine at his trough, no one ever claimed these were made to do more than to give jobs to the men who had started out as the gang in DEAD END, entertain the kids at weekend matinees, and show a profit.

They did that, in the tradition of Samuel Johnson, who said "No man but a blockhead ever wrote except for money." While people maunder on about the cinematic arts and who wins the Academy Awards, they seem to forget that the movies are business, and the businessmen are there to make money. Ignoble as that sounds, the great actors, directors, cameramen, writers and others who make movies also want to make some money too. The Bowery Boys offer no advancement in the arts, no examples of great moments, but they did what they were supposed to do.