The Sea Hawk

My favorite Errol Flynn movie has always been The Sea Hawk. Flynn made this in 1940 at the height of his career. All it is missing is Flynn's usual screen partner in that period, Olivia DeHavilland.

Errol Flynn plays the fictional privateer Geoffrey Thorpe who with the well known real characters like Drake, Frobisher, and Hawkins, raid the rich Spanish commerce from the New World which is what Europeans of the day were referring to the western hemisphere as. Queen Elizabeth of England gave all knowing wink to their activities and the realm took a cut of their loot.

One day Flynn attacks the ship carrying the Spanish ambassador Claude Rains and his niece Brenda Marshall who's English on her mother's side. That's it for Flynn.

But Queen Elizabeth has some traitors in her midst. The clever Lord Wolfingham played by Henry Daniell is in the Spanish pay. Daniell was one of the best screen villains ever. He was always a cold and calculating individual and had a voice with a built in sneer. He very cleverly deduces Flynn's future plans and lays a trap for him. See the film and find out, but suffice it to say Daniell is no fool.

Jack Warner saw that Flynn's films were always well scored musically. Flynn swashbuckled to some of the best film music ever composed. Here the composer is Erich Wolfgang Korngold, in other films with Warner Brothers, it's Max Steiner. Korngold's score isn't quite on par with the one he did for Robin Hood, but it's one you will not forget.

This was the last film Errol Flynn did with director Michael Curtiz. David Niven in his memoirs made of Curtiz a figure of some fun, he was the guy with the fractured English who uttered the memorable phrase that became Niven's title for his memoirs, 'bring on the empty horses.' Flynn in his memoirs hated him with a passion in that Curtiz put his players in some dangerous situations without regard for safety. After this he refused to work with him. But between them, Curtiz and Flynn did some grand entertainment. Curtiz later won an Oscar for directing Casablanca.

Flora Robson repeats her role as Queen Elizabeth, she had previously portrayed Elizabeth in Fire Over England back in the old country. It's probably the part she's most identified with in her career.

Brenda Marshall who is probably better known for being Mrs. William Holden, pinch hits for Olivia DeHavilland. Olivia was trying to get some better acting roles that she knew she could do and not be a crinolined heroine all the time. Jack Warner refused to see her as anything else for a long time.

Others in the cast who stand out are Alan Hale, Una O'Connor, Gilbert Roland and William Lundigan has a death scene that will haunt you for a long time.

The Sea Hawk is also a film that made use of a film process known as sepia tone. It's probably the film best known for it. The whole sequence of when Flynn sails his ship, the Albatross, to Panama is photographed in sepia tone. It makes the film come out a kind of brackish yellow. Since Warner Brothers didn't want to spring for full technicolor, this process is effective in demonstrating the jungle heat that Flynn and his men and the Spaniards for that matter operate under.

It is also no accident that this film was made in 1940 showing brave England refusing to buckle under to a tyrant from the European continent. Phillip II of Spain, played by Montagu Love, controlled a whole lot of the world's real estate at that point in time and wanted more. The meaning for the audiences of 1940 could not have been more clear.

The Sea Hawk is grand entertainment. In my humble opinion Errol Flynn's best film and one of the best of the swashbuckling genre.

It's Erich Wolfgang Korngold who carries "The Sea Hawk". He picks it up at the first frame with a rousing trumpet fanfare; he follows the story all the way from England to Panama, where a kind of syncopated not-jazz-exactly with saxophones makes its way into the score; he even bursts into song (well, not him personally) when Captain Thorpe's and his crew win through to freedom - and, after so much musical participation, that moment when the sailors become a chorus never strikes me as unnatural.

Korngold's brisk motion would count for nothing if the actors or the direction or the story were lethargic, of course - and they aren't. Errol Flynn plays an "I know I'm breaking international law, but hey, I'm charming and dashing and the Spaniards aren't" role - and hey, he IS charming and dashing, and the Spaniards aren't. A lot of films are described as roller-coaster rides. Many of them are just one thing after another, and don't feel at all like a single ride in a single vehicle. With "The Sea Hawk", I'm not sure about the vehicle, but we ARE taken on a single, swift ride. Few adventure films can beat it.

The Sea Hawk is a very, very enjoyable film. Is it Errol Flynn's best film and role? No, The Adventures of Robin Hood gets that honour for both. Also, The Sea Hawk is slightly overlong, and the print for this film is quite washed out and grainy, a film as good as this needs a restoration. Minor complaints aside, the swashbuckling is energetic and beautifully choreographed, the production values are top notch, Korngold's score is superb, Curtiz's direction is great, the script is witty and the story is brisk and entertaining. The cast are also excellent, Flynn makes for a gallant, charismatic and dashing hero and while slightly underused fine actor Claude Rains is superb as he takes on villain duty. In conclusion, a fine film, flawed but endlessly entertaining with lots to like. 8/10 Bethany Cox

What really makes "The Sea Hawk" good is the great adventurous story. It's filled with action, romance and adventure. A true swashbuckler.

Errol Flynn really is one superb hero. Not only has he got the right looks but he also was a very talented actor who unfortunately died far too early at the age of 50.

I also love how the rest of the characters are portrayed such as Elizabeth I and the 'gentleman' villains. Also the love story is done good in a non-distractive way and Brenda Marshall really was one beautiful woman!

Still its funny to see how much more polite the English are portrayed than the Spanish. Not only do they politely capture all the Spanish soldiers but they also find time to free all the galley slaves and take them ALL on their ship back to England. It really is funny to see how black and white the story is at times. But this is really my only small point of critic about this movie.

A very entertaining adventurous swashbuckling movie with some wonderful music by Erich Wolfgang Korngold. After more than 60 years it hasn't lost any of its power and therefor is recommendable to everyone, even those who aren't familiar with 'classics'.

9/10

http://bobafett1138.blogspot.com/

While among the finest of Hollywood's swashbuckling classic films, the fine performances of its stars are still eclipsed by the rousing musical score of Erich Korngold. His music is timeless and an outstanding example of Hollywood's least appreciated contributors- the composers of film music. The art of film scoring, matching each scene with just the right music, has never received the recognition and accolades it truly deserves. The contributions of Korngold, Alfred Newman, Victor Young, John Barry, Henry Mancini, Maurice Jarre, John Williams and countless others are incalculable to the success of the films they scored. When Dorothy Hamill won her Gold Medal for Ladies Figure Skating at the Winter Olympics, she skated to music from "The Sea Hawk." Korngold's classic score was still fresh and stirring decades later.