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Pride and Prejudice

  • 1940
  • Approved
  • 1 घं 58 मि
IMDb रेटिंग
7.4/10
9.7 हज़ार
आपकी रेटिंग
Laurence Olivier and Greer Garson in Pride and Prejudice (1940)
Official Trailer
trailer प्ले करें2:39
1 वीडियो
99+ फ़ोटो
Period DramaRomantic ComedyComedyDramaRomance

अपनी भाषा में प्लॉट जोड़ेंThe arrival of wealthy bachelors in town causes an uproar when families with single daughters aggressively seek engagements, including the Bennet family, with five eligible daughters.The arrival of wealthy bachelors in town causes an uproar when families with single daughters aggressively seek engagements, including the Bennet family, with five eligible daughters.The arrival of wealthy bachelors in town causes an uproar when families with single daughters aggressively seek engagements, including the Bennet family, with five eligible daughters.

  • निर्देशक
    • Robert Z. Leonard
  • लेखक
    • Aldous Huxley
    • Jane Murfin
    • Jane Austen
  • स्टार
    • Greer Garson
    • Laurence Olivier
    • Mary Boland
  • IMDbPro पर प्रोडक्शन की जानकारी देखें
  • IMDb रेटिंग
    7.4/10
    9.7 हज़ार
    आपकी रेटिंग
    • निर्देशक
      • Robert Z. Leonard
    • लेखक
      • Aldous Huxley
      • Jane Murfin
      • Jane Austen
    • स्टार
      • Greer Garson
      • Laurence Olivier
      • Mary Boland
    • 170यूज़र समीक्षाएं
    • 27आलोचक समीक्षाएं
    • 84मेटास्कोर
  • IMDbPro पर प्रोडक्शन की जानकारी देखें
    • 1 ऑस्कर जीते
      • कुल 4 जीत

    वीडियो1

    Pride and Prejudice
    Trailer 2:39
    Pride and Prejudice

    फ़ोटो118

    पोस्टर देखें
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    पोस्टर देखें

    टॉप कलाकार38

    बदलाव करें
    Greer Garson
    Greer Garson
    • Elizabeth Bennet
    Laurence Olivier
    Laurence Olivier
    • Mr. Darcy
    Mary Boland
    Mary Boland
    • Mrs. Bennet
    Edna May Oliver
    Edna May Oliver
    • Lady Catherine de Bourgh
    Maureen O'Sullivan
    Maureen O'Sullivan
    • Jane Bennet
    Ann Rutherford
    Ann Rutherford
    • Lydia Bennet
    Frieda Inescort
    Frieda Inescort
    • Miss Bingley
    Edmund Gwenn
    Edmund Gwenn
    • Mr. Bennet
    Karen Morley
    Karen Morley
    • Mrs. Collins
    Heather Angel
    Heather Angel
    • Kitty Bennet
    Marsha Hunt
    Marsha Hunt
    • Mary Bennet
    Melville Cooper
    Melville Cooper
    • Mr. Collins
    Edward Ashley
    Edward Ashley
    • Mr. Wickham
    Bruce Lester
    Bruce Lester
    • Mr. Bingley
    E.E. Clive
    E.E. Clive
    • Sir William Lucas
    Vernon Downing
    • Capt. Carter
    Marjorie Wood
    • Lady Lucas
    Marten Lamont
    Marten Lamont
    • Mr. Denny
    • निर्देशक
      • Robert Z. Leonard
    • लेखक
      • Aldous Huxley
      • Jane Murfin
      • Jane Austen
    • सभी कास्ट और क्रू
    • IMDbPro में प्रोडक्शन, बॉक्स ऑफिस और बहुत कुछ

    उपयोगकर्ता समीक्षाएं170

    7.49.6K
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    फ़ीचर्ड समीक्षाएं

    Calysta

    Delightful

    It does not run along the lines of the Jane Austen classic, but the 1940 movie was actually based on the stage adaption, eventually purchased by the MGM studio as what could have become another Norma Shearer expensive spectacle. Like many other projects at the studio, this collected dust after the death of Irving Thalberg, head of MGM.

    Thankfully, new casting was decided on. Shearer of course is really too old for the role. The result was what I believe to be one of the most memorable movies of the 1940s. Austen's classic comedy of manners still has all its light touches of romance and humour, with the horrors of English 1800s, loss of estate, inheritance and destined sinking with no worldly stature for a family of five girls with no male heirs.

    Amicably backed by a competent supporting cast including Edmund Gwenn and Mary Boland, the star of the show is really Greer Garson. Fresh from her successful debut as Robert Donat's wife in "Goodbye Mr Chips", Garson is really like Lizzy Bennett herself, charming, high spirited and strong willed. It is one of her best roles, just before she became the 'first lady' of MGM. Olivier, brooding and snobbish as the high classed Darcy, also performs well, but is still outshone by Garson.

    Tasteful sets, costumes, music and art decoration helped to make this such a huge success in its day. All the right elements of acting, script and direction have made this a production that should be better remembered. We don't relate to the dilemnas of costume period drama days, but "Pride and Prejudice" is great cinematically to have lost little of its charm or its timeless appeal.

    Rating: 9/10
    7FilmOtaku

    The original is the best

    Pride and Prejudice is a familiar story - if not read in high school literature class, one can see the theme in dozens of other films: A meddling mother tries to marry off her daughter(s) to "suitable" man, the man and woman fight and all turns out at the end with mayhem ensuing between the first and final acts.

    There have been several versions of Pride and Prejudice, two of which I had seen before this film and after viewing the 1940 version starring Greer Garson and Laurence Olivier it is clear that this is the standard. Is there a better actor than Olivier in these period dramas? And Greer Garson is radiant as Elizabeth. Their performances and the pace of the film is such that while I knew the story I was still sucked into the romance and laughter - not an easy task for a hard-core cynic like me. This movie garnered 4 stars and for good reason - if you are looking for a charming, witty and romantic film, this is a must-see.

    --Shelly
    trpdean

    Wonderful for its time

    Is the 1995 television version superior? Yes - every historical period is better recreated since Stanley Kubrick took up the reins with Barry Lyndon in the mid 1970s. Lighting, dress, authentic settings, more faithful adaptations - though not better acting. In the last thirty years, we've been treated to the re-making of all that Hollywood and television had adapted from much of Thackeray, Austen, Balzac, Dickens, Eliot, Hardy, James, Wharton, Twain, Zola, DeMaupassant, even Leopardi. and in virtually every case, the movies are more faithful to their books, the spirit better represented.

    Why? I think because movies and television have been more segmented. In 1940, Hollywood was appealing to everyone attending their weekly movies - from the 8 year old girl to the 60 year old man, from the miner to the mine owner, banker and sewer worker. In America alone, 90 million people attended the movies EACH WEEK in the early 1940s. As a result, Hollywood felt it had to appeal to all - and that some aspects of classics could be made more palatable in making them more mainstream.

    "Horrors" say the purists. Well, I don't think so - but yes I do prefer the more recent version (of everything).

    And yet this is a delightful, charming, humorous, moving film. Greer Garson and Maureen O'Sullivan, Laurence Olivier, Frieda Inescourt (what a voice!), Edna May Oliver, Gwenn and all the rest of the cast are fun, great fun to watch.

    In watching this movie, you're watching Hollywood at its top at the time - the same studio that produced the Wizard of Oz and Gone With the Wind in the years immediately preceding this. And you get to see the glowing Greer Garson and Laurence Olivier.

    So, this is very enjoyable - except to the purists.
    JohnSol

    Whether to laugh or cry? That's an easy one!

    Even ignoring my new-found passion for Austen (yes, I'm one of those) and the fact that I had just finished reading P&P literally days before viewing this version of it, I find it hard to believe that so many reviewers find anything of value in this unfortunate production - clearly stamped out on the MGM studio factory line, with little care or thought, like so many of the films of the period. Fortunately, my love of the novel, and of the superior Ehle/Firth version, allowed me to dismiss this with very little pain.

    With that said, though, I still must comment on one thing that really seemed to miss the mark, and that I don't see mentioned elsewhere, and that was the way the Bennet sisters were presented. They ALL seemed like silly little girls and, although Garson's Elizabeth had an opportunity to demonstrate how "modern" her thinking was, she still came off as comical, not to be taken seriously. Austen made a very clear distinction in her work, between Lizzy and Jane on the one hand (intelligent, reflective, serious and sensitive) and their 3 younger sisters (flighty, man-hungry, vacuous), and that difference provided a potent (frequently humourous) backdrop to the character development and plot in her work. This version didn't even come close to presenting such a distinction.

    Others' comments take care of the rest of my objections to this drivel, so I won't repeat them here. But I will add that even Olivier couldn't save it for me. He seemed the same person throughout the entire movie. Charming, yes, but did he show any sign of having accomplished the transformation that Elizabeth helps bring about in him in the real story? Did he learn anything about himself in the course of his relationship with her - other than her superior skill at archery (which, in its attempt to show her to be full of surprises and quite capable of upsetting Darcy's composure, only added to all the silliness).

    The novel helps us understand how bright, intelligent and introspective individuals can accept their limitations, change their way of thinking about others and themselves and grow tremendously in the process. This MGM outing was more like an Andy Hardy movie with pretty costumes and a faux British setting.
    didi-5

    Austen with a sugar coating and no bite

    Jane Austen's novel 'Pride and Prejudice' was probably ripe for MGM adaptation during WWII, even with the inevitable changes and rewrites from what she intended (for example, there are hints of romance for all the Bennet daughters by the end, even Mary).

    What's good about it? Mainly the casting - Greer Garson is a feisty and cheeky Elizabeth (and this was more than 50 years before Jennifer Ehle played her in a similar way for BBC TV); Laurence Olivier never looked more attractive or brooded with greater effect than here as Darcy; Edna May Oliver is a memorable and prickly Catherine de Bourgh; Edmund Gwenn and Mary Boland are the Bennet parents; and the other Bennet girls are eye-catching and fun (Maureen O'Sullivan as Jane, Ann Rutherford as flighty Lydia, Heather Angel as Kitty, and Marsha Hunt as Mary).

    Austen's barbs and fangs are removed from this adaptation, making it a romantic sugar gloop like many other films of the period. Still, providing you expect this, enjoy what's on the screen. MGM did this kind of thing better than other studios of the time, after all.

    इस तरह के और

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    अलविदा, श्री चिप्स
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    Now, Voyager
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    6.3
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    6.9
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    7.4
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    कहानी

    बदलाव करें

    क्या आपको पता है

    बदलाव करें
    • ट्रिविया
      According to Ann Rutherford, although the filmmakers were committed to begin shooting on a particular date, they discovered that producer David O. Selznick had used every available reel of Technicolor film in existence to make गॉन विथ द विंड (1939). Therefore, despite the lavish sets and opulent costumes, this movie had to be shot in black-and-white.
    • गूफ़
      Mrs. Bennet is seen steaming open the letter to Jane from Caroline Bingley. The envelope is a modern-day, gummed envelope fit for stationery letters. In 1815, the year the film takes place, letters would have been folded in and sealed with a wax seal. Gummed envelopes would not be invented for another 100 years.
    • भाव

      Mr. Bennet: An unhappy alternative is before you, Elizabeth. Your mother will never see you again if you do not marry Mr. Collins. And I will never see you again if you do.

    • क्रेज़ी क्रेडिट
      Opening credits prologue: It happened in OLD ENGLAND . . . . in the village of Meryton . . . .
    • इसके अलावा अन्य वर्जन
      There is an Italian edition of this film on DVD, distributed by DNA Srl: "CIME TEMPESTOSE (1939) + ORGOGLIO E PREGIUDIZIO (1940)" (2 Films on a single DVD), re-edited with the contribution of film historian Riccardo Cusin. This version is also available for streaming on some platforms.
    • कनेक्शन
      Featured in Hollywood: Style Center of the World (1940)
    • साउंडट्रैक
      Flow Gently Sweet Afton
      (1786) (uncredited)

      Music by Alexander Hume

      Lyrics by Robert Burns (1786)

      Performed by Marsha Hunt

    टॉप पसंद

    रेटिंग देने के लिए साइन-इन करें और वैयक्तिकृत सुझावों के लिए वॉचलिस्ट करें
    साइन इन करें

    अक्सर पूछे जाने वाला सवाल24

    • How long is Pride and Prejudice?Alexa द्वारा संचालित
    • What is 'Pride and Prejudice' about?
    • Is 'Pride and Prejudice' based on a book?
    • What was the card game that Bingham and Darcy were playing?

    विवरण

    बदलाव करें
    • रिलीज़ की तारीख़
      • 26 जुलाई 1940 (यूनाइटेड स्टेट्स)
    • कंट्री ऑफ़ ओरिजिन
      • यूनाइटेड स्टेट्स
    • भाषा
      • अंग्रेज़ी
    • इस रूप में भी जाना जाता है
      • Más fuerte que el orgullo
    • फ़िल्माने की जगहें
      • Metro-Goldwyn-Mayer Studios - 10202 W. Washington Blvd., कल्वर सिटी, कैलिफोर्निया, यूएसए(Studio)
    • उत्पादन कंपनी
      • Loew's
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    बॉक्स ऑफ़िस

    बदलाव करें
    • दुनिया भर में सकल
      • $40,30,820
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    बदलाव करें
    • चलने की अवधि
      1 घंटा 58 मिनट
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      • Black and White
    • पक्ष अनुपात
      • 1.37 : 1

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    किसी बदलाव का सुझाव दें या अनुपलब्ध कॉन्टेंट जोड़ें
    Laurence Olivier and Greer Garson in Pride and Prejudice (1940)
    टॉप गैप
    What is the French language plot outline for Pride and Prejudice (1940)?
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