Powder River

When the story begins, Chino Bull (Rory Calhoun) is working his claim along with his partner. A couple jerks come to their camp and threaten to take their horses....and Chino and his partner drive them away. However, the criminals threaten revenge...and leave. A bit later, Chino leaves for town...and when he returns he finds his partner dead and their gold has been stolen. He assumes the two jerks from earlier must have been the culprits. So, he returns to town and becomes the sheriff...so he can search for the killers and bring law to this crappy little town. There's much more to the film....but you'd best see it yourself.

"Powder River" is a good western. However, I didn't score it higher since there are a bazillion good westerns from this era. The acting is nice and the story modestly interesting. And, like most westerns, it promotes several myths about the time and people...no big surprise there.

By the way, this is a very nice looking western thank to it being filmed in color AND its location shoot in Glacier, Montana.

Rory Calhoun was a staple hero in all kinds of films during the 50s. His performances were always great, abetted by his handsome, rugged looks and the ease into which he fit into a number of hero roles. In this one, a kind of standard western, he plays an ex-lawman who returns to the trade when his partner is killed. During the time he cleans up the town, defeats bad guys played by veteran character actors Carl Betz and John Dehner, gets his semi-revenge, on the antihero, played by Cameron Mitchell, wows the French bombshell, Corinne Calvert and, of course, gets the girl. It's great 50s entertainment with a total lack of CGI action, extensive blood and gore and good honest villains and good guys. (*sigh) They just don't make movies like this any more. Watch for it on the late show. There's no DVD or video listed. Calhoun was always worth the price of admission.

This Western has two good things going for it; dialogue by Daniel Mainwaring who wrote fiction under the name of Geoffrey Homes. For those who recall ' Out of the Past, ' or alternatively titled ' Build My Gallows High, ' he was responsible for the novel it was based on, and the dialogue in the film. Some say it is the greatest Film Noir and they could be right. Turned screenwriter he wrote the dialogue for this film and it is first rate; complex, snappy and full of energy. Out of the actors in the film Cameron Mitchell as a tormented man, threatened by death and afraid of it gives a first rate performance. The story itself is the usual one of stolen gold, and tracking down the killer of a man who was protecting it. No spoilers but Rory Calhoun gets to be the man to do that, and his performance is as slick and over polished as ever. However much he tries to portray a ' good man ' the fake smile shows up the opposite and spoils the illusion. Corinne Calvet plays a saloon girl in love with Mitchell. And she does her best to make you believe in her. As a Western it is good, but as usual the town is too clean for the period and the clothes too clean. Personally I like this decade of Western mythology, and the colour is excellent, and a shootout on a boat adrift and heading for the river's rapids is first rate. There is even a carriage on the boat which gives the scene a surreal touch. I give it a 7 for Cameron Mitchell and the dialogue.

More than Lose Remake of "My Darling Clementine" (1940) the John Ford Classic.

Rory Calhoun Vehicle with a Smattering of Gun-Play with a "Powder River" Ferry-Boat Scene a Highlight.

Good Cast with Cameron Mitchell as the Doomed Doctor and Corinne Calvet as "Frenchy" a Fiesty Saloon-Owner-Gal making an Impression.

Never Reaching Heights of its Own, the Movie is Watchable for the Cast, Technicolor, and Proven Story.

Rory Calhoun is a bit More Animated than Usual.

The First-Half is the Better Half.

But Still Maintains Enough Interest to Carry yet Another 1950's Western to its Predicable Feel-Good Exit for Post-War Western Fans who were Legion.

It demonstrates that black & white was perceived as the default position for serious postwar Hollywood cinema that this character-driven western potboiler was one of the very few colour films namechecked in Robert Warshow's 'The Immediate Experience'.

As for the film itself the most memorable characters are Cameron Mitchell as a doctor succumbing to headaches and blackouts due to a brain tumour and Corinne Calvet usually with a cigar protruding from her glossy red lips and wearing bright colours as a brassy 'businesswoman' known to the rest of the cast as 'Frenchie'.