IMDb रेटिंग
4.3/10
9.5 हज़ार
आपकी रेटिंग
अपनी भाषा में प्लॉट जोड़ेंA psychiatrist tells the stories of a transvestite (Glen or Glenda) and a pseudohermaphrodite (Alan or Anne).A psychiatrist tells the stories of a transvestite (Glen or Glenda) and a pseudohermaphrodite (Alan or Anne).A psychiatrist tells the stories of a transvestite (Glen or Glenda) and a pseudohermaphrodite (Alan or Anne).
Edward D. Wood Jr.
- Glen
- (as Daniel Davis)
- …
Charlie Crafts
- Johnny
- (as Charles Crafts)
Conrad Brooks
- Banker
- (as Connie Brooks)
- …
Henry Bederski
- Man with Hat and Receding Hairline
- (बिना क्रेडिट के)
Carol Daugherty
- Woman in Nightmare
- (बिना क्रेडिट के)
Captain DeZita
- The Devil
- (बिना क्रेडिट के)
- …
Bruce Spencer
- Homosexual
- (बिना क्रेडिट के)
Shirley Speril
- Miss Stevens
- (बिना क्रेडिट के)
Amzie Strickland
- Minor Role
- (बिना क्रेडिट के)
Harry Thomas
- Man in Nightmare
- (बिना क्रेडिट के)
William C. Thompson
- Judge
- (बिना क्रेडिट के)
Mr. Walter
- Patrick
- (बिना क्रेडिट के)
- …
फ़ीचर्ड समीक्षाएं
Now don't get me wrong; this film is truly loaded with all sorts of hilarious moments owing to Wood's bizarre and inept filmmaking. Moments including; baffling dialogue, poor acting, disjointed editing, hella stock footage, confusing sequences, and times where I'm really not sure what's happening at all.
But, after watching "Plan 9" first and being kinda bored at some points, I was surprised to find this was not the case at all with "Glen Or Glenda". I was engaged throughout the entire film and also found it to be a much funnier experience than I my first time watching "Plan 9".
Also, at more than one point through the runtime, I genuinely felt empathy for Wood himself and his plight regarding his own transvestism as depicted in the film. It was genuinely touching and I honestly look forward to seeing this film again.
I dare say this could potentially become a kind of favourite of mine in a way. But for reasons unlike any for any other film I would consider a favourite. It's safe to say I would actually recommend this film, whereas I wouldn't as readily recommend "Plan 9".
But, after watching "Plan 9" first and being kinda bored at some points, I was surprised to find this was not the case at all with "Glen Or Glenda". I was engaged throughout the entire film and also found it to be a much funnier experience than I my first time watching "Plan 9".
Also, at more than one point through the runtime, I genuinely felt empathy for Wood himself and his plight regarding his own transvestism as depicted in the film. It was genuinely touching and I honestly look forward to seeing this film again.
I dare say this could potentially become a kind of favourite of mine in a way. But for reasons unlike any for any other film I would consider a favourite. It's safe to say I would actually recommend this film, whereas I wouldn't as readily recommend "Plan 9".
Edward D. Wood Jr., a filmmaker renowned for his lack of finesse or panache, nonetheless created films that have a compulsive watchability about them. Here, he indulges in a heartfelt plea for acceptance as he explores the male fetish of dressing in women's clothing. A psychiatrist (Timothy Farrell) relates to a police inspector (Lyle Talbot) two stories, the primary one being that of Glen (Wood, acting under a pseudonym), who needs to work up the courage to tell his fiancee (Dolores Fuller, Woods' real-life squeeze at the time) that he'd like to wear her outfits. Meanwhile, a demented old scientist (star attraction Bela Lugosi) sits in an Old Dark House, forever uttering things like "Pull ze string!", "Bevare!", and "A new life has begun!"
I'll give Wood some credit here: for whatever slickness he did not possess, he makes this classic B as artful as he can make it. Granted, it fades a little in the stretch, with a bit too much padding, but "Glen or Glenda" is overall an interesting oddity, an appealing mix of the sincere and the sordid. It attempts to shine light on males with different inclinations (including a kid who is referred to as a "pseudohermaphrodite") and implores that the viewer not judge these characters until they hear their whole stories. And they do have back stories that offer some insight into why they grew up the way they did.
Going in, most people know to expect less-than-stellar acting in a Wood epic, although the cast, up to and including Wood himself, do earn points for earnestness. Lugosi is just a total hoot, and seems to delight in some of these quotes that he utters. He has one great moment early on during use of split screen where he comments on denizens of an unnamed city and their lives.
There is nothing quite like an Ed Wood film; while they may not be considered "good" by most peoples' standards, they have an unmistakable, quirky charm.
Five out of 10.
I'll give Wood some credit here: for whatever slickness he did not possess, he makes this classic B as artful as he can make it. Granted, it fades a little in the stretch, with a bit too much padding, but "Glen or Glenda" is overall an interesting oddity, an appealing mix of the sincere and the sordid. It attempts to shine light on males with different inclinations (including a kid who is referred to as a "pseudohermaphrodite") and implores that the viewer not judge these characters until they hear their whole stories. And they do have back stories that offer some insight into why they grew up the way they did.
Going in, most people know to expect less-than-stellar acting in a Wood epic, although the cast, up to and including Wood himself, do earn points for earnestness. Lugosi is just a total hoot, and seems to delight in some of these quotes that he utters. He has one great moment early on during use of split screen where he comments on denizens of an unnamed city and their lives.
There is nothing quite like an Ed Wood film; while they may not be considered "good" by most peoples' standards, they have an unmistakable, quirky charm.
Five out of 10.
Like in "plan nine outer space" ,Ed Wood tries to put a message across in his film.In his sci-fi flick,he made his E.T. blame the human race for their self-destruction :it was not unlike Robert Wise's "the day the earth stood still" and not more naive than the latter.The main difference lies in the fact that Wood had a shoestring budget with his cardboard flying saucers and his shower curtain in the "plane"
"Glen or Glenda" is anything but stupid.Just tell me the name of a director (in the USA or elsewhere) who dared to treat such a taboo subject: the transvestites -not necessarily homosexual- and even the transsexuals.His film ,with voice over galore,although dated today of course was a plea for tolerance.The fact that Ed Wood himself used to dress himself as a woman (see Tim Burton's eponymous movie) is proof positive that he knows what he is taking about.
Bela Lugosi's part,on the other hand,gets in the way.Is he a scientist? a puppeteer who plays with humans? or "simply" God Himself?(do not laugh at him!when Agnes Varda ,an intellectual director of the notorious French Nouvelle Vague , films such drivel ("les Creatures",1966) ,the highbrows praise her to the skies )
Despite ludicrous special effects ,terrible acting and poor lines,Ed Wood's film is anything but derivative.
"Glen or Glenda" is anything but stupid.Just tell me the name of a director (in the USA or elsewhere) who dared to treat such a taboo subject: the transvestites -not necessarily homosexual- and even the transsexuals.His film ,with voice over galore,although dated today of course was a plea for tolerance.The fact that Ed Wood himself used to dress himself as a woman (see Tim Burton's eponymous movie) is proof positive that he knows what he is taking about.
Bela Lugosi's part,on the other hand,gets in the way.Is he a scientist? a puppeteer who plays with humans? or "simply" God Himself?(do not laugh at him!when Agnes Varda ,an intellectual director of the notorious French Nouvelle Vague , films such drivel ("les Creatures",1966) ,the highbrows praise her to the skies )
Despite ludicrous special effects ,terrible acting and poor lines,Ed Wood's film is anything but derivative.
Those who have seen Tim Burton's fine tribute film, ED WOOD, know the story behind this; an inexperienced filmmaker named Edward D. Wood, Jr. talked an exploitation movie producer into hiring him to direct what was initially meant to be the story of Christine Jorgenson, the first (and heavily publicized) case of surgically induced transexualism; this project was alternately to be called "The Christine Jorgenson Story," and later (after Jorgenson changed her mind), "I Changed My Sex." Of course, after Ed Wood got his hands on the basic storyline, he altered it so as to tell the story of his own transvestitism and to plead for greater tolerance and understanding; set against the staid morals of the early 1950s, Ed's pleading was actually ahead of its time.
Now, in wanting to tell this story, but in being constrained by both a shoestring budget and some rather bizarrely unusual filmaking instincts, Ed's efforts went sharply astray. This is, without question, one of the loopiest productions ever put on celluloid, chock full of nonsensical dialogue, amateurishly wooden acting (in fact, Ed's hammy attempt at acting was something out of a 1930s B movie), illogically inserted stock footage (gotta love the stampeding buffalo), and various leaps of logic and good taste. In spite, or perhaps because, of these elements, GLEN OR GLENDA is a thoroughly entertaining and endearing piece of high weirdness. The first time you see it, you won't believe what you are seeing.
Long live the Ed Wood cult! Pull the strings!
Now, in wanting to tell this story, but in being constrained by both a shoestring budget and some rather bizarrely unusual filmaking instincts, Ed's efforts went sharply astray. This is, without question, one of the loopiest productions ever put on celluloid, chock full of nonsensical dialogue, amateurishly wooden acting (in fact, Ed's hammy attempt at acting was something out of a 1930s B movie), illogically inserted stock footage (gotta love the stampeding buffalo), and various leaps of logic and good taste. In spite, or perhaps because, of these elements, GLEN OR GLENDA is a thoroughly entertaining and endearing piece of high weirdness. The first time you see it, you won't believe what you are seeing.
Long live the Ed Wood cult! Pull the strings!
I am a huge fan of Ed, after seeing "Ed Wood", and I have since bought the book "Nightmare of Ecstacy". Also, I bought all of the films that he had made that I could get my hands on.
Like it or not, "Glen Or Glenda" was a landmark film!
This particular film was made WAY AHEAD of it's time!! While I was first watching Tim Burton's fantastic film, recreating the making of "Glen Or Glenda", I noticed that there were things in it that seemed rather familiar to me, even after 30+ years have passed, and that is what partly interested me in looking into both the book, and Ed Wood's films. What I discovered was, I had seen this film when I was in GRADE SCHOOL!!
After viewing the REAL "Glen OR Glenda" film, I realized that I had had seen this exact same film before, although heavily edited!
It was shown as a part of our sex-ed class!! I can hardly believe it that they showed us this back then, but they did. No
thanks to the school I went to, and the horribly incompetent teachers, but they did show it!
Now, fast forward to today, the reason for all of the extra scenes near the end of the film, such as the 'Devil' sequences, and the rest of the rather abstract looking scenes, were not originally part of the screenplay. Those scenes (baffling and dumbfounding), were NOT part of the film as Ed had written. His script left the running time short of what George Weiss had told him he wanted, a 7 reel, 16MM film, which was what he needed to sell it. A 16MM reel runs about 10 minutes, and George needed a 70 minute film (at least), because he pre-sold it in several states as a "Feature", before he actually found out what it really was. He wasn't too pleased with what Ed had made, but he was able to distribute it to his clients, after all of the extraneous material was added at the end. George did eventually make his money back, and he and Ed worked on a couple of other projects, unlike what is shown in the "Ed Wood" film.
Even today, though, I think that this film was made way before it's time, and Ed Wood should deserve some credit for trying to bring a sense of understanding to what was then a totally misunderstood way of life for a select few.
Like it or not, "Glen Or Glenda" was a landmark film!
This particular film was made WAY AHEAD of it's time!! While I was first watching Tim Burton's fantastic film, recreating the making of "Glen Or Glenda", I noticed that there were things in it that seemed rather familiar to me, even after 30+ years have passed, and that is what partly interested me in looking into both the book, and Ed Wood's films. What I discovered was, I had seen this film when I was in GRADE SCHOOL!!
After viewing the REAL "Glen OR Glenda" film, I realized that I had had seen this exact same film before, although heavily edited!
It was shown as a part of our sex-ed class!! I can hardly believe it that they showed us this back then, but they did. No
thanks to the school I went to, and the horribly incompetent teachers, but they did show it!
Now, fast forward to today, the reason for all of the extra scenes near the end of the film, such as the 'Devil' sequences, and the rest of the rather abstract looking scenes, were not originally part of the screenplay. Those scenes (baffling and dumbfounding), were NOT part of the film as Ed had written. His script left the running time short of what George Weiss had told him he wanted, a 7 reel, 16MM film, which was what he needed to sell it. A 16MM reel runs about 10 minutes, and George needed a 70 minute film (at least), because he pre-sold it in several states as a "Feature", before he actually found out what it really was. He wasn't too pleased with what Ed had made, but he was able to distribute it to his clients, after all of the extraneous material was added at the end. George did eventually make his money back, and he and Ed worked on a couple of other projects, unlike what is shown in the "Ed Wood" film.
Even today, though, I think that this film was made way before it's time, and Ed Wood should deserve some credit for trying to bring a sense of understanding to what was then a totally misunderstood way of life for a select few.
क्या आपको पता है
- ट्रिवियाSurrealist filmmaker David Lynch called this one of his favorite films. He used the "howling wind" sound effect in Eraserhead (1977).
- गूफ़The text accompanying the close-up of a newspaper story headlined "Man Nabbed Dressed As Girl" is a hodge-podge of unrelated paragraphs lifted from stories about tax reform, a prison injury, and faith healing.
- भाव
Narrator: Give this man satin undies, a dress, a sweater and a skirt, or even the lounging outfit he has on, and he's the happiest individual in the world. He can work better, think better, he can play better, and he can be more of a credit to his community and his government because he is happy.
- क्रेज़ी क्रेडिटCard at beginning: In the making of this film, which deals with a strange and curious subject, no punches have been pulled-- no easy way out has been taken. Many of the smaller parts are portrayed by persons who actually are, in real life, the character they portray on the screen. This is a picture of stark realism-- taking no sides -- but giving you the facts -- ALL the facts -- as they are today... YOU ARE SOCIETY -- JUDGE YE NOT...
- इसके अलावा अन्य वर्जनAt least one VHS release (Bizarre Video's) ends the film with a fade out at the end of Anne's story, thus amputating the final few minutes of the film, so we never learn how Glen's story was resolved.
- कनेक्शनEdited into Sleazemania Strikes Back (1985)
टॉप पसंद
रेटिंग देने के लिए साइन-इन करें और वैयक्तिकृत सुझावों के लिए वॉचलिस्ट करें
विवरण
बॉक्स ऑफ़िस
- बजट
- $20,000(अनुमानित)
- US और कनाडा में सकल
- $10,158
- दुनिया भर में सकल
- $10,158
- चलने की अवधि1 घंटा 5 मिनट
- रंग
- ध्वनि मिश्रण
- पक्ष अनुपात
- 1.37 : 1
इस पेज में योगदान दें
किसी बदलाव का सुझाव दें या अनुपलब्ध कॉन्टेंट जोड़ें