IMDb रेटिंग
7.0/10
4 हज़ार
आपकी रेटिंग
अपनी भाषा में प्लॉट जोड़ेंWagon train survivors of an Apache attack entrust the sheriff's prisoner, scout Comanche Todd, with their lives despite his wanted-for-murder status.Wagon train survivors of an Apache attack entrust the sheriff's prisoner, scout Comanche Todd, with their lives despite his wanted-for-murder status.Wagon train survivors of an Apache attack entrust the sheriff's prisoner, scout Comanche Todd, with their lives despite his wanted-for-murder status.
John Barton
- Townsman
- (बिना क्रेडिट के)
Timothy Carey
- Cole Harper
- (बिना क्रेडिट के)
Gene Coogan
- Townsman
- (बिना क्रेडिट के)
Juney Ellis
- Mrs. Clinton
- (बिना क्रेडिट के)
Abel Fernandez
- Apache Medicine Man
- (बिना क्रेडिट के)
फ़ीचर्ड समीक्षाएं
This film begins with Richard Widmark being chased by a posse. In the process, Widmark kills several of the deputies until he is ultimately captured. The sheriff (along with Widmark) soon meets up with a wagon train and tags along with them until he can get his prisoner back to town for a proper hanging. As for why Widmark did all these nasty murders, he is supposedly part Comanche (he sure doesn't look it--that's because he was a white orphan raised by the tribe) and has a total disregard for society--and somehow this entitles him to kill with abandon.
Problems soon develop with the settlers. They are devout people and can't stand the way the sheriff takes pleasure in tormenting Widmark (who is now handcuffed to a wagon wheel). What happens next with Widmark and the sheriff is something you'll need to see for yourself.
Soon another parallel story begins as well. One of the ladies in the wagon train is angry because her father was previously married to an American-Indian and she has a half-sister as a result. There is obviously much hatred of the 'half-breed' sister and the racist feelings the white sister feels is a parallel to the story of Widmark. Occasionally this tension seems a bit overdone--especially since you'd think the angry white sister would have come to terms with her half-sister and the white settlers would get tired of using words like 'savage' so much. Subtle its message ain't and the one young lady in particular plays a character too unlikable and annoying to be real--the one and only real deficit in an otherwise good film.
Unfortunately for the wagon train, the land they eventually enter is Indian land. Soon, it appears that the Indians are angry about their land being invaded and it appears that all of the settlers' lives are about to be snuffed. At this point, the tables are turned and it's up to the cold-blooded killer, Widmark, to save the day--escorting the survivors to safety and teaching them to live off the land like natives.
By the way, as you watch Widmark chained to the wagon wheel and doing some stunts as well while connected to the wheel, you are impressed by how much he was willing to do for this role. Occasionally, you assume it's a stuntman doing some of the scenes but in many cases it is clearly Widmark being tossed about in this very uncomfortable manner. What a guy...and what a good film.
Overall, a very good film that is worth watching for its fine performance by Richard Widmark as well as an interesting and thought-provoking script. As I already said, the story isn't always subtle nor are a few of the characters, but it still is an earnest and enjoyable flick.
Problems soon develop with the settlers. They are devout people and can't stand the way the sheriff takes pleasure in tormenting Widmark (who is now handcuffed to a wagon wheel). What happens next with Widmark and the sheriff is something you'll need to see for yourself.
Soon another parallel story begins as well. One of the ladies in the wagon train is angry because her father was previously married to an American-Indian and she has a half-sister as a result. There is obviously much hatred of the 'half-breed' sister and the racist feelings the white sister feels is a parallel to the story of Widmark. Occasionally this tension seems a bit overdone--especially since you'd think the angry white sister would have come to terms with her half-sister and the white settlers would get tired of using words like 'savage' so much. Subtle its message ain't and the one young lady in particular plays a character too unlikable and annoying to be real--the one and only real deficit in an otherwise good film.
Unfortunately for the wagon train, the land they eventually enter is Indian land. Soon, it appears that the Indians are angry about their land being invaded and it appears that all of the settlers' lives are about to be snuffed. At this point, the tables are turned and it's up to the cold-blooded killer, Widmark, to save the day--escorting the survivors to safety and teaching them to live off the land like natives.
By the way, as you watch Widmark chained to the wagon wheel and doing some stunts as well while connected to the wheel, you are impressed by how much he was willing to do for this role. Occasionally, you assume it's a stuntman doing some of the scenes but in many cases it is clearly Widmark being tossed about in this very uncomfortable manner. What a guy...and what a good film.
Overall, a very good film that is worth watching for its fine performance by Richard Widmark as well as an interesting and thought-provoking script. As I already said, the story isn't always subtle nor are a few of the characters, but it still is an earnest and enjoyable flick.
The Last Wagon is not in the Premier League of great westerns; but it should be. Delmer Davis has fashioned an exciting, pacey film, which has all the finest ingredients of the American West.The story is never less than interesting and absorbing,and sometimes superlative. Richard Widmark plays Commanche Todd perfectly, displaying ruthlessness, kindness, charm and craggy reliability, in equal measure.The Widmark easy grin trademark is evident, which only he can switch on, lending light relief to a grim story.
But for me the film is notable for a love scene that compares easily with that of the famous train meeting between Cary Grant and Eve Marie Saint in North by Northwest. Felicia Farr as Jenny, and Todd, fetch up in the rocks of the wild prairie, and Todd makes his move. Then follows a curiously compelling verbal exchange that is achingly romantic,full of blossoming love and yearning, and charged with heady excitement.You can almost hear Farr's rapid heart beating. For one brief moment Felica Farr makes herself the most desirable women on the planet.When the kiss comes it makes your heart sigh. Then it's back to the action, and the film pulses along to a satisfying conclusion. But it will be Farr's breathlessness, sensuality and desirability that lingers in the mind.There have been countless Screen Goddess's;but only a few like Felicia Farr and Eve Marie Saint, have been able to effortlessly radiate true sex appeal
But for me the film is notable for a love scene that compares easily with that of the famous train meeting between Cary Grant and Eve Marie Saint in North by Northwest. Felicia Farr as Jenny, and Todd, fetch up in the rocks of the wild prairie, and Todd makes his move. Then follows a curiously compelling verbal exchange that is achingly romantic,full of blossoming love and yearning, and charged with heady excitement.You can almost hear Farr's rapid heart beating. For one brief moment Felica Farr makes herself the most desirable women on the planet.When the kiss comes it makes your heart sigh. Then it's back to the action, and the film pulses along to a satisfying conclusion. But it will be Farr's breathlessness, sensuality and desirability that lingers in the mind.There have been countless Screen Goddess's;but only a few like Felicia Farr and Eve Marie Saint, have been able to effortlessly radiate true sex appeal
This story chronicles the trials of a fugitive half-breed and the survivors of an Indian attack on a wagon train. Richard Widmark is the tough, steely hero who aims to guide the survivors to safety through the desert and clear his name in a murder case. The plot is basically one of survival and redemption and the picture fleshes out Widmark's character in dramatic fashion, first as an abused prisoner, then as a trail savvy outsider who must bring to safety folks who dislike him because of his reputation. The film has fine action scenes but tends to dwell on the attitudes of the young whites who resent being dependent on Widmark, yet realize they need him to pull them out of harm's way. Felicia Farr is good as the woman who falls for Widmark in spite of his troubled past, as are Susan Kohner and Stephanie Griffin, the latter as a high-strung lass with a quick temper. Nick Adams and Tommy Rettig do fine in their roles and round out the survival party. The cinematography and music are top notch.
"The Last Wagon" is the very first movie I ever went nuts over; and I've been a movie fan ever since. I was nine and I didn't even want to go to the movies that Saturday night. But my parents wanted to see "Bus Stop" and they didn't want to get a baby sitter for me and my three year old brother, so they dragged us along. But they had made a mistake when reading the starting times of the films and when we got to the theater, "The Last Wagon", not "Bus Stop" was starting. From the moment Richard Widmark shot the first bad guy even before the opening credits and the enveloping overture, I was hooked on him, the western scenery, the action, the anthropological dramatization of Comanche vs. Apache tribal hostilities at the same time that all Native American cultures were being wiped out by encroaching white "civilization", and the enthralling background music. When the co-feature of "Bus Stop" concluded, I wanted to stay to see "The Last Wagon" again. My parents had to drag me out.
to me this was the best western I have ever seen. Richard Widmark is a suberb actor and carried this movie so well. the scenery was beautiful also.All the young actors gave wonderful performances.please do yourself a favor and enjoy one of the great stories of all time.
क्या आपको पता है
- ट्रिवियाTalking about his personal life, Comanche Todd (Richard Widmark) said that his wife was 23 when she was killed with their 2 sons. Regarding marriage, Todd asks Jenny "You been broke in?" Jenny's answer "To marriage, no not yet", passed the censors, (By being broke in, he referred to breaking horses).
- गूफ़During the last third of the film, Tommy Rettig's hair goes from being long and fair, with a fringe, to being short and dark and brushed back and then back again on two occasions.
- भाव
[after capturing Todd, Sheriff Harper offers to join Colonel Normand's wagon train]
Col. Normand: He's safe in your custody, I suppose. It's just that we got women and children with us.
Sheriff Bull Harper: He'll be safe. The first time he don't look safe, he'll get dead.
- क्रेज़ी क्रेडिटOpening credits prologue: 1873 Arizona Territory
- कनेक्शनReferenced in Hollywood Screen Tests: Take 2 (1999)
टॉप पसंद
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- How long is The Last Wagon?Alexa द्वारा संचालित
विवरण
- रिलीज़ की तारीख़
- कंट्री ऑफ़ ओरिजिन
- भाषा
- इस रूप में भी जाना जाता है
- La última carreta
- फ़िल्माने की जगहें
- Red Rock Crossing, Sedona, एरिज़ोना, संयुक्त राज्य अमेरिका(opening titles and gunfight sequence)
- उत्पादन कंपनी
- IMDbPro पर और कंपनी क्रेडिट देखें
बॉक्स ऑफ़िस
- बजट
- $16,70,000(अनुमानित)
- चलने की अवधि
- 1 घं 39 मि(99 min)
- पक्ष अनुपात
- 2.35 : 1
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