Blonde Bait

Angela Booth is a singer and performing to crowds in London. However, she is attacked by Julius Lord and to protect herself from this lecherous old goat, she hits him with her mirror. He is well- connected and this American girl is sent to a women's prison...despite being entirely innocent of everything except trying to keep herself from being molested! However, the State Department in the US is interested in her. It's not that she's done anything wrong...but her boyfriend, Randall, is scum...a traitor who collaborated with the Nazis during WWII and they want him! But she won't willingly help, so they arrange for her to be able to escape from prison in order to follow her to a meeting with Randall...or so they hope. This summary is not exactly the same as the one on IMDb, as it is not quite correct.

This is an adequate movie...nothing bad but nothing great about it either. It is the epitome of the term 'time-passer' and the finale is less than well handled--it's over and done with way too quickly.

Fairly straight laced telling of a Jailbreak to nab a felon and turncoat by the State Department.

They use his girlfriend to lure him in and she happens to be blonde...hence the title.

Most of the story is about the contrived breakout and the end wraps up before you can say jailbreak.

Mildly entertaining while it lasts.

Beverly Michaels is a new find for me, and I must say I like her a lot! Here she stars as "Blonde Bait" from 1956, also starring Thora Hird, Jim Davis, Paul Cavanagh, and Richard Travis.

Michaels plays a London performer, Angela Booth. She is sent to prison when she tries to leave her possessive employer for her boyfriend Randall (Jim Davis). She winds up hitting him with a mirror, and his connections lead to her being incarcerated.

The U. S. State Department wants her boyfriend because he was a Nazi collaborator. Angela has secret plans to meet Randall on New Year's Eve at the Oxhead Inn so they can run off get married. In order to catch him, it's arranged that Angela escape with the help of "Gran" (Hird), an old-time prisoner. The plan is to follow Angela to wherever the meeting is to take place.

I thought this was a good film, a real B British noir. Michaels is different in this film from the last one I saw her in, Pickup, where she gave Ann Savage's Detour performance a run for its money. She played an abusive, trashy woman. Here she's a woman sincerely in love, who demonstrates some class and possesses humanity.

Thora Hird is a scream. Jim Davis, frankly, is pretty bad. It's no wonder when he returned from Korea, Bette Davis forgot she ever heard of him. He still needed some seasoning.

All in all, entertaining.

I saw her in Wicked Woman (1953) on youtube, some has dubbed this from VHS , for our viewing pleasure, I know this because the tracking at the bottom needs a bit of ajustment, but that's neither here nor there, what is important are these wonderful thespians and gems from the era...

I was a bit flummoxed for at some point this took a strange turn and sort of jumbled up everything sort of willy-nilly you see, and I ceased to be able to distinguish from regular dames and bad dames and good guys and bad guys since everything sort of took a big leap in the sophistic episodes of "Three's Company" see where everything sort of gets mixed up , but like the episode everything ambiguous became clear and resplendent and once again order out of chaos was of course restored! Huzza, huzza! lol,

But yes, this dame is cool, this dame really knows how to pose for the screen, I think most of the thespians especially the female actresses really knew about lighting as they were poised to pose for the camera, terrific!

A really fun film, a good show, a good show! Seeing Beverly run away into the night with roman candles exploding everywhere behind her made the flic for me, how about you?

Jim Davis is wanted for murder and treason. He's been in Great Britain since the War, doing all sorts of villainous stuff (as not explained in a monotonous manner by Richard Travis in an office). He meets up with girlfriend Beverly Michaels, makes a date to meet her on New Year's Eve to get married, and then disappears until the end of the movie; he's the Maguffin of the movie, and that's his personality.

Miss Michaels speaks to her manager in his office, since she's quitting show biz, but he doesn't like it, and in the struggle, he's injured. She goes to prison. Meanwhile, Travis, in yet another office, arranges for her to break out in the company of Thora Hird, April Olrich and Miss Olrich's baby, so she can lead them to Davis.

Director Elmo Williams was a fine editor, but as a director, he was a washout, and this movie is a fine example. Everyone speaks slowly and boringly, and the plot advances at a glacial rate. There are plenty of moving shots; normally they help a movie, but they gave me the impression that that cameramen were as anxious for the movie to get on with it as I was. There is one good sequence with Hermione Badderly as Miss Hird's nasty pal they hide out with. Otherwise it's a dull affair.