Edison, the Man

Edison in this version comes across as a kindly soul, sort of "Santa the inventor" -- kind to one and all.

Don't look for historical accuracy of any kind in this film. Although the acting is nicely done. Spencer Tracy is a constant delight. He even gets to play the organ in one scene! Tracy and Co.'s contributions rate it a six, but it certainly doesn't deserve anything more.

I especially loved the one-handed Morse-code tapping Edison. One doesn't need to know much about Edison to realize pretty quickly that this is sheer hagiography.

There is even a court room scene between gas and electrical lighting. Pretty fun.

Motion Picture biographical representations of famous people usually remove the warts in their life history. It was not until February of 2003 did I learn that using carbon filaments, was the brainchild of African-American inventor Lewis Latimer and his partner, Joseph V. Nichols. The movie focuses around Edison's discovery of the carbon filament which lights the world, when actually Edison's filaments were made from bamboo and only lasted 30 hours.

The story as told is very pleasant and the performances of Spencer Tracey, Gene Lockhart and Charles Coburn hold the viewers interest. With the warts, this is still an inspiring motion picture. I think seeing Mickey Rooney as YOUNG TOM EDISON should be viewed first.

Viewed this film a long time ago and enjoyed seeing the great acting performance that Spencer Tracy portrayed as Thomas A. Edison. Tracy must have put a great deal of study into Mr. Edison's life and his laboratory in Menlo Park, N.J. because he looked just like him. Tom Edison had a very rough times being without money and struggling many long hours with very disappointing results. Gene Lockhart,(Mr.Taggart) had a great deal of stock in the gas companies and was trying to stop Edison from producing the electric light. However, Charles Coburn,(General Powell) had great confidence in Tom Edison's inventions and he gave a great deal of financial support among the stock brokers in New York. This is a very nice story of a great inventor and many generations will enjoy this story.

The more things change, the more they remain the same. We hear current scandals and corporate ruthlessness now and in past history. This picture paints the "Hollywood" side of Edison, but he too has a ruthless side.

Edison certainly deserves much credit, but he had his vices. He invested heavily in Direct Current (DC) technology; good for many applications, but not for the needed power and lighting applications Edison envisioned. No mention is made in the movie of Nikola Tesla. Edison invited him to the USA from Croatia to work in Edison's labs. Edison made him work from 10:30 am to 5:00 the next morning, seven days per week. Even though Tesla did not believe in Edison's direct current motors he worked hard to improve them. Edison told him if he could do that he would give him a bonus of $50,000. He came up with twenty-four new designs to replace the old ones of Edison's. Edison was delighted with the results but did not pay Tesla the $50,000 he had promised. When Tesla finally asked him about it, it is said that Edison told him, "Tesla, you don't understand our American humor." That is when Tesla left the Edison Co. and eventually worked for Edison's rival George Westinghouse. Westinghouse was ruthless as well, but he and Tesla got along, and secured the contract to supply generators at Niagara Falls.

Films such as these are great to bring initial awareness. My hope would be they prompt more investigation. That in mind, I'll take these "Hollywood biographies" over what often comes from the current film industry: recycled garbage.

I like the fact that Edison was nominated for the Oscar for best Original Story. How many biopics can claim that honour ?

Spencer Tracy is excellent as the dynamic American inventor. Although he was a 40 year old playing a 25 year old he produced sufficient energy to overcome the obstacle of years. This is a fine piece of acting and is well supported by the bit-parts and by the director who clearly enjoys telling the story of Edison's finest achievements, the invention of the light bulb and of the recording device.

The main problem with the film is its lack of balance. We don't hear enough about his theft of patents and his failure to give credit to his co-workers. Edison is a metaphor for America in the early twentieth century, exciting, inventive, thrusting, dynamic but also shallow and lacking in grace.