IMDb रेटिंग
6.0/10
6.6 हज़ार
आपकी रेटिंग
अपनी भाषा में प्लॉट जोड़ेंA mission sent to rescue the first manned expedition to Mars is invaded by an unknown life form, which stows away on the rescue ship.A mission sent to rescue the first manned expedition to Mars is invaded by an unknown life form, which stows away on the rescue ship.A mission sent to rescue the first manned expedition to Mars is invaded by an unknown life form, which stows away on the rescue ship.
- पुरस्कार
- कुल 1 नामांकन
Shirley Patterson
- Ann Anderson
- (as Shawn Smith)
Stuart Hall
- Reporter
- (बिना क्रेडिट के)
Mike Morelli
- Reporter
- (बिना क्रेडिट के)
Monty O'Grady
- Reporter
- (बिना क्रेडिट के)
Bert Stevens
- Reporter
- (बिना क्रेडिट के)
Pierre Watkin
- Spokesman at Press Conference
- (बिना क्रेडिट के)
फ़ीचर्ड समीक्षाएं
I dug this one out of the dust bin and was quietly amazed at the simple, yet straight on-target focus of this movie. Yes-- Alien borrowed the basic setup from this 1958 setup. And yes-- Alien did it BETTER, ICKIER, and SCARIER. But hey, this was 1958!
The script is actually very down to earth and intelligent. The snippets of Sci-Fi Factoids actually made sense for what people popularly knew about Mars back then. The women were still women of that era, but they were intelligent and level headed. No Screaming. No fainting. No Falling down and spraining of slim ankles because of fashionable stiletto heels.
The fact that the movie is B&W is a plus in terms of the monster and the make-up. Let's face it-- in most scary movies, the scariest moment is when the camera is DARK and there is almost no color. Here, the shadows hide that fact that the monster is a guy in a heavy rubber suit. And in 1966, this movie frightened me enough to keep me awake all night.
Fun spots:
1-- Guns, LOTS of handguns, Rifles, grenades, crates of 'em-- gods, they even got a BAZOOKA! And they're shooting them all off inside a tin can in Outer Space. Man, they built them thar spaceships like battleships! And they're ALL good shots because not one single bullet ever sets fire to a VITAL control panel. Wow!
2-- The women pour coffee and make sandwiches for the men. Ah. . .Heaven!
If you and your friends are Sci-Fi buff, despite being dated, this 'B' Classic is worth a Saturday Night Oldies Flick.
Just ask POLITELY: Girls, can we have some sandwiches?
The script is actually very down to earth and intelligent. The snippets of Sci-Fi Factoids actually made sense for what people popularly knew about Mars back then. The women were still women of that era, but they were intelligent and level headed. No Screaming. No fainting. No Falling down and spraining of slim ankles because of fashionable stiletto heels.
The fact that the movie is B&W is a plus in terms of the monster and the make-up. Let's face it-- in most scary movies, the scariest moment is when the camera is DARK and there is almost no color. Here, the shadows hide that fact that the monster is a guy in a heavy rubber suit. And in 1966, this movie frightened me enough to keep me awake all night.
Fun spots:
1-- Guns, LOTS of handguns, Rifles, grenades, crates of 'em-- gods, they even got a BAZOOKA! And they're shooting them all off inside a tin can in Outer Space. Man, they built them thar spaceships like battleships! And they're ALL good shots because not one single bullet ever sets fire to a VITAL control panel. Wow!
2-- The women pour coffee and make sandwiches for the men. Ah. . .Heaven!
If you and your friends are Sci-Fi buff, despite being dated, this 'B' Classic is worth a Saturday Night Oldies Flick.
Just ask POLITELY: Girls, can we have some sandwiches?
The "Fun Facts" section on the back of the Midnite Movies DVD proudly exclaims that this film formed the main inspiration for Ridley Scott's film "Alien". I find this quite a remarkable little trivia detail, as "Alien" is generally and deservedly regarded as one of the greatest and most legendary milestones of Sci-Fi cinema and, if the premise of such a classic is inspired by a cheap and typically 1950's monster mania flick, than it means that this source of inspiration must be an underrated and overall very decent film. Of course, being the blueprint for "Alien" has to be put into perspective just slightly. I think we can all safely agree that the rudimentary plot of Scott's film is the least impressive aspect about the entire production. Hideous and invincible extraterrestrial monster gets aboard a spaceship and kills off the astronauts one by one. That's basically it and that's also all that "Alien" has in common with "It! The Terror from beyond Space". "Alien" promptly became an immortal classic thanks to the Ridley Scott's unique talent of building up claustrophobic suspense, the titular creature's nightmarish design and the flawless acting performances of the entire cast (including Sigourney Weaver, John Hurt and Ian Holm), whereas "It!" simply stayed a charming but nonetheless fairly insignificant 50's monster movie. Still, I wouldn't hesitate recommending this movie to fans of nostalgic Sci-Fi, as the action is fast-paced, the characters are likable and the guy-in-the-rubber-monster-suit is highly memorable. The story opens with a sinister voice-over intro I love that spoken in by Colonel Edward Carruthers; sole survivor of the very first manned mission to planet Mars. He awaits the arrival of a second spaceship that will take him back to earth AND to court marshal. Nobody believes Carruthers' story about an unconquerable Martian killing off his crew and he will have to stand trial himself. The nine-headed crew of the second mission will soon be able to defend Carruthers' story, as the unnamed monster sneaks aboard and turns the voyage back to earth into a deadly ordeal. Obviously almost every aspect of the film has dated severely by now (not just the special effects but also, for example the role of women in science) and the script is crammed with hilarious improbabilities (the monster dodges bullets and even grenades, but it's petrified of a tiny little flame?) The acting performances are way above average for that time, with particularly Marshall Thompson and Shirley Patterson shining like stars. Recommended
If you'rr a ten year old kid home alone at about one in the morning in a creaky old house in the early sixties, this movie is actually pretty scary. The scenes where the monster keeps his just barely alive victims in the air vents (and actually drags one of them around with him) for who knows what reason are chillingly eery (or eeringly chilly). Good film for nostalgia fans.
I haven't seen this movie in 46 years, but the thing I remember about it is the fact that I was so terrified watching it, at nine years of age at the Lincoln Theatre in Kearny, NJ, that I had to leave before it ended. I didn't sleep well for many nights after that.
There was a scene I remember where a crew member opened an air duct access hatch (or what, as I recall now, looked like one), and a hand fell down in front of him, obviously belonging to a dead colleague of his. The creature had stuffed the body in the ductwork. That was all I could take. I threw my comic book (I always bought one for 10 cents on my way to the movies on Saturday afternoons. My mom would give me 35 cents, 10 for the comic and a quarter for the double feature with cartoons in between) up in front of my face so I couldn't see, and ran up the center aisle, out the doors, and away from that horror. I saw just about every monster/horror/sci-fi movie made in the 1950's on one or another of those wonderful Saturdays at the Lincoln Theatre, and the only other one that made me run out was House on Haunted Hill.
What I wouldn't give for another chance to see two movies and three cartoons for a quarter, through the unjaded eyes of a nine-year old boy, still able to be scared out of my wits by a guy in a rubber suit.
There was a scene I remember where a crew member opened an air duct access hatch (or what, as I recall now, looked like one), and a hand fell down in front of him, obviously belonging to a dead colleague of his. The creature had stuffed the body in the ductwork. That was all I could take. I threw my comic book (I always bought one for 10 cents on my way to the movies on Saturday afternoons. My mom would give me 35 cents, 10 for the comic and a quarter for the double feature with cartoons in between) up in front of my face so I couldn't see, and ran up the center aisle, out the doors, and away from that horror. I saw just about every monster/horror/sci-fi movie made in the 1950's on one or another of those wonderful Saturdays at the Lincoln Theatre, and the only other one that made me run out was House on Haunted Hill.
What I wouldn't give for another chance to see two movies and three cartoons for a quarter, through the unjaded eyes of a nine-year old boy, still able to be scared out of my wits by a guy in a rubber suit.
In many ways, this film looks as if it was inspired by THE THING and in turn, this film seems to have inspired ALIEN. There are a lot of similarities to each other--and all are excellent and very tense sci-fi thrillers.
The film begins with an astronaut under arrest and on his way back to Earth from Mars. It seems that his ship was the first on the planet and when a rescue crew arrived, only one man was left from the crew--the others had been murdered or just disappeared. Logically, they assume that the surviving crew member had killed his comrades, so they pack him aboard and take him back for a court martial. However, what no one realizes is that they also have accidentally transported the REAL killer on the ship as well and after a while, its insatiable blood-lust is unleashed. While it looks like they are all about to die, there is a bright side--at least now they know that the guy under arrest is innocent! The rest of the film consists of the crew's efforts to stop the monster and make it back alive--and it sure doesn't look like it will be easy.
The look of the ship is very much like a 50s sci-fi film, but it looks a little better--larger and less fake than you'd find in a typical rocket film of the day. The acting also is pretty good, as is the script and the monster costume is pretty decent It's obvious that this movie was not just tossed together and is definitely a better than average film of the genre. The only negative, and it's a minor one, is that the film (like the others listed above) is rather claustrophobic. Still, it's dandy and intelligent entertainment.
The film begins with an astronaut under arrest and on his way back to Earth from Mars. It seems that his ship was the first on the planet and when a rescue crew arrived, only one man was left from the crew--the others had been murdered or just disappeared. Logically, they assume that the surviving crew member had killed his comrades, so they pack him aboard and take him back for a court martial. However, what no one realizes is that they also have accidentally transported the REAL killer on the ship as well and after a while, its insatiable blood-lust is unleashed. While it looks like they are all about to die, there is a bright side--at least now they know that the guy under arrest is innocent! The rest of the film consists of the crew's efforts to stop the monster and make it back alive--and it sure doesn't look like it will be easy.
The look of the ship is very much like a 50s sci-fi film, but it looks a little better--larger and less fake than you'd find in a typical rocket film of the day. The acting also is pretty good, as is the script and the monster costume is pretty decent It's obvious that this movie was not just tossed together and is definitely a better than average film of the genre. The only negative, and it's a minor one, is that the film (like the others listed above) is rather claustrophobic. Still, it's dandy and intelligent entertainment.
क्या आपको पता है
- ट्रिवियाThe mask of the monster suit was altered considerably. When Ray Corrigan was fitted for the suit, the mask was initially too tight. Paul Blaisdell, who made the suit, had to remove and rebuild the monster's lower jaw so the mask would fit better. Unfortunately, Corrigan's chin stuck out through the opening made in the mask. Blaisdell made up his chin to look like the monster's tongue. The mask's original eyes (large and catlike, a Blaisdell trademark) were also removed; the eyes you see behind the mask are actually Corrigan's.
- गूफ़Van Heusen opens the reactor shield to try to kill the monster, but it smashes through the door to escape. He doesn't reseal the shield, though. The adjoining space, the one with the man with the broken leg, should have been flooded with deadly radiation ("enough to kill a hundred men" as Van Heusen notes).
- भाव
Lt. James Calder: Mars is almost as big as Texas. Maybe it's got monsters.
- कनेक्शनEdited into Invisible Invaders (1959)
टॉप पसंद
रेटिंग देने के लिए साइन-इन करें और वैयक्तिकृत सुझावों के लिए वॉचलिस्ट करें
विवरण
- रिलीज़ की तारीख़
- कंट्री ऑफ़ ओरिजिन
- भाषा
- इस रूप में भी जाना जाता है
- El terror del más allá
- उत्पादन कंपनी
- IMDbPro पर और कंपनी क्रेडिट देखें
- चलने की अवधि1 घंटा 9 मिनट
- रंग
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किसी बदलाव का सुझाव दें या अनुपलब्ध कॉन्टेंट जोड़ें
टॉप गैप
By what name was It! The Terror from Beyond Space (1958) officially released in India in English?
जवाब