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Down Three Dark Streets

  • 1954
  • Approved
  • 1 घं 25 मि
IMDb रेटिंग
6.6/10
1.7 हज़ार
आपकी रेटिंग
Down Three Dark Streets (1954)
An FBI agent investigates the murder of his partner by taking over the 3 cases he was working on, determined to find his killer.
trailer प्ले करें3:03
1 वीडियो
18 फ़ोटो
फ़िल्म नोयरअपराधड्रामाथ्रिलर

अपनी भाषा में प्लॉट जोड़ेंAn FBI agent investigates the murder of his partner by taking over the 3 cases he was working on, determined to find his killer.An FBI agent investigates the murder of his partner by taking over the 3 cases he was working on, determined to find his killer.An FBI agent investigates the murder of his partner by taking over the 3 cases he was working on, determined to find his killer.

  • निर्देशक
    • Arnold Laven
  • लेखक
    • The Gordons
    • Bernard C. Schoenfeld
  • स्टार
    • Broderick Crawford
    • Ruth Roman
    • Martha Hyer
  • IMDbPro पर प्रोडक्शन की जानकारी देखें
  • IMDb रेटिंग
    6.6/10
    1.7 हज़ार
    आपकी रेटिंग
    • निर्देशक
      • Arnold Laven
    • लेखक
      • The Gordons
      • Bernard C. Schoenfeld
    • स्टार
      • Broderick Crawford
      • Ruth Roman
      • Martha Hyer
    • 41यूज़र समीक्षाएं
    • 21आलोचक समीक्षाएं
  • IMDbPro पर प्रोडक्शन की जानकारी देखें
  • वीडियो1

    Trailer
    Trailer 3:03
    Trailer

    फ़ोटो18

    पोस्टर देखें
    पोस्टर देखें
    पोस्टर देखें
    पोस्टर देखें
    पोस्टर देखें
    + 13
    पोस्टर देखें

    टॉप कलाकार34

    बदलाव करें
    Broderick Crawford
    Broderick Crawford
    • John Ripley
    Ruth Roman
    Ruth Roman
    • Kate Martell
    Martha Hyer
    Martha Hyer
    • Connie Anderson
    Marisa Pavan
    Marisa Pavan
    • Julie Angelino
    Max Showalter
    Max Showalter
    • Dave Millson
    • (as Casey Adams)
    Kenneth Tobey
    Kenneth Tobey
    • Zach Stewart
    Gene Reynolds
    Gene Reynolds
    • Vince Angelino
    William Johnstone
    William Johnstone
    • Frank Pace
    Harlan Warde
    Harlan Warde
    • Greg Barker
    Jay Adler
    Jay Adler
    • Max Martell
    Claude Akins
    Claude Akins
    • Matty Pavelich
    Suzanne Alexander
    Suzanne Alexander
    • Brenda Rollis
    Myra Marsh
    • Mrs. Downes
    Joe Bassett
    • Joe Walpo
    Leonard Bremen
    Leonard Bremen
    • Police Detective Grant
    • (बिना क्रेडिट के)
    Alexander Campbell
    Alexander Campbell
    • Alex Sherk
    • (बिना क्रेडिट के)
    Sidney Clute
    Sidney Clute
    • Man Questioned About Matty Pavelich
    • (बिना क्रेडिट के)
    Harry Cording
    Harry Cording
    • Man Getting Rubdown
    • (बिना क्रेडिट के)
    • निर्देशक
      • Arnold Laven
    • लेखक
      • The Gordons
      • Bernard C. Schoenfeld
    • सभी कास्ट और क्रू
    • IMDbPro में प्रोडक्शन, बॉक्स ऑफिस और बहुत कुछ

    उपयोगकर्ता समीक्षाएं41

    6.61.7K
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    फ़ीचर्ड समीक्षाएं

    9ccthemovieman-1

    Nicely Done; Would Like To See A DVD Of It

    I enjoyed this early 1950s crime/drama and appreciate the nice job TCM did in restoring the print. The transfer looked outstanding; sharp with excellent contrast. The movie features some fine photography and lighting.

    This was one of those semi-documentaries popular among crime stories in the late '40s/early '50s. It usually plugged one of the U.S. law enforcement agencies. Here, it was the FBI and we followed a couple of agents as they tried to tie in several cases in the Los Angeles area. Sometimes these movies were labeled "crime dramas" and sometimes "film noirs." This movie contains a lot of both elements.

    Along the way, we see a lot of familiar faces, especially if you grew up watching a lot of television in the '50s and '60s. You may not know all the names, but you'll know the faces.

    Names you probably know, however, are Broderick Crawford, Ruth Roman and Martha Hyer. There are three of the half-dozen or so actor who all play a significant part of this story.

    Crawford is an FBI agent and lower-key one than you might expect. He's not the gruff lawman of "Highway Patrol" or the loudmouth politician of "All The King's Men." Here, he's gentle with people all the while being an effective FBI guy.

    Ruth Roman, as "Kate Martel." plays one of several key female roles, as either crime victim or gangster-girlfriend. Ruth plays a role similar to one Lee Remick played in about 10 years later in a film called "Experiment In Terror." Marilyn Monroe-wannabe Martha Hyer is a hoot as a sexy blonde playing a thug's girlfriend, or should I say "moll." She has some great lines, calling the cops "you dirty crumbs" and the like. Her character is pure film noir.

    Marisa Pavan is interesting as the blind "Julie Angelino" and so is a young Claude Akins as a boxer-criminal. Jay Adler, Kenneth Tobey and others all have those familiar TV faces.

    Movie buffs will get a kick out of the climactic scene, which takes place at the foot of the "Hollywood" sign on top of a hill. That nostalgia, along with the very cool automobiles of the period, make this a good trip down "memory lane."

    Unfortunately, this is one of those classic movies that never made it to VHS or DVD. Hopefully, someone will put it in a DVD classics box-set some day. It's a good film and deserves a DVD of its own.
    7dadier55

    Look familiar?

    DOWN THREE DARK STREETS, with its trio of cases for the FBI to solve, was the template eight years later for EXPERIMENT IN TERROR, reduced down to just the extortion plot. Broderick Crawford is "Agent John Ripley" in the first, Glenn Ford is named the same character in the second. STREETS uses the semi-documentary approach (heavy-handed voice-over narration) and is more of a whodunit, while EXPERIMENT is a real suspense-filled thriller with the villain identified much earlier. But even then, it is much more chilling. Ruth Roman is the fear-filled victim in the original, Lee Remick plays the spunky lady being extorted in the semi-remake. Good Los Angeles locales, especially the "Hollywood" sign usage in the first. But great San Francisco scenes in TERROR, particularly the Candlestick Park shootout following a Giants-Dodgers game. Both are recommended, with STREETS a competent mystery and EXPERIMENT a classic at the end of the Noir cycle.
    7bkoganbing

    Which of the three?

    Before J. Edgar Hoover stopped fogging mirrors in 1972 you would not see a film that did not show the Federal Bureau Of Investigation as less than dedicated and perfect. Stripping the man's paranoia away from him, Hoover did bring a certain order and professionalism to the FBI and when they stuck to crime and criminals as opposed to just amassing files on the world they did a good job. Like any other law enforcement agency when one of their own is killed in the line of duty everything stops until the perpetrator is caught.

    Down These Dark Streets is one of the few films you'll see where someone who is a detective will be shown having more than one case. Indeed that is the crux of this plot. Which one of three cases did agent Kenneth Tobey get killed over by a sniper's bullet?

    His supervisor Broderick Crawford takes over and the three cases are a case of an organized car theft ring where young Gene Reynolds is about to take a fall in federal prison because he won't rat out the leaders. Maybe it's notorious fugitive Joe Bassett who is armed and dangerous and who already killed a gas station attendant who rather stupidly called the FBI before Bassett was clear from his station. Or there's Ruth Roman who is being extorted for an insurance settlement by a stranger threatening her child on the phone.

    Crawford takes on all three cases and systematically solves them and eliminates a lot of suspects. He's as thorough a professional as all big screen FBI men were at the time.

    Take note of Martha Hyer who plays Joe Bassett's kept moll. Martha was one of the most beautiful women ever to grace the screen and here she shows some real acting chops in her scenes with Crawford.

    Down Three Dark Streets is a crisp and competent police drama with a great ensemble cast. Definitely a must for noir fans.
    8planktonrules

    Awfully good...

    While there isn't a lot of spectacular action or twists in this film, it is rock solid throughout--sort of like an episode of "Dragnet" or "The FBI". A very good script and nice attention to law enforcement details make this one worth watching.

    The film begins with two FBI agents on an assignment. One is unexpectedly murdered by someone hiding in the shadows. The surviving agent (Broderick Crawford) seems to think that someone on the other agents list of open cases has done the crime, so he looks into the three cases. And so, you see Crawford go from case to case--looking for clues and solving the cases while he's at it. It all leads to a dandy final set at the Hollywood sign.

    As I said above, the show is big on realism and police procedures. I also appreciated how ordinary and ugly some of the cast were--like real life. Overall, it's a lot like a tidier version of film noir--with a strong infusion of realism and good acting.

    By the way, if you do watch, look for the guy with his home-made 'spy detector'!
    7secondtake

    Wonderfully complex and dramatic, if not quite perfectly formed

    Down Three Dark Streets (1954)

    An FBI man has been killed, and the suspects are related to the three cases the agent was working one when he died. So all three cases become priorities, thinking that by solving them all, the cop killer will come to light.

    The title of the movie is a cue that this is in some ways a three part movie, with three basically distinct, if intertwined plots. But what holds it together is a single character, an FBI agent played by Broderick Crawford. And it's Crawford who holds it together beautifully. He plays his part with cool, somber, and weary reserve (and if you know Crawford in his more famous roles, such as "All the King's Men" or even more in "Born Yesterday").

    Each of the three stories is layered up as you go, which makes it interestingly complex, and in each there is one leading woman connected to a suspect. Ruth Roman is the most powerful of these three, though the other two are bit weak. Luckily, the weakest of these, Ruth Hyer, loses relevance so that Roman and Marisa Pavan (playing a blind woman fairly well) carry their shares. And in a way you never quite notice the uneven acting because the events tumble one after another, through lots of changes of location, and from one plot to the next. It's filmed with economy but good drama. And the story, which might lose some viewers because of its complexity, also has the beauty of not being obvious, with lots of good dialog.

    Why isn't it quite a classic? There's something awkward about the many parts that have to be connected, and an occasional odd aspect, like the unlikely ruse of a blanket carried as Roman's child into her car (it looks very much like a blanket). Still, there is a lot of suspense throughout, dark alleys, drives at night, phones that ring and aren't answered, all along waiting for something and not knowing what. An intense example is when Roman takes a senselessness lonely walk in a cemetery and a car pulls up.

    "I'm waiting for a friend." "Maybe I'm that friend you're waiting for."

    This is good movie-making, and it makes for a good movie. Then, to cap it off, it has what is maybe the best vintage use of the famous Hollywood letters on the hill overlooking movieland. Odd to say, but I think the movie is worth watching for that alone. This is exactly when the industry was falling apart (legally and literally), and the letters were no accident. There is also a nice use of that trope of money blowing away in the wind (made more archetypal in "The Killing" in 1958). The last line? "Sometimes you meet some nice people in this business." Perfect.

    इस तरह के और

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    7.1
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    6.8
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    6.4
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    7.0
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    संबंधित रुचियां

    Lauren Bacall and Humphrey Bogart in The Big Sleep (1946)
    फ़िल्म नोयर
    James Gandolfini, Edie Falco, Sharon Angela, Max Casella, Dan Grimaldi, Joe Perrino, Donna Pescow, Jamie-Lynn Sigler, Tony Sirico, and Michael Drayer in The Sopranos (1999)
    अपराध
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    ड्रामा
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    थ्रिलर

    कहानी

    बदलाव करें

    क्या आपको पता है

    बदलाव करें
    • ट्रिविया
      The producers struck a cross-promotional deal with the then-popular clothing store Ohrbach's. In exchange for having Ruth Roman's character be an employee of the store, Ohrbach's agreed to provide most of the female characters' costumes.
    • गूफ़
      (at around 45 mins) Connie Anderson enters the downtown L.A. subway station. She first walks into a trolley car, and the car is marked number "5000" inside the car. She then leaves that car, but now the same car is marked "5009" on the outside. Then she walks to her right and boards a different car, marked "5000" on the outside.
    • भाव

      Police Lieutenant Jake Kuppol: We're all finished with you, Mr. Werker.

      Mr. Werker: I thought I'd wait around for the reporters and photographers. They may want to take my picture.

      Police Lieutenant Jake Kuppol: The Chronicle's down the street two blocks.

      Mr. Werker: That was an awful shock you know, finding that body. I am not a well man. I fell off a roof once and all my insides got shoved up two inches. My stomach's up against my liver. My liver's up against my gall bladder. And my gall bladder's between my stomach and my lungs. Besides which I gotta bad heart. You'd think they'd want to take my picture. After all, a sick man like me finding that girl, huh?

    टॉप पसंद

    रेटिंग देने के लिए साइन-इन करें और वैयक्तिकृत सुझावों के लिए वॉचलिस्ट करें
    साइन इन करें

    अक्सर पूछे जाने वाला सवाल14

    • How long is Down Three Dark Streets?Alexa द्वारा संचालित

    विवरण

    बदलाव करें
    • रिलीज़ की तारीख़
      • 3 सितंबर 1954 (यूनाइटेड स्टेट्स)
    • कंट्री ऑफ़ ओरिजिन
      • यूनाइटेड स्टेट्स
    • भाषा
      • अंग्रेज़ी
    • इस रूप में भी जाना जाता है
      • Case File Fbi
    • फ़िल्माने की जगहें
      • Ohrbach's, 5711 Wilshire Boulevard, लॉस एंजेल्स, कैलिफोर्निया, संयुक्त राज्य अमेरिका(Department store in which Kate Martel works as a buyer)
    • उत्पादन कंपनी
      • Edward Small Productions
    • IMDbPro पर और कंपनी क्रेडिट देखें

    बॉक्स ऑफ़िस

    बदलाव करें
    • बजट
      • $2,75,000(अनुमानित)
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    तकनीकी विशेषताएं

    बदलाव करें
    • चलने की अवधि
      • 1 घं 25 मि(85 min)
    • रंग
      • Black and White

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