The Crimson Pirate

It's impossible to recapture the absolute bliss of seeing this film for

the first time, in all its impudence and style; but watching it yet again this afternoon, I found a broad grin back on my face within minutes. Burt Lancaster's cocky Captain Vallo -- golden-haired, silver-tongued, and sporting a fine taste in trademark crimson trousers -- is a Technicolour pirate straight out of the pages of legend, and it's a toss-up as to whether it's more fun watching him dazzle and bamboozle his way through the ranks of the dastardly Spaniards, every sea-rover's traditional foe, or seeing him taken down a richly-deserved peg or two when events don't go quite as anticipated. If Vallo had it all his own way, he'd be insufferable; but fortunately for the film, circumstances -- and the script -- conspire to unseat his schemes, with results both hilarious and touching.

Lancaster and Nick Cravat play off their old acrobatic routines against each other, separately and together, in a virtuoso display perfectly integrated into the action of the film. In "The Flame and the Arrow", the acrobatics felt shoe-horned in to show off the star's abilities. Here they develop naturally from the conventions of the genre, and the grace of the big man and pugnacity of the little one make for a gifted double-act. In the role of the loyal mute Ojo (as the leader of their rebel captors observes dryly, 'this one can't talk and the other can't stop talking!') Cravat repeats his eloquent, quickfire mime from the earlier production, providing the last 'word' for the film's ending and comic moments throughout.

The character of the first mate 'Humble' Bellows, with his Quakerish speech and rigid adherence to the old ways, is also a triumph. Implacably opposed to his captain's flashy plans for a double- and triple-cross on the grounds that it's more like business practice than honest piracy, and unmoved by Vallo's gift of the gab, his doom-saying has the unpalatable habit of seeming to come true as one complication after another arises. Yet he has a stubborn integrity of his own, and his loyalty is to the ship's company where Vallo's veers like a weathercock. He is a complex character we cannot in a way help but admire.

But above all, the essence of "The Crimson Pirate" is that it's *very*, *very* *silly*. Gloriously silly. This isn't about realism -- this is comic-strip stuff, where battle consists of tossing your enemies overboard into the water, laying them out cold with a belaying-pin, or stacking them up one by one on the floor of the captain's cabin; where a man with a sword can duel a man with a swinging block on the end of a piece of rope, and an athletic fugitive can escape down narrow streets by using awnings as trampolines and washing-poles as parallel bars. Like "Galaxy Quest", this film is both an affectionate spoof of its genre and a gripping contribution to that genre in its own right.

This is Adventure with a capital 'A', with a colourful unrepentant rogue of a hero, with devious Dons, thickwitted soldiery, heroic rebels, treachery, cruelty and gallantry against the odds - and generally an unexpected laugh around every corner. It's utterly impossible, of course, but -- believe only half of what you see... if that!

Once you suspend disbelief you can have a glorious time at this movie. The Technicolor looks fabulous on DVD, Burt Lancaster is an Adonis if ever there were, and there's silly fun to spare all around, from the striped tights to the giddy pitched battles and doofus redcoats to the springy Cravat.

You can easily see Spielberg and George Lucas learning their pacing and craft from this director, as well as outlandish stunts and fantastical conceits. You can't help but get caught up in it.

Not only that, those two kisses shared by Burt 'n Eva are HOT. Yumm.

For contrast, view Lancaster in Sweet Smell Of Success. Utter control.

This is probably one of the best films I have ever seen. It had a perfect mix of adventure and comedy due to the fact that it pokes fun at all the pirate cliches. Also, it really gave the legendary Burt Lancaster a chance to show of his acrobatic talents. Too bad they don't show this on television anymore. This film would probably appeal not only to older fans but to children as well.

Burt Lancaster plays a 18th-century buccaneer called Capt. Vallo with a taste for action and acrobatics and pits his wits and brawn against the might of a villain nobleman ; as Vallo pretending to be a baron to infiltrate into a strongly-armed island and finding romance along the way . It starts when a ship of the king's Navy armed with thirty guns on a mission in the Caribbean late in the Eighteenth Century . There appears a famous pirate (Burt Lancaster who starred various swashbucklers and classic adventures) supported by bearded and short Ojo (Nick Cravat is mute because he had a thick East Coast accent and in actual life his previous circus partner) leading a band who involves himself in the goings on of a Caribbean revolution . As he saves the damsel (Eva Bartok as a hot-tempered woman who swoons over Vallo) in distress and , of course , seduces her ; furthermore he confronts a ruthless baron (Bradley) at an island . As Vallo poses as a Baron in order to penetrate a well-defended enemy stronghold .

Agreeable pirate movie , plenty of action , thrills , bright cinematography and luxurious costumes . Although the story has been told before , tight filmmaking and nice acting win out . The picture is fast-moving , exciting and thrilling right up to the almost balletic climatic final confrontation between Burt Lancaster and Leslie Bradley . ¨The Crimson Pirate¨ results to be one of Lancaster's swashbuckling best and has achieved a classic status . This entertaining pirate movie is packed with noisy action , burlesque , poking fun , loads of ship battles , humor with tongue-in-cheek and impressive acrobatics adds interest to the ordinary swashbuckling . Considered by many to be one of the best pirate movies laced with comedy and enthusiastically paced . Interesting and enjoyable screenplay by Roland Kibbee ; however , the script started life as serious, nay solemn, but Robert Siodmak, the director, with all the sure touch of real tension behind him in "The Killers" and "The Spiral Staircase," took stock of the material in forty-eight hours and turned it into a comedy . Hight budgeted film , including expensive battles at sea , as it overruns ballooned the original $1.1 million dollar budget to $1.85 million . Burt Lancaster is a complete show including spectacular acrobatic in which Burt performing his own stunts . Lancaster played this pirate movie in the wake of his man-of-action epoch when he performed three magnificent adventure movies that included ¨His majesty O'Keefe¨ and ¨The Flame and the Arrow¨ . Because of cost overruns on "The Crimson Pirate" and "His Majesty O'Keefe," Warner Brothers insisted that future films from Hecht and Lancaster be limited to $900,000. Lancaster and Hecht's response was to strike a new deal with United Artists . Good support cast such as Torin Thatcher playing an astute pirate called Humble Bellows , James Hayter as Prof. Elihu Prudence and brief appearance of Christopher Lee who has a small character and gets to struggle with the main star .

Colorful cinematography in Technicolor by Otto Heller , being filmed on location in Bay of Naples, Naples, Campania, and Ischia Island, Naples, Campania, Italy . Lively and jolly musical score composed by William Alwyn , well conducted by usual Muir Mathieson . The motion picture was splendidly directed by Robert Siodmak who realizes a skillful filmmaking . Robert had previously directed Burt Lancaster in two classic Noir films titled ¨The Killers¨ and ¨Criss Cross¨. The picture will appeal to Burt Lancaster fans . Burt plays at his best and he provides a lot of fun as his own acrobatic ability , ably assisted by little Nick Cravat . This is a real showcase for Lancaster and Cravat's acrobatic skills . Raing : Above average , 8 , very good good pirate movie , wonderful stuff . Essential and indispensable watching for swashbuckling enthusiasts .

Movies were made differently then. The stars, most of whom did not use their own names, were under contract to studios, studios run by the original "mad men" (nothing to do with advertising) and it was all about volume, not quality. The stars were expected to churn out so many "pictures" a year, and if one or more actually turned out to be memorable, that was merely a bonus. Into the mix comes Lancaster, one of the most physical actors ever to work in Tinseltown (former acrobat), a bunch of second-stringers, and voila you have the template which years later Johnny Depp would use so effectively to spoof the genre. Plot? What plot? It's about rip-roaring fun from the first scene to the last, and Lancaster delivers. He really could act, you know, but this film simply requires him to have fun and bring the audience along for the ride. One of the best of its kind. The sad thing was watching Lancaster age in the years to follow. Moreso than others of the era, he hated getting old because his work was so heavily based on his sheer physical presence.