Mister Roberts

MISTER ROBERTS (3+ outta 5 stars)

Funny, kind of sentimental war movie starring Henry Fonda as the title character, forced to serve on a Navy vessel for one of the worst Captains ever (James Cagney). Mr. Roberts dreams of getting off the ship, which is devoted mostly to transporting cargo and being transferred to a battleship to do his bit for WW2. Unfortunately, he makes the Captain look too good... and the Captain refuses to let him go. Meanwhile, the crew's morale keeps going down and down due to the Captain's incompetence and hardheadedness. Classic 50s comedy has some great performances... Fonda, Cagney, William Powell and Jack Lemmon are all in great form! Very similar in style to TV's M*A*SH... in fact, the sentimental finale reminded me quite a bit of a much-heralded episode of that show. Also has the distinction of having one of the best closing lines in cinematic history: "It is I, Ensign Pulver..." Ahhh, I can't spoil it and tell you the rest... see the movie for yourself.

I was back from combat in Europe when I saw "Mr. Roberts" on the stage. The dialogue rang true; it had the flavor of the rough speech of military men. This was lacking in the cleaned-up film version. On the stage, the men of The Reluctant often hinted at scatological tidbits with which all servicemen were familiar, and the audience had a lot of former seamen and soldiers in it, accompanied by their dates. I often heard male laughter, then whispering which was followed by female laughter. One more thing: The scenes with drunken sailors were believable in the stage production - not so in the film. Whoever did the voice coaching for the movie had no idea of how drunks talk. Having said all of this, I must add that I enjoyed the movie. Watching the four master actors - Fonda, Powell, Cagney and Lemmon - was pure delight. Jack Lemmon received an Oscar for his portrayal of Ensign Pulver in the film and Larry Blyden was just as good in the stage part.

I recently saw "Mister Roberts" for the first time in a theater, part of a double-bill with "Twelve Angry Men". The latter is one of my all-time favorite movies, but I've always had reservations about "Mister Roberts", in large part, I think, because I'd always seen it in pan-and-scan on AMC instead of the original CinemaScope perspective of the original. Well, even on a movie screen, I think some of the scenes had to be chopped (or Mervyn LeRoy just liked including William Powell's shoe in a screen-shot, but not the rest of him) but I enjoyed this movie much more in a theater than on a TV screen. For one small example, I'd never noticed the detail of the warships passing by during the opening credits before.

The story of "Mister Roberts" is a bit melodramatic for my taste -- after all, it started out on Broadway -- but it doesn't matter because you have five huge headliners to carry it, all at different stages of their careers -- William Powell in his last feature film; James Cagney, James Fonda, and Ward Bond in their mid-career phases (though Bond would be cut down too young in 1960); and Jack Lemmon in practically his first movie. There is an outstanding photo of these five actors singing together accompanied by Cagney's guitar in the photo gallery. Anyway, Mister Roberts is a college-grad who felt a duty to be involved in WWII, but who had the bad luck to be assigned to a cargo ship that is never involved in combat duty. What's worse, the commanding officer is a petty Merchant Marine who got in the Navy because they needed anyone they could get, and he resents Mister Roberts and anyone else who he thinks looks down on him. Roberts shares a room with Ensign Pulver, not exactly a coward but someone who'd be happy to go through the entire war without meeting his Captain. The ship's surgeon is played by William Powell with the same wit and facile mastery that he brought to the "The Thin Man" series decades earlier; but you can tell he's not Nick Charles because of his gray hair. Finally, the great Ward Bond is the top noncom in the cargo hold.

The movie depends on a lot of stereotypes that feel like crutches to me -- sailors ogling women, sailors getting drunk, sailors going nuts on liberty, etc. The high points of the action involve the interaction of the headliners, or their solo moments. Jack Lemmon's outstanding (and Oscar-winning) performance established him as an up and coming star, and presaged his great work in "The Apartment", "Some Like it Hot", "The Days of Wine and Roses", and the other masterpieces of his "Early" period. The final scene is one of the best in Lemmon's career.

I strongly recommend you find a way to see "Mister Roberts" in widescreen format. This is a movie, like "Lawrence of Arabia" or "Anastasia", that is just ruined when presented full-screen.

This film is a Classic, with a capital C! You have a great story, a great cast, laughs, tears and a dose of reality. How can you go wrong with Henry Fonda, James Cagney, William Powell and Jack Lemmon?

What always struck me about this film was its realism. I spent some time on an auxiliary ship in the navy, and it's not glamorous. This film perfectly captures the life aboard non-combatant ships. They provide a vital service, but rarely get recognized for it. It also demonstrates what real leadership is. The main duty of an officer is to provide leadership and to see to the welfare of his troops. Mr Roberts is a shining example of a great officer.

The film also shows that the enemy isn't always on the other ship. I have seen captains like Cagney's, and you often spent more time defending your crew from those skippers, than you did from the opposing force. As Mr Roberts said, "....I know in wartime they scrape the bottom of the barrel...", well, they sometimes scrape that barrel in peacetime.

There's a great blend of comedy and drama throughout; but, just when you are feeling good, it delivers a punch to the gut. This is life as it is, not an idealized world.

Sign on board for a tour of duty with this film. You'll be glad you did.

The cast and story of "Mister Roberts" are both of high quality, and they fit together well to produce one of the best war movies to be set in the Second World War. It effectively and thoughtfully presents many facets of military life - from boredom to conflict, from slapstick to sadness - without resorting to any labored or overblown material.

The cast is excellent in its own right, and the main characters are ideally matched with their roles. Henry Fonda could be no better in portraying Roberts in all his interactions with the other characters, Jack Lemmon is always entertaining as Pulver, and in Doc, William Powell gets the kind of role he played better than anyone. James Cagney is flawless as the sometimes small-minded captain, bringing out his shortcomings, yet also allowing you to understand why the character is like that.

Most of the settings work well, and they help to create a believable atmosphere of navy life. The running confrontations with the palm tree and the letters are well-conceived, and they are also used effectively, getting a lot of material out of them without stretching things too far. "Mr. Roberts" communicates some worthwhile ideas while remaining enjoyable, and provides good entertainment and comedy without avoiding the realities in the characters' lives.