Siren of Atlantis

This is the third movie version of Pierre Benoit's novel about sexual and drug obsession I have seen, and perhaps my impressions are colored by my understandings of the themes the other versions tried to explore. I see the sexual obsession clearly, with the emasculated men -- including Henry Daniell in a surprisingly lively role -- but the other themes seem lost, Maria Montez' impact muted even by the voluptuous camerawork of Karl Struss.

Perhaps the movie's other themes were lost to the Production Code, which somehow allowed the sexuality to shine through (Miss Montez and co-star Pierre Aumont were married until the lady's death by drowning at age 39), but at least one of the movie's three directors seems to have read the book, and at least one has not. There is at least one large gap in the print I saw, which comes in four minutes under the official running time. And of course, Miss Montez, as fabulous as she looked,was not the world's greatest actres, leaving a lot for Aumont and Dennis O'Keefe to fill in.

Perhaps it would be best to look at this movie and declare it a decent addition to Miss Montez' Arabian fantasy movies, with a couple of attempts to buck the Hays Office for more mature content. Over all, I find it inconsistent, but deserving, perhaps, of some kudos for that attempted maturity.... or, if you wish to look at it in another way, its prurient smuttiness.

Before the 3-M's, Marilyn Monroe, Jane Mansfield, and Mamie Van Doren...

There was Maria Montez.

Sultry, Underused Sex-Siren of the 40's.

Here Her Beauty Stands Out Among the Gloomy, Depressing Sets and Story of a Deadly, Timeless, Ancient Remnant of a "Queen".

This Time it's Atlantis.

But in this Ultra-Low Budget Movie there is No Sprawl of the Island Extravagances.

Just a Few Torch-Lit Rooms, Unics, and Dancing Girls.

It's All Heavy Romantic-Fantasy Melodramatics with Montez Mesmerizing any Male that Dares Breathe the Same Air.

The Accents are as Heavy as the Norish Lighting and the Mood.

Maria Montez seems to be Having a Great Time with it All as the Men are Suicidal, Homicidal, and a Mess at Montez's Whim.

Some Iconic B-Actors Show Up, like Dennis O'Keefe and Henry Daniel as a Gay Voice that Can't Stop Commenting on the "Handsome Men".

But it is Montez and the Mood that Makes this Syrupy Delight.

Along with the Prevalence of Phallic Symbols with the Lurid Pulp Magazine Sensibilities.

For Fans of Eroticism and B-Movies, Definitely....

Worth a Watch.

The setting of this film suggests that it will be similar to the escapist fare which Montez starred in at Universal. She plays the man-hungry Queen Antinea of Atlantis, which is located inside a mountain in the Sahara Desert, into which two officers of the French Foreign Legion stumble. Within this setting, however, the story played out is not an action adventure, but psychological melodrama, involving a femme fatale, obsession, deception, jealousy, murder, guilt, repentance, and fatalism.

There are many noirish resonances: the monochrome photography of the claustrophobic torchlit chambers of the underground kingdom, the obsession of St. Avit (Jean-Pierre Aumont, Montez' real life husband) for the queen, the amoral cynicism of the court librarian Blades (Henry Daniell), and the alienation of all the characters. The nearest thing to normality is the Legion outpost. The film ends with a strong suggestion that nothing has been resolved and that the same sequence of events is about to be replayed.

This was Tallas' first film as director. He had previously been an editor, and indeed edited this film as well as directing, but the film's producer, Seymour Nebenzal, probably had more influence over the mood of the piece. Two years earlier he had produced "The Chase" (which also ended with the suggestion that it was all about to start again), and three years later produced "M" - clearly a man with a taste for the noir. The two uncredited directors also have noir credentials. Arthur Ripley had directed "The Chase" for Nebenzal, and John Brahm had directed "The Locket."

The film suffers from somewhat disjointed narrative flow in parts, although this may be due to damage to the surviving copies. Whatever its faults, it is better than many reviews suggest, and is surely the weirdest amalgam of exotic "eastern" and film noir that you will ever meet.

Husband and wife team of Maria Montez and Jean Pierre Aumont star in this mix of adventure, horror and noir. Montez is stunning and along with her husband they make a beautiful couple. The plot is a bit convoluted and knowing that it was a troubled production, plot issues may stem from censorship or a surviving incomplete print.

The setting is a mountain range in the desert and the explanation for Atlantis ending up in the desert does make sense. The plot is very much like the novel She (I have plodded through the original novel...ponderous and victorian) and Montez is a natural for the part of the immortal queen. There are many interesting things in this movie one of which is Montez's giant seashell bed. Esquire magazine at the time did a color centerfold of Montez on her bed entitled Montez On The Halfshell.

This was an independent production, and a major studio or a producer such as Selznick or Howard Hughes might have done more with the property. By no means a perfect movie and not for everyone, it does have some very interesting aspects.

Maria Montez's biggest success was probably the film Cobra Woman". It was a terrific B-movie and really made her a star. Now, five years later, she's back with a very similar sort of film...but this time starring her real life husband, Jean-Pierre Aumont.

The story begins at a French Foreign Legion base somewhere in North Africa. After having gone missing for some time, Lt. Saint-Avit (Aumont) is discovered...barely alive and raving. Later, after he's had a chance to recover, he talks about having spend all that time in the lost city of Atlantis as well as that he killed his friend (Dennis O'Keefe) there. He then explains and there is a lengthy flashback sequence. What follows is a story about the queen of the Atlantians (Montez)...and what a manipulative and sadistic and beguiling woman she is.

The story is decent but lacks the crazy sets and originality of "Cobra Woman", though they were obviously trying to replicate the same type of tale. It's also funny because you only see about a half dozen of her subjects...again, probably due to the lower budge. It's enjoyable but slight....and perhaps might have been a bit better had they made the Queen not as insanely mean...and the Lieutenant not so in love with her...which didn't make a lot of sense.

By the way, early in the film someone mentions 'Arak'. If you don't know, it's an anise drink that tastes virtually identical to Greek ouzo.