Marcelino pan y vino

The film starts in a long flashback narrated by a priest (Fernando Rey), he tells how an abandoned baby is picked up by monks residing in a monastery run by a humble Father Superior (Rafael Rivelles). The little boy named Marcelino (Pablito Calvo) who lost his mother , becomes a fine kid , pure and simple of heart , and devoted friend of Crucified Jesus . Meanwhile , he gets into mischiefs , he plays and puts nicknames to monks , as Brother Door (Antonio Vico) , Brother Cookie (Juan Calvo), Brother Bad (Mariano Azaña) , Fray Giles (Juanjo Menendez) and Brother Ding Dong (Joaquin Roa) . But in some touching scenes , Marcelino meets at the loft to Jesus and gives him bread and wine, then happening an ecstasy at the ending .

This a perceptible and feeling movie full of mirth , humor touches , and enjoyable message based on novel written by Jose Maria Sanchez Silva. At the same time the film gives us an agreeable panorama about monastery life , its pity , and goodness ; furthermore , the religious oration , sacrifice , work , companionship and various situations happen in monastic existence . Its perfect developing resides on superb characters incarnated by the good-natured monks, well played by all-Spanish-star-cast , and the sympathy , simplicity of Pablito Calvo-Marcelino . Musical score by Pablo Sorozabal responds appropriately to ambient , originating a really spiritual and religious atmosphere . Precious and luminous cinematography by Enrich Guerner (Vadja's ordinary cameraman) who give us an accurate scenario at the times is developed . The motion picture was excellently directed by Ladislao Vadja , born in Hungary , he's author of magnificent movies , such as 'The Bait', and 'Carne de horca', and three with Pablito Cavo : 'An Angel over Brooklyn' (along with Peter Ustinov) and 'Uncle Jacinto' (with Antonio Vico) . In my opinion this is one of the best films to come out of Europe in the decade of the 50s. The picture touched the hearts of numerous spectators all around the world. Rating : Above average.

An user pointed out that some imdb reviews (particularly the early one) were very negative ;but in spite of a huge success,many leftish (Marxist ?) comments were scathing too when the movie was released :remember that Spain was a dictatorship and a French critic went as far as to write that 'if Christ allows the mother-and -child reunion ,it's in a better world ,and thus it solves the problem of the orphanages maintenance".

Today ,when compared to the Joselito Jimenez weepies,which have sunk into oblivion, "Marcelino pan y vino " holds up quite well .That a great director such Luigi COMENCINI made a remake is proof positive that the movie has worn well ,even though today's children may not get something out of it.

Everyone will agree that Pablito Calvo gives one of the best child actor performances of all time ;one can,however ,prefer to the scenes in the attic :

-the bread which diminishes ,much to the monk /cook's surprise .

-the fair ,where the stolen apple creates a "butterfly effect" in miniature .

-the boy learning his alphabet,under a monk's watchful eye.

-the meeting with the woman with a madonna face(wish she could be my mama).

-the hidden treasures in the wall.

A film for ever in my brain. Not a bad thing for a film. I saw it for the first time when I was 8 and stayed with me always. I'm amused by some of the comments leveling this beautiful tale as "sick" and "twisted". I imagine it's the power of goodness that usually provokes more outcries than the power of evil. The film is what it is, no disguises to send its message as in Forrest Gump for instance. The film is a masterpiece no matter how you look at it and Pablito Calvo, the Marcelino at the center of it all, gives a performance that goes beyond any performance of any child actor has gone before.

I feel almost provoked to comment on this film here, and I say this not as an especially religious person (which I am not), but as someone who feels that a film should not be unfairly criticized because of someone's faulty--or would it be more accurate to say willfully (?) -- distorted summary of the plot.

SPOILERS AHEAD

To begin with, Marcelino is bitten by the scorpion while he is playing outside the monastery, but at no point in the film does he ask to see the crucifix for any reason. He has been frightened by tales of a "bogeyman" in the attic by the monks, who wish him to stay away from it. OUT OF CURIOSITY, and for no other reason, he ventures in, sees the Christ figure, thinks it is the feared bogeyman, and tears back down the stairs. (The figure, incidentally, is a beautiful wooden carving, not gory in the least.)

After an unfortunate incident, in which he is taken to a festival and unwittingly causes a commotion by accidentally letting some animals run wild, the new mayor, an enemy of the monks who have raised Marcelino, swears to shut down the monastery. Marcelino is given the silent treatment by the monks, and it is then that he goes again to the attic, realizes the "bogeyman" is only a statue of Christ, remarks that it looks hungry, steals some bread, and offers it to the statue. It is then that a miracle occurs---the statue comes to life, eats the bread, and eventually, because of Marcelino's repeated visits, becomes Marcelino's teacher and confidant (Marcelino realizes who he is). And the vision is *not* a hallucination. The statue's final act in the film is intended only as a reward for Marcelino's kind actions, and it is done at Marcelino's innocent, but completely self-aware, request.

This is by no means a vicious, sadistic film; it is a beautiful, gentle one. It is a pity that there are those who would distort its meaning.

After 49 years, the memory of seeing this movie remains very fresh. Because, you see, I was the English voice of Marcellino in the dubbed version of "Marcellino Pan y Vino" that was, from the comments I've read, shown in just about every Catholic school in North America. Back in 1958, my parents and I were living in Rome, Italy--my dad was stationed at the American Embassy. I was about 8 years old. My mother saw an ad in the American newspaper looking for English-speaking voices to dub in the dialog in European-made movies slated for export. We went to the famous Cinecitta' studios, I auditioned, and got the job. "Marcellino" was the second or third movie I did. From what I recall, it took a couple of days to do, and I was only allowed to see the scenes that I actually had lines in, and they weren't many, when you come right down to it. I stood on a platform before a lectern in a very large studio facing a screen and microphone. I had to stand on a box to reach the microphone and read the script. I got a lot of coaching and we did dozens of takes. I don't know if they ever used the work I did, but I was there and I got paid--or my mother received the money. I only saw the movie once with the English dubbing just a few years ago--never saw it in school and never really mentioned it to anybody because I thought no one would believe me or be interested. I just purchased the DVD but it's only Spanish with English subtitles. Does anyone know where I can get the English dubbed version?