Montana Belle

Alright folks, so far I've pretty much raved about Jane Russell's week as she enjoys her time as Star of the Week, but now is the time to skip one of her movies: Montana Belle. I didn't even make it through this one.

With an unflattering haircut and a perpetual scowl, Jane Russell stars in another western as a tough broad. She starts the movie handcuffed because the local law enforcement, headed by Ray Teal and Scott Brady, intercepted a lynch mob about to string her up. Since she's a woman, the guys go a little soft on her and try to reform her instead of just hanging her along with the rest of her male cohorts. And when Scott and banker George Brent both fall for her, she has a tough decision on her hands. After all, a gutsy, tough outlaw needs a man to protect her, right? Seriously, folks, just rent The Outlaw instead.

I'm watching this on the Grit channel. It has been colorized, and the color is awful. And the beauty of a good black and white image seems to be gone too. Sad to ruin it this way.

Jane Russell, in a modest performance, is cast as the West's most notorious female outlaw, a role previously played on screen by Gene Tierney in "Belle Starr" in 1941 and by Isabel Jewell in "Badman's Territory" in 1946... Director Allan Dwan could not take any interest into the unworthy storyline or the determinedly pedestrian cast... In addition, the harsh colors are no asset to the proceedings...

Belle Starr (Russell), an outlaw's widow has a misunderstanding with Scott Brady and the three outlaw Dalton Brothers... She joins with Forrest Tucker and Jack Lambert in a holdup rampage, gaining an even more unpleasant reputation... Later she returns to her old favorite place of resort disguised sufficiently so that no one recognizes her...

Because gambler-saloonkeeper George Brent has $50,000 in funds that Jane is longing to gain, she persuades him to take her as a partner at his saloon... As the new presiding mistress of the establishment, Jane finds time to sing "The Gilded Lily" and to understand that Brent is basically a good guy after all, even though he is determined on bringing the Dalton gang and Belle Starr to justice...

To begin with, it looks awful. A previous reviewer wrote that it is colorized. This is inaccurate. It's shot in some ghastly process known as TruColor that renders the blues and reds into a hideous aqua marine/pink tint so that it resembles some kind of a western mermaid flic. Second, the acting sucks. I generally like George Brent but here he is not so much phoning it in as, to employ a stereotypical Native American analogy appropriate to this racist film, smoke signaling it in. And Jane Russell has rarely been this bland. As for the story and screenplay it is overly complicated, with three men in love with the title character and two competing gangs of outlaws, and under written with only one of the three male pursuers given a personality (for the record, that'd be Forrest Tucker who delivers the only interesting performance). Add the above mentioned bigotry, with the white characters making fun of the lone native American (played by a Caucasian actor, natch) for his poor English, and set the whole thing in the mountains, pine forests and birch forests of...Oklahoma!...and you end up with one lousy, dumb ass movie. C minus.

PS...All my auteurist friends tell me that Alan Dwan is a great film maker. Based on this, which is admittedly the only Dwan western I've seen, the guy's not fit to hold Boetticher's view finder.

Jane Russell plays a (very) fictionalized Belle Starr. (Going off contemporary photographs the real Belle Starr looked closer to Ernest Borgnine), also Jane gets away with being disguised as a man during a holdup!! You can see we are not talking reality here.

Originally filmed in color, most prints now available are black and white. Jane does a couple of not bad (and rather racy) musical numbers that are a little out of place and appeared to have filmed at a different time. It seems as though cuts may have been as the plot gets a little muddled sometimes and now and again we get the impression we are entering scenes in progress.

After completion this movie was held up for a few years before distribution, which is usually a bad sign. In this case though it seems no worse than many of the second string westerns produced in the forties.

Okay with popcorn and if you're in the right mood.