My Darling Clementine

John Ford's exquisite film about marshall of Tombstone, Wyatt Earp and Doc Holliday and their incredible gunfight against the Clantons at the O.K.Corral. Dramatic and wonderfully brooding, Ford employs it all here; perfect lighting, superb photography and as always, a fabulous and unmatched use of the camera. Many other films have been made on this subject, but you need look no further than this cinematic masterpiece.

Exciting classy Western with plenty of tension , thrills , shoot'em up , high body-count and it has now become accepted as a classic of the genre .This is a vigorous recounting of a familiar tale , dealing with the legendary lawman from Dodge City who moves to Tombstone , Arizona , aiming to begin a new life along with his brothers , Virgil (Tim Holt) and Morgan (Ward Bond) . This trigger-taut Western drama deals with a lawman Wyatt Earp , at the begining Wyatt is a cowboy , a nomadic savage transporting his cattle and he subsequently befriends a badman gunslinger and philosopher Southern gent who usually coughs , called Doc Holliday , (Victor Mature who excels , giving comsumptive conviction to character) , the strangest friendship this side of heaven and hell . They fought shoulder to shoulder in the wildest stand-up gunfight in the history of the West . As the fabled showdown is seen at the final way through this film . They are the strangest alliance between the West's most famous sheriff Wyatt Earp , trying to overcome outlaws and his deadliest gambling killer , Doc Holliday. It's incomparably performed by the greatest team who ever went into action , Henry Fonda portrays the large-than-life lawman , living by the old rules , driven by revenge , dueling to the death and Mature is most impressive as a gunslinger , the hellfire gambler , his only friends were his guns and his only refuge was a woman's heart , Chihuahua (Linda Darnell) . Two towering Box office actors in a huge exciting production . The film correctly builds up its suspense until a tense battle in streets of Tombstone , it is the highlight to the story .The Roaring West At Its Reckless Best! . Reckless, Riotous Frontier Adventure! . She was everything the West was - young, fiery, exciting.

This is an overwhelming Western , though too self-conscious , as the death of an intimate brother results to be the start of a small war between the revenger Earp and the baddies . As when a beloved sibling is murdered it marks the turning point of Wyatt's transition from a wandering cowboy , to bent on vendetta , settled , civilised , and the Marshall who administers the law . Based on a story by Sam Hellman from a book by Stuart N. Lake . In fact , it was the third adaptation , 1ª was : Frontier Marshal 1934 and second : 1939 Frontier Marshal by Allan Dwan . It was partially panned and by no means acclaimed in its day , but nowadays , being well considered , may be seen by some as unoriginal and cliched but is really a very fashionable outing in Earp saga and a throughly agreeable Western . The movie's enjoyability , authenticity , and greatness rests not only in the accuracy of the ending gun-play , but in the well orchestred series of incidents , such as : Earp's visit to barber shop , the dance in the unfinished church , Fonda 's poker game , the romantic scenes between Fonda and Cathy Dows , all of them give a deep meaning to this spledid picture . Decorated by import themes of camaraderie , brothership , fidelity , family and action that were to dominate Ford films for the first post-II world war decade as never before . Victor Mature coming up trumps as Holliday , he delivers a surprisingly awesome acting , stealing clearly the show , a character designed for scenary chewing , giving an attractive portrayal of the doomed dentist . Although overlong , but blessed with a high-energy level , thanks to noisy action , spectacular horse riding and rousing shooting . As the picture benefits itself from despictable villians as Walter Brennan as epitome of evil as Old Man Clanton , he is accompanied by his sons , Grant Whiters and John Ireland is again on the side of Clanton's family just like he was 10 years later in ¨Gunfight at OK Corral¨. The film focuses Tombstone , 1881 , with stimulating scenes about OK Corral gunfight between Morgan , Virgil , Wyatt Earp , Doc against the nefarious old Clanton , Ike , Billy Clanton ,and other brothers . It is good enough to form the main axis of several other sturdy western films. This main character is a historical figure , in this case the sheriff Wyatt Earp who participated the most famous duel occurred in the western town of Tombstone in 1881 that has been brought to the big screen many times as in this classic "My Darling Clementine" in 1946 directed by John Ford , in "Gunfight at O.K. Corral" (1957) with Burt Lancaster , Kirk Douglas directed by specialist John Sturges who would resume the same story in "The Hour of the Gun" (1967) ; the demystifying "Doc" (Frank Perry, 1971) with Harris Yulin and Stacy Keach or the more modern ¨Wyatt Earp¨ (Lawrence Kasdan, 1994) with Kevin Costner and Dennis Quaid and Tombstone: Wyatt Earp 's legend (1993) by George P. Cosmatos, 1993) with Kurt Russell , Bill Paxton , Thomas Haden Church , Stephen Lang , Dana Denaley , Robert Burke and Val Kilmer

This is a story enormous in scope ,unusual in concept with a mile-a-minute action on a climatic and thrill-a-minute gunfight. Packs a magnificent and marvelous cinematography in Black and White with a nice sense of period , and in overblown and amazing deep by Joe MacDonald . As well as adequate costuming and lavish production design . This thrilling film contains a spectacular and lyric musical score by Cyril Mockridge who composes a rousing soundtrack . The motion picture was compellingly directed by John Ford . This Ford's film , studded with stunning individual scenes turns out to be the definitive rendition of this great story . As Ford said: ¨I knew Earp and he told me about the fight at the OK Corral , so we did it exactly the way it had been¨.

It's 1882. Wyatt Earp (Henry Fonda) and his brothers are driving cattle to California when they encounter Old Man Clanton who tries to buy their cattle with a low-ball offer. Wyatt kindly rejects the offer. The Earps stop at Tombstone to find a lawless town. Their cattle gets stolen and Wyatt's youngest brother James is murdered by unknown assailants. Wyatt suspects the Clantons and takes the job of town marshal. Volatile gambler Doc Holliday (Victor Mature) returns to town. Doc's past Clementine Carter (Cathy Downs) tracks him down all the way from Boston despite his refusal for her help. Doc's present day friend Chihuahua (Linda Darnell) is not happy with her presence.

I really love the start and Henry Fonda can do no wrong especially as a stoic heroic lead. I have a bit of an issue with Victor Mature. I can't forget Val Kilmer playing the role who is so much more fun. Mature is more angry than sickly. As for the iconic shootout, again I really love the start. Monument Valley looks epic in the background. I love the slow walk up to the OK Corral. Then the action isn't quite as epic. Director John Ford would say that he extended it from a 30 seconds fight but it doesn't really measure up to modern action scenes. All in all, this is a classic for its time.

Absolute perfection. Without a doubt, `My Darling Clementine' has secured its place in film immortality, resting proudly at the top of the list of the finest westerns ever made. It represents the genre at its peak and the career high point of all involved, including director John Ford and star Henry Fonda. `Clementine' achieves the difficult blend of drama, action, romance and occasional comic relief necessary to appeal to all viewers. This is the kind of film at which Ford excelled - straightforward and powerful, sentimental but never maudlin. It is needless to say that this is the definitive portrayal of Wyatt Earp and the gunfight at the OK Corral. It may not be the grittiest, most penetrating or historically accurate rendition, but it mixes just the right quantities of realism, legend and Hollywood magic. Its characterizations leave no room for improvement. Henry Fonda was born to play Earp. His folksy, unpretentious demeanor, coupled with the hard edge of a man who must occasionally deal out justice through the barrel of his gun, produce a multidimensional performance that others approaching the role could only dream of. With his portrayal of the tubercular Doc Holliday, Victor Mature forever shed his light image and began a series of solid dramatic roles. Other actors have played Holliday as flamboyant and eccentric, but Mature is effective in approaching him as a fatalist who has relinquished his aspirations of greatness and now lives life one day at a time. He forms an alliance with Earp because he has nothing better to do, and nothing else to live for. Walter Brennan's Old Man Clanton is a study in evil personified, and will certainly shock viewers who know him only as the crotchety but lovable grandfather he played on so many occasions. The rest of the cast is uniformly fine, featuring many members of Ford's `stock company' which followed him throughout his career. Ford's direction is strong and sure-footed. Although this was familiar territory for him, he was careful to instill each scene with a certain degree of uniqueness so the film would never appear routine. In this he was entirely successful, and a brief glance at his filmography confirms that this holds true throughout his body of work. The cinematography is breathtaking. Vast outdoor imagery and intimate gatherings of people are conveyed in an equally compelling manner. Earp's soliloquy at his brother's gravestone, a church dance sequence and the gunfight itself are among the film's many highlights. Only so much praise can be given in a review such as this; it must be seen to be appreciated.

I'm not a huge fan of westerns, but the info on this from IMDb drew me to watch it when it showed up on American Movie Classics, and I was richly rewarded. This is truly a beautifully done film, and makes one understand John Ford's reputation in this genre. The understated Henry Fonda and the volcanic Victor Mature somehow work well against each other. The script is low-key and naturalistic, allowing the action to stand out. The cinematography is spectacular, both in the wide open panoramas and in the more intimate personal scenes. Interior lighting, in particular, is very skillfully used. Seeing Walter Brennan playing against type, makes one appreciate how much better an actor he was than in the amiable, doddering bumpkin roles he got so typecast in later on.

To use an overworked term, a classic.