Donovan's Brain

This film is one of my favorite 1950's horror/science fiction movies. I first saw this film on T.V. when I was about four and five years old, and it thrilled me then and I still enjoy it today. The story based on Curt Siodmak's novel was previously filmed in 1942 as LADY AND THE MONSTER. While that version has some virtues, the overall result was mediocre. It was filmed again 1962 as THE BRAIN with several character name changes and different plot elements. I last saw that version in 1970's. While I recall it being not bad, I don't remember it being as good as this version.

DONOVAN'S BRAIN is the best version primarily due the good performance of Lew Ayers as the possessed Dr. Cory with good support from Gene Evans. When I first saw this film again after many years I was impressed by Lew Ayers. When the evil brain of Donovan possesses Dr. Cory and he becomes Donovan, I had to remind myself that it was Ayers playing both "minds". This was done entirely by Ayers; the film employs no make-up or lighting tricks (as the 1942 version does) to create the different minds in the same body. Gene Evans lends good support as Cory's alcoholic but sympathetic doctor assistant. Steve Brodie is also good as the blackmailing reporter, but his role is somewhat shoehorned into the plot. He appears merely as someone for Cory as Donovan to knock off, and once he is gone, his blackmail threats are forgotten. However the scene's with Brodie are good. Note that when he confronts Cory/Donovan for a blackmail payment, he is wearing a worn out suit. When he returns for another payment, he shows up in a very expensive looking suit! The film is loaded with subtle touches like that.

When evil millionaire Donovan dies on his operating table, scientist Dr. Patrick Cory (Lew Ayres) seizes the opportunity and removes Donovan's brain, which still shows signs of life. He manages to keep the brain alive in a tank in his laboratory, where it grows in size in a short time as well as exhibiting telepathic abilities. Soon Donovan's brain becomes powerful enough to force his will on Cory and make him do his bidding.

Entertaining '50s sci-fi with few bells & whistles but an enjoyable cast and decent ideas. Lew Ayres is good. I like to imagine this is what happened to Dr. Kildare: he left medicine to become a research scientist and things went horribly wrong. Nancy Davis (Reagan) does a fine job, though her obedient housewife role is likely to draw criticisms from the huff & puff crowd. Gene Evans is great as Ayres' surgeon buddy with a drinking problem who gives Ayres the inevitable "you're playing God" speech. Steve Brodie is fun as a nosy reporter who gets what's coming to him. Based on a novel by screenwriter Curt Siodmak (The Wolfman, I Walked with a Zombie, Earth vs. the Flying Saucers, etc.). Siodmak doesn't write the screenplay here. The movie was adapted before as The Lady and the Monster and Siodmak didn't write that either. Not sure why he didn't try to write his own movie version of the novel. This is a good sci-fi flick, though the middle is little more than Ayres going from place to place barking orders at people and handing out money. The beginning and ending are best. Not a lot of action, which won't sit well with everybody, but I was never bored.

When the noir cycle was running down (and out) in the early 1950s, the new spate of "sci-fi" movies could lay claim to being among its bastard offspring. These programmers about atomic mutants, mad scientists and monsters from the night sky took over the quick-and-dirty, bottom-of-the-bill status the noirs once occupied. Rarely, however, did they boast their known and seasoned casts or their distinctive visual style (how could they? They were all set out in the damn desert).

But they also inherited some noir veterans. Donovan's Brain was directed by Felix Feist (The Devil Thumbs A Ride, Tomorrow Is Another Day) and originally written by Curt Siodmak (Berlin Express).

Scientist Lew Ayres works on keeping monkey brains alive outside their bodies. When a powerful millionaire dies in a car crash conveniently nearby, Ayres volunteers to resuscitate the brain and succeeds beyond his hopes. In its electromagnetic bath, the organ pulsates and glows, developing telepathic powers. Soon it's taking over Ayres' personality; he starts living Donovan's life and continuing his dirty work, all the way to Washington.

Ayres' wife (Nancy Davis at her most charmless and plain-jane) grows alarmed, and plans to unplug the brain. Trouble is, it can sense hostility and defend itself....

Feist applies some practised suspense techniques to the story, and with Joseph Biroc's photography the movie doesn't look bad, either. But it's high point is Ayres as he shifts from mild researcher to the insolent, despotic Donovan. He makes the hour and a half something more than just passable.

Veteran actor Lew Ayres, best known to many old movie buffs as 'Dr Kildare', plays Cory, a scientist experimenting with monkey's brains, seeing if it is possible for them to exist outside the body. He is assisted in his innovative work by his devoted wife Janice (the future Nancy "Just Say No" Reagan), and his alcoholic surgeon sidekick Schratt ('Shock Corridor's Gene Evans, in the film's best performance). A plane crashes near their laboratory, and the only survivor is taken there as it isn't thought he will live long enough to make it to the nearest hospital. Unable to save the man, Cory decides to secretly preserve the brain. The man is soon revealed to be ruthless multi-millionaire businessman Donovan. Cory's gamble pays off and the brain not only survives, but thrives. As it does it begins to control Cory, making him into a slave. Donovan's brain wants to continue to use his business empire for world domination, and will kill anyone who stands in his way. Cory's wife and colleague are helpless to stop what is going on. Now, there is a strong element of silliness throughout this thriller. The brain actually grows larger and pulses, and Ayers does the whole "must... stop....brain...before...it's...too...late' routine which quite possibly taught William Shatner a thing or two. But if enter into the spirit of the thing, this is one hell of an entertaining b-grade science fiction yarn, and lots of fun. For a different approach to the same Siodmak source material check out the early sixties mystery movie 'The Brain' starring Peter van Eyck.

Made in an age when the science fiction film genre was dominated by giant insects and monsters from beneath the sea (not that there's anything wrong with those) "Donovan's Brain" stands out as a more understated (and under-appreciated) gem.

A movie about a dead financier's brain being kept alive in a fish tank as it takes over the minds of people around it could easily become silly; in fact it would be hard for such a premise NOT to be silly (which is why Steve Martin loosely adapted the premise for his comedy "The Man with Two Brains.")

But thanks to deliberate pacing and fine performances from its cast, what could have been an exercise in the ridiculous becomes instead a surprisingly effective film. The very reserved script keeps "techno-babble" to a minimum as the story unfolds, and a low budget limits most of the visual and special effects to the very basic, but rather than feeling "cheap," the film's spare quality instead tends to limit distractions from the story.

In 1944's "The Lady and the Monster" (a lesser and earlier adaptation of Curt Siodmak's novel) the brain's takeovers were signaled obviously, using lighting and musical cues. But in "Donovan's Brain" you know the brain has taken control solely due to the controlled and subtle performance of Lew Ayres, who indicates a transformation in Dr. Cory by as little as a change in posture and a hardening of his expression (no such kudos for Steve Brodie as Herbie Yocum, whose inane "zombie walk" stands out in its cheesiness.) Gene Evans also did well in the movie playing Cory's assistant Dr. Frank Schratt, and future first lady Nancy Davis turns in a serviceable, if somewhat wooden, performance as Cory's steadfast wife.

"Donovan's Brain" will not be anyone's favorite movie; coming out in a year which also saw the release of classics like "The War of the Worlds," "The Beast from 20,000 Fathoms," "It Came From Outer Space" and "Invasion from Mars," it's not even anyone's favorite sci-fi movie of 1953. But although it's not considered a classic, this small film far overcomes its B-movie title. It's better than it sounds, and well worth a look.