Footsteps in the Fog

Jean Simmons and Stewart Granger are brilliant in this murder thriller. There are so many twists and turns that you'll never guess what is going to happen next. I wasn't particularly taken with the film the first time I saw it but after several more viewings it is now a firm favourite. Simmons in particular shines as the manipulative girl in love with Granger and this is probably their finest teaming together on screen. See if you can guess how it's all going to end - a clever ending to an enjoyable movie.

Footsteps in the Fog is directed by Arthur Lubin and collectively written and adapted by Lenore J. Coffee, Dorothy Davenport & Arthur Pierson. It is based on the short story, The Interruption, written by Gothic novelist W. W. Jacobs. It stars Stewart Granger, Jean Simmons, Bill Travers, Belinda Lee and Ronald Squire. Music is by Benjamin Frankel and Technicolor cinematography by Christopher Challis.

Stephen Lowry (Granger) is found by the house maid, Lily Watkins (Simmons), to have poisoned his wife. She promptly uses the information to blackmail Lowry. But with an attraction there they begin to have a relationship, however, motives and means are far from clear...

A darn cracker of an Edwardian thriller that's redolent with Gothic atmosphere and film noir tints, Footsteps in the Fog also features nifty story telling that's acted considerably well by the then husband and wife team of Granger & Simmons. The plot features murder, betrayal and dangerous love, with warped psychology the order of the day, all done up splendidly in Technicolor by Powell & Pressburger's favourite cinematographer, Challis. Characterisations are deliberately perverse, Lily knows Stephen is a murderer, but is not afraid of him, she loves him on the terms of love that only she understands. Stephen is a dastard, dangerously so, but he's not beyond remorse either, and shows it. Both homme and femme are connivers, a recipe for disaster. These facts mark this particular coupling out as one of the most skew whiff in 50s thrillers. And thankfully when the denouement comes, it's a kicker, a real throat grabber that perfectly crowns this deliciously crafty picture. Support comes from a number of established British thespians like William Hartnel, Finlay Currie and Ronald Squire, while the art department have come up trumps for the period design. All told it's a film deserving of a bigger audience and easily recommended to classic melodrama/thriller fans. 8/10

When we first see Stephen Lowry (Stewart Granger)he seems to be a grieving widower as he stands beside his late wife's grave in Victorian London .The truth is another thing altogether and we soon learn that he has murdered his wife ,by poison ,and concealed the evidence .Unfortunately for him he was observed by the ambitious and put upon parlour maid Lily Watkins (Jean Simmons)who blackmails him into giving her the job of housekeeper and takes possession of the deceased's jewels .She is also in love with Lowry and he strings her along with promises of marriage while plotting to kill her and marry the dutiful Elizabeth (Belinda Lee)the daughter of his business partner Alfred Travis(Ronald Squire).much to the consternation of straight arrow lawyer David Mcdonald (Bill Travers)who is in love with Elizabeth and who harbours the gravest suspicion about Lowry.

This is a well made movie ,with lavish interiors ,some striking Tecnicolor photography and a moody score .It is strikingly well acted especially by Granger who always appeared at ease in period roles .Simmons struggles a tad with the Cockney accent but still manages to convince as an opportunistic female with a pathetically unrequited love for Lowry .Strong support from Marjorie Rhodes as her nagging boss ,Peter Bull as a prosecuting attorney and William Hartnell as an oily blackmailer also boost proceedings .The whole thing is lushly and slickly made melodrama that stands out from the run of the mill studio product of its time

"Footsteps in the Fog" is a truly excellent Victorian drama starring husband and wife team Stewart Granger and Jean Simmons.

Granger plays Stephen Lowry, a man who has murdered his wife and gotten away with it; Simmons plays his maid, Lily, who knows he did it. There are two different paths he can take to keep her quiet. He prefers one way; she prefers the other.

Meanwhile, Lowry has fallen for a beautiful woman, Elizabeth Travers (the luminous Belinda Lee) of his own class, and, after a suitable period of mourning, wants to marry her.

The fly in the ointment there is a solicitor, David MacDonald (Bill Travers) who is also in love with Elizabeth and very suspicious of Lowry's behavior. When Lowry is accused of a crime, Elizabeth asks David to take the case.

This is a really neat film with a surprise ending. The acting is wonderful, as is the atmosphere, which captures not only the danger in certain scenes but the whole ambiance of Victorian London.

Jean Simmons to my mind has always been underrated. She does an excellent job here as the quietly wily Lily. Granger is attractive and plays the fairly unflappable Lowry very well.

Sadly, the gorgeous Lee would die a few years later, at the age of 26, in a car accident. Not only is she lovely in the role, but no expense was spared for her costumes, especially that blue gown.

Filmed in color. Highly recommended. A real buried treasure.

Fascinating British drama, notable for having two depraved, totally unlikeable protagonists--a murderer and the blackmailer who loves him. All the trimmings are here for perfect Late Late Show credentials: Gothic mansion, bickering servants, thick fog, the portrait over the fireplace, poison, blood stains, secret letters, a clueless blonde ingénue, a hooded figure in the dark...but filmed in lush Hammer-style color, rather than a more appropriate b/w, which gives the film a ghoulish modern edge. Stewart Granger and Gene Simmons get high marks for underplaying this vile pair...particularly Simmons, who nails her final scene. What a great, unsung actress.