The Dawn Patrol

I don't have a lot to say about this movie. Errol Flynn is excellent as Captain Courtney, and the rest of the cast is excellent in their roles. That didn't surprise me. What surprised me was two things. First, how the British flying aces in World War I contend with the harsh realities of war, specifically the deaths of their friends and the decisions that had to be made to send more men to their deaths (excellently portrayed by Basil Rathbone as Major Brand). Whats most impressive, however, is how engaging the air sequences were. They were ahead of their time and they hold up rather well today. I just saw Pearl Harbour, and I would say the Dawn Patrol is more exciting. It holds up well today, and if you get a chance, give it a watch. 8 out of 10.

Clear eyed depiction of the cost and dangers for bombers during wartime. Errol Flynn is very good, a reminder that he was excellent not only in period pictures and westerns but quite capable in modern dress dramas. Strong supporting cast helps with Basil Rathbone standing out as a man who understands but is troubled by the weight of his duty even while others do not and is compassionate enough when the that weight has shifted to offer solace. David Niven's star moved much higher with his performance here, it would still be a few years before he moved into the top ranks but he was done with unimportant roles from this point on. Goulding's direction is steady and assured.

THE DAWN PATROL, Errol Flynn's final film of his busiest year as an actor (1938), is a fascinating counterpoint to his usual swashbuckling and light comic roles. A remake of Howard Hawks' 1930 classic, this is a tale of war-weary WWI aviators, called upon to risk their lives daily, in broken-down aircraft, on missions they consider impossible (a timeless war theme that would reappear in such WWII classics as COMMAND DECISION and TWELVE O'CLOCK HIGH). Directed by WWI veteran Edmund Goulding, best known for his big-budget romances (GRAND HOTEL), the film counterpoints the gritty, harsh realities on the ground with the nearly surreal quality of early air battles, as bi-planes with open cockpits whirl and swoop like insects, and enemy airmen would occasionally drop out possessions of dead pilots over airfields, in a chivalrous gesture.

Fellow pilots Courtney and Scott (portrayed by real-life friends Flynn and David Niven, again showing the rapport they had demonstrated so effectively in 1936's THE CHARGE OF THE LIGHT BRIGADE) are battle-tested veterans, hell-raising survivors of a squadron decimated by the war. Seeing a constant influx of 'green' kids replacing lost friends, and knowing too well that the rookies' inexperience will quickly cost them their lives, the pair vent their anger against their commander, the coldly 'by-the-book' Maj. Brand (in a remarkable performance by frequent Flynn nemesis, Basil Rathbone). Courtney constantly condemns and belittles Maj. Brand, accusing him of placing 'The Mission' over the lives of the men under his command, which makes Courtney a hero in the eyes of the fliers.

Finally, Brand cracks, and is approved for reassignment, and Courtney is chosen to replace him. In a powerful scene, Brand lets his cold 'facade' down, and reveals, bitterly, to the younger man that seeing his men sent on suicide missions, daily, had literally crushed him. Unknown to the squadron, Brand had constantly begged HQ to ease up, but had been 'shot down' each time, as the missions were essential. "Now it's YOUR turn," Brand sneers, "See how YOU enjoy it!"

Brand's words are prophetic, as Courtney quickly discovers himself in the same situation, as the despised scapegoat, with Scott assuming the role of spokesperson and savior to the squadron. And the most dangerous mission yet has just come down from HQ...

DAWN PATROL is a powerful film, with great performances from the entire cast, particularly Flynn, who had often begged the WB to give him roles beyond his 'swashbuckler' image. The critical praise it garnered proved Flynn's versatility as an actor (although public demand would keep him 'locked' into adventure films), and raised David Niven up to 'star' status.

It remains one of the BEST films about the 'Great War', and shouldn't be missed!

Warner Brothers more than most of the other major studios had a habit of simply recycling the old plots of their films and repackaging them. A good example would be the boxing film Kid Galahad remade a few years later as The Wagons Roll at Night with the setting now changed to a circus. But in this case we didn't get a remake of The Dawn Patrol, we got practically a carbon copy.

I finally saw the original The Dawn Patrol that was made in 1930 by Howard Hawks and found that this film was practically a word for word remake of the Hawks classic. Of course it was no surprise to learn that all the aviation sequences were just lifted bodily from the first film, but probably more than that was done. Several long-shots looked exactly the same.

In a way this might have worked out because director Edmund Goulding who was not known for action films could concentrate on the actors and he got very good performances out of Errol Flynn, David Niven, and Basil Rathbone who step into the parts that Richard Barthelmess, Douglas Fairbanks, Jr., and Neil Hamilton did the first time around.

Still after seeing first one version, than the other, one might be complaining of double vision at that.

Being someone who likes Errol Flynn, David Niven and Basil Rathbone and who has liked/loved a good deal of the films of all three, 'The Dawn Patrol' is a must watch for anybody who likes either actor or all three and for anybody who likes war films.

A remake of the 1930 Howard Hawks film, this is hardly inferior (quite the opposite). Even with scenes lifted from the earlier film, it's a good-looking film, is very nicely shot and has a good deal of authentic atmosphere. Edmund Goulding's direction is very much assured while pacing scenes in a methodical but never overly so way. Max Steiner's score is lushly orchestrated and stirring.

'The Dawn Patrol' has a gripping script, making its points without veering into heavy-handedness while the story is ceaselessly compelling, perfectly conveying the futility and passion of war, the comrades' horrors and conflicts and showing grace even under pressure.

Characters are not stereotypes in any way, instead compellingly real characters with human and relatable conflicts. The sterling supporting cast has Donald Crisp in particular standing out, but the three leads are what make 'The Dawn Patrol' particularly worth watching.

Rathbone has rarely been more tortured and Niven epitomises innocent grace, but it's Flynn's film in a performance that's genuinely moving (proof that he could act and had more range than given credit for when allowed).

In summary, a wonderful and powerful film. 10/10 Bethany Cox