Bride of the Monster

This is a B feature movie (which goes without saying!), but the movie really isn't that bad. As another has commented about the "Bride of the Monster", Lugosi simply had a screen presence and was an watchable actor. Sure, it's a little hammy in parts, but both Wood's dialog and Lugosi's rendition are nowhere near as bad as folks make out (if you want to see badly acted and improbable dialog, attend any student movie season). Generally the dialog flows quite well. Given that this was Wood's second feature, and that he had no real technical apprenticeship for film-making, he did good. If he had been able to make more movies, who knows what the rest would have turned out like. So I savor these early Wood movies as the start of something that could have been even better, and as inspiration for not giving up in the face of no budget; he did have talent.

Having enjoyed Plan 9 many times and Glen or Glenda once, I really expected this to be a serious turkey...and it wasn't! It's not overly good, but (since it came before Plan 9) I had ASSUMED Ed Wood had used this as a movie making dress rehearsal. Wrong! Lugosi is great! Tor Johnson is certainly more believable here than in Plan 9.

It's a dumb movie with a dumb monster and dumb effects, but it works...almost. It's a fun watch: grab some popcorn and your buddies, set the bar low, and enjoy. Lugosi's performance makes me wonder what Plan 9 would have been like had he lived beyond 3 days into Plan 9's filming.

This really isn't such a terrible little movie. Sure, it's cheap, the acting is horrible, the sets wobble if sneezed upon and the special effects consist of stock footage and a rubber octopus, but "Bride of the Monster" is much, MUCH better than "Plan 9 From Outer Space."

Mad scientist Vornoff (a sickly Bela Lugosi) has apparently set up shop in the Florida Everglades, kidnapping anyone unwise enough to wander too close to his house (and his pet octopus) and conducting sinister experiments upon them. Vornoff, for some odd reason, is determined to create a race of super giants with incredible strength. We're never really sure exactly WHY he wants to do this, but one can only assume that, if one possesses an army of super strong giants, one could take over the world and rule it and stuff. That seems to be the goal of every other mad scientist in the unruled world, anyway. Into this diabolical plan stumbles loudmouthed newsgirl Loretta King, who is determined to get the story on the Lake Marsh Monster. Whether the title of "Lake Marsh Monster" refers to the octopus, Tor Johnson as the fumbling Lobo or Bela's drug problem, we're never sure. Take your pick. Anyway, Loretta is kept under constant hypnosis by Bela's eyebags and is slated to become The Bride of the Monster! By this point, we're all quite ready to see the annoying Loretta fried to a crisp, but unfortunately, her wimpy boyfriend shows up to save her. The stunning climax is packed full of raging Lobo's, rolling boulders, lightening bolts, gunfire and death by octopus!

The story doesn't make much sense, but were you really expecting it to when you saw Ed Wood's name listed under the title of director? Still and all, it's certainly Wood's most coherent effort and can be entertaining for those of us who stop to look at road accidents.

Bride of the Monster (1955)

*** (out of 4)

Cult classic from Edward D. Wood, Jr. about a mad scientist (Bela Lugosi), his over-sized assisstant (Tor Johnson) and their pet rubber octopuss. Only God really knows how many of these "Z" grade films I've seen over the years but there's no doubt in my mind that Wood's movies are the "best" of the bunch. The worst thing that could happen while watching this stuff is that you get bored but with Wood, and especially this film, boredom isn't a possibility since there's countless insane moments happening throughout the 69-minute running time. The film moves by very quickly and while I do enjoy the movie because it's bad, I will go out on the limb and say Lugosi gives his best performance in his later day roles.

AS others have commented on, BOTM is indeed a competent B-movie. After

seeing it on public domain video I was glad to buy the Image DVD which has

very good image quality. You can see the movie the way Ed Wood intended it.

The lighting is competent; the camera work is competent.

But what elevates BOTM to film nirvana is Bela Lugosi's performance as Dr. Eric Vornoff (sp?). To those who say that Ed Wood exploited Bela (including Bela Jr), I say, at least he didn't put Bela in white plastic go-go boots and give him no dialogue, like the director of The Black Sleep did.

Without exception Bela's performances are hypnotic. His strange intonation, his deliberate facial gesture, his gravitas -- he is always the magnetic center of his films. And BOTM gives a summary of his career -- the Dracula hands, the White Zombie hands -- and the pathos of his "I have no home" speech -- give his

performance a dimension most of his roles (though check out "Invisible Ghost" for another excellent role) lacked.

"Nuff said. I enjoy the delirium of Glen or Glenda? and Plan 9, but Bride of the Monster is Bela's show ALL THE WAY.