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We Who Are Young

  • 1940
  • Approved
  • 1 घं 20 मि
IMDb रेटिंग
6.0/10
407
आपकी रेटिंग
Lana Turner and John Shelton in We Who Are Young (1940)
Two young office workers working at the same large firm secretly marry and defy their employer's policy against coworker fraternization. When the marriage is discovered, Margy (Turner) is fired. This causes the newlyweds to face serious financial struggles and Bill (Shelton) pursues desperate, perhaps even illegal, measures to make ends meet when the couple learn they are expecting their first baby.
trailer प्ले करें2:22
1 वीडियो
35 फ़ोटो
ड्रामारहस्यरोमांस

अपनी भाषा में प्लॉट जोड़ेंTwo young office workers working at the same large firm secretly marry and defy their employer's policy against coworker fraternization. When the marriage is discovered, Margy (Turner) is fi... सभी पढ़ेंTwo young office workers working at the same large firm secretly marry and defy their employer's policy against coworker fraternization. When the marriage is discovered, Margy (Turner) is fired. This causes the newlyweds to face serious financial struggles and Bill (Shelton) purs... सभी पढ़ेंTwo young office workers working at the same large firm secretly marry and defy their employer's policy against coworker fraternization. When the marriage is discovered, Margy (Turner) is fired. This causes the newlyweds to face serious financial struggles and Bill (Shelton) pursues desperate, perhaps even illegal, measures to make ends meet when the couple learn they... सभी पढ़ें

  • निर्देशक
    • Harold S. Bucquet
  • लेखक
    • Dalton Trumbo
  • स्टार
    • Lana Turner
    • John Shelton
    • Gene Lockhart
  • IMDbPro पर प्रोडक्शन की जानकारी देखें
  • IMDb रेटिंग
    6.0/10
    407
    आपकी रेटिंग
    • निर्देशक
      • Harold S. Bucquet
    • लेखक
      • Dalton Trumbo
    • स्टार
      • Lana Turner
      • John Shelton
      • Gene Lockhart
    • 14यूज़र समीक्षाएं
    • 1आलोचक समीक्षा
  • IMDbPro पर प्रोडक्शन की जानकारी देखें
    • पुरस्कार
      • कुल 1 जीत

    वीडियो1

    Official Trailer
    Trailer 2:22
    Official Trailer

    फ़ोटो35

    पोस्टर देखें
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    + 29
    पोस्टर देखें

    टॉप कलाकार54

    बदलाव करें
    Lana Turner
    Lana Turner
    • Marjorie White Brooks
    John Shelton
    John Shelton
    • William Brooks
    Gene Lockhart
    Gene Lockhart
    • C.B. Beamis
    Grant Mitchell
    Grant Mitchell
    • Jones
    Henry Armetta
    Henry Armetta
    • Tony
    Jonathan Hale
    Jonathan Hale
    • Braddock
    Clarence Wilson
    Clarence Wilson
    • R. Glassford
    Ian Wolfe
    Ian Wolfe
    • Judge
    Hal K. Dawson
    • Salesman
    John Butler
    John Butler
    • Mr. Peabody
    Irene Seidner
    Irene Seidner
    • Mrs. Weinstock
    Charles Lane
    Charles Lane
    • Perkins
    Horace McMahon
    Horace McMahon
    • Foreman
    • (as Horace MacMahon)
    Sam Ash
    Sam Ash
    • Clerk
    • (काटे गए सीन)
    Dorothy Adams
    Dorothy Adams
    • Bellevue Hospital Nurse
    • (बिना क्रेडिट के)
    Ernie Alexander
    • Expectant Father
    • (बिना क्रेडिट के)
    Charles Arnt
    Charles Arnt
    • Eckman
    • (बिना क्रेडिट के)
    Jane Barnes
    Jane Barnes
    • Office Girl
    • (बिना क्रेडिट के)
    • निर्देशक
      • Harold S. Bucquet
    • लेखक
      • Dalton Trumbo
    • सभी कास्ट और क्रू
    • IMDbPro में प्रोडक्शन, बॉक्स ऑफिस और बहुत कुछ

    उपयोगकर्ता समीक्षाएं14

    6.0407
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    फ़ीचर्ड समीक्षाएं

    3moosish-628-965954

    Every cliché in the book!

    Unlike previous commentary here, I thought that both principal actors did a good job (Lana Turner and John Shelton), but even good acting by the principals and the bit players as well, can't rescue a terrible plot. Honestly, I think this had every cliché and/or hackneyed phrase in the book, and almost every plot point followed a tired (and very stupid) formula. Here's an example: The couple learns they are pregnant, but they don't have money for a private doctor to deliver the baby. Wifey says, "I'll happily go to a clinic," but husband, in pure idiocy, claims that "No wife of mine will be going to a clinic!" Which promptly causes him to take out usurious payday loans, which make for terrible troubles that cause them to hit rock bottom for a while. I am SHOCKED that Dalton Trumbo wrote the script! I mean - Jeez - that's the guy who wrote "Spartacus" and "Roman Holiday"! In any case, this is worth watching only if you're in the mood to see a young Lana Turner, an underrated male actor in the lead, and what must have been Dalton Trumbo's C- attempt at a script when he was in Middle School.
    7kacarrol-783-577285

    Sweet Movie

    If you don't like classics in general and are not sentimental, then don't watch. However, I think this movies' appeal is to those that enjoy watching a simple little sentimental 40's period movie without references to gangsters, WWII, and want to be a bit soapy. Turner and Shelton were both very young and good looking. Shelton's performance was good for that particular part- I don't think there was anything wrong with it. It is unfair to compare him to Turner, since she went on to become one of Hollywood's greatest actors/actresses. The predicament Shelton's character was in ...would make many a man result to tears and theatrics, even today.
    5bkoganbing

    Young love in the Great Depression

    The 'young' in the title of this film are a newlywed couple played by the rising Lana Turner and leveling John Shelton. We Who Are Young tells of the trials and travails of young married folk during the 30s.

    Both are working until Turner takes maternity leave. Shelton who has been raised in a strong work ethic home is being driven slowly crazy by the enforced idleness as he seeks employment in an uncaring world.

    It's hard to explain, but during the Depression years unemployment rose to almost a quarter of the population. If you were raised in a strong work ethic home getting a relief check (welfare in these days) was an act stripping the male of his manhood. That is conveyed quite well by Shelton and Turner is wonderful as the supportive wife and soon to be mother.

    I would compare this film to the James Stewart/Carole Lombard classic Made For Each Other. Made For Each Other is better but it covers a lot of the same ground that We Who Are Young Does.

    Lana Turner's fans will approve.
    4gvb0907

    Turner Rises Above the Material

    This is a pretty hackneyed melodrama, obviously influenced by "The Crowd" though far inferior. Turner and Shelton play financially strapped newlyweds facing the perils of the Depression. The various crises and the final resolution are predictable and all of the characters are crude stereotypes, especially Gene Lockhart's tyrannical Mr Beamis. Shelton's performance is weak (he was dropped by MGM after this film), but Turner rises above the material and shows she's a star in the making.
    7jerryuppington

    A good social docu-drama of the era

    I don't agree completely with the other reviewer.

    I think this movie is a fine social documentary of the times. Although the movie was filmed in 1940, the scene is really the Depression 30s.

    Movies of that era were either 1) escapist, "fluffy" movies, about escapades among the rich and/or young, 2) musicals, or 3) gangster flicks. Mostly. None of these genres really reflected the tenor of those times.

    True docu-dramas of the era are rather rare; perhaps the people just didn't want to be reminded of how awful things were.

    This movie depicts the trouble a young couple has in succeeding (or even surviving) in a capitalist, Depression society. Both boy and girl loses jobs, and the girl is pregnant; one senses homelessness and breadlines around the corner. The angst felt by such couples in those days is poignantly portrayed here.

    True, some of the dialog is corny and dated, but one must remember that the thinking of the 1930s was vastly different than that of today's.

    The performances are spot-on, too; every one of the characters is believable.

    This movie is well worth watching for the social documentary that it is.

    इस तरह के और

    Slightly Dangerous
    6.7
    Slightly Dangerous
    The Young Lions
    7.1
    The Young Lions
    Come Live with Me
    7.0
    Come Live with Me
    I Love You Again
    7.4
    I Love You Again
    The Mortal Storm
    7.7
    The Mortal Storm
    Flight Command
    6.3
    Flight Command
    Escape
    7.0
    Escape
    Gold Rush Maisie
    6.2
    Gold Rush Maisie
    Maisie Was a Lady
    6.7
    Maisie Was a Lady
    Pride and Prejudice
    7.4
    Pride and Prejudice
    While the City Sleeps
    6.9
    While the City Sleeps
    The Password Is Courage
    6.8
    The Password Is Courage

    कहानी

    बदलाव करें

    क्या आपको पता है

    बदलाव करें
    • ट्रिविया
      Cinematographer John F. Seitz took over as director of photography when Karl Freund fell ill.
    • गूफ़
      When Margy and Bill leave the office for lunch, briefly reflected in a store window, a crew member is visible sitting at the base of a loudspeaker on a stand..
    • भाव

      William Brooks: [William bursts into Beamis' office] I came for that plan, Mr Beamis. You know, my re-organisation plan that you never read.

      C.B. Beamis: Oh, yes, I... I've been wanting to talk to you about it.

      William Brooks: Yes, well I don't want to talk about it.

      C.B. Beamis: What do you mean?

      William Brooks: I don't find it very pleasant talking with you, Mr Beamis. I worked here three years and the only talks we ever had were when you fired my wife and when you fired me. And that isn't exactly my idea of conversation.

      C.B. Beamis: Now look here, William, I've explained to you that I don't make the rules.

      William Brooks: Well I'm not kicking about your rules. It's the way you operate them. You're a wrong guy, Mr Beamis. You've got the soul of an adding machine. Sure, you can add up the rules alright, you can add up anything that's in black and white. But the one thing that you can never add up, Mr Beamis, is how to give a guy a break.

      C.B. Beamis: Now see here, I don't have to tolerate this. What right have you to speak that way to me?

      William Brooks: I've got the right that comes from spending three whole years of my life in your office. I worked hard for you and did my job well. The only thing I wanted was to get married. Now that isn't asking too much is it? So you fired my wife and when they attached my salary, you fired me. When you take away a family's income, Mr Beamis, you take away its very life. You might just as well have shot me. It would have been kinder. Oh, but I forgot. You don't know anything about being kind.

      C.B. Beamis: I certainly don't. Not if it means shooting people, I don't.

      William Brooks: Well, I wouldn't expect you to understand. I should have saved my breath. You're not human.

      C.B. Beamis: But you are, of course. I've noticed that about you weaklings. You're always twice as human as anybody else.

      William Brooks: So I'm a weakling because I needed help, huh? Well, Mr Beamis, we don't speak the same language.

      C.B. Beamis: I'm afraid you'll find the same difficulty with any employer.

      William Brooks: Nah, no, you had me believing that all bosses are like you. But I've found out differently. I'm going to work for a man who helped me when I needed it. But you wouldn't understand that either.

      C.B. Beamis: I understand it alright. And it's the one thing that I detest. In all my life I've never asked for help or accepted any. What I have, I've gotten through my own efforts. And I'm proud of it.

      William Brooks: Oh, sure, you've got something to be proud of alright - a bank account with a million dollars worth of hatred.

      C.B. Beamis: That's not true.

      William Brooks: Why, every time you walk through that office, you'd feel the hate, if you were human. Yes, I say you're not human and I'll tell you why; it's because you really think that you've never been helped. You've never found out like I have that people could be kind, could understand. You've never found out that people are better than rules. And I'll tell you why you've never found out; it's because you've got a lie in your head. The same lie that you just told me. You've never been helped? Why you and I and everybody from the minute they're born they're being helped. The whole country, our homes, our churches, our schools and what they stand for, nobody could build those alone. We did it together, all of us, the people helping each other, and believe me, Mr Beamis, if any man says that he made his money or built his life without the help of anybody else, he's a fool! He's wore than a fool, he's a liar.

    • कनेक्शन
      Featured in Red Hollywood (1996)
    • साउंडट्रैक
      Sidewalks of New York
      (1894) (uncredited)

      Music by Charles Lawlor

      Played during the opening credits, and as background music and at the end

    टॉप पसंद

    रेटिंग देने के लिए साइन-इन करें और वैयक्तिकृत सुझावों के लिए वॉचलिस्ट करें
    साइन इन करें

    विवरण

    बदलाव करें
    • रिलीज़ की तारीख़
      • 19 जुलाई 1940 (यूनाइटेड स्टेट्स)
    • कंट्री ऑफ़ ओरिजिन
      • यूनाइटेड स्टेट्स
    • भाषा
      • अंग्रेज़ी
    • इस रूप में भी जाना जाता है
      • I Do
    • फ़िल्माने की जगहें
      • Metro-Goldwyn-Mayer Studios - 10202 W. Washington Blvd., कल्वर सिटी, कैलिफोर्निया, यूएसए(Studio)
    • उत्पादन कंपनी
      • Metro-Goldwyn-Mayer (MGM)
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    बॉक्स ऑफ़िस

    बदलाव करें
    • बजट
      • $3,62,000(अनुमानित)
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    बदलाव करें
    • चलने की अवधि
      • 1 घं 20 मि(80 min)
    • रंग
      • Black and White
    • पक्ष अनुपात
      • 1.37 : 1

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