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Penny Serenade

  • 1941
  • Approved
  • 1 घं 59 मि
IMDb रेटिंग
7.1/10
8.6 हज़ार
आपकी रेटिंग
Cary Grant and Irene Dunne in Penny Serenade (1941)
ड्रामारोमांस

एक युगल के बड़े सपने अनपेक्षित उदासी और अप्रत्याशित खुशी से भरा जीवन के लिए रास्ता देते हैं.एक युगल के बड़े सपने अनपेक्षित उदासी और अप्रत्याशित खुशी से भरा जीवन के लिए रास्ता देते हैं.एक युगल के बड़े सपने अनपेक्षित उदासी और अप्रत्याशित खुशी से भरा जीवन के लिए रास्ता देते हैं.

  • निर्देशक
    • George Stevens
  • लेखक
    • Morrie Ryskind
    • Martha Cheavens
  • स्टार
    • Cary Grant
    • Irene Dunne
    • Beulah Bondi
  • IMDbPro पर प्रोडक्शन की जानकारी देखें
  • IMDb रेटिंग
    7.1/10
    8.6 हज़ार
    आपकी रेटिंग
    • निर्देशक
      • George Stevens
    • लेखक
      • Morrie Ryskind
      • Martha Cheavens
    • स्टार
      • Cary Grant
      • Irene Dunne
      • Beulah Bondi
    • 134यूज़र समीक्षाएं
    • 35आलोचक समीक्षाएं
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    • 1 ऑस्कर के लिए नामांकित
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    फ़ोटो88

    पोस्टर देखें
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    + 80
    पोस्टर देखें

    टॉप कलाकार53

    बदलाव करें
    Cary Grant
    Cary Grant
    • Roger Adams
    Irene Dunne
    Irene Dunne
    • Julie Gardiner
    Beulah Bondi
    Beulah Bondi
    • Miss Oliver
    Edgar Buchanan
    Edgar Buchanan
    • Applejack
    Ann Doran
    Ann Doran
    • Dotty
    Eva Lee Kuney
    • Trina (at the Age of 6 Years)
    Leonard Willey
    • Doctor Hartley
    Wallis Clark
    Wallis Clark
    • Judge
    Walter Soderling
    Walter Soderling
    • Billings
    Jane Biffle
    • Trina (at the Age of 1 Year)
    • (as Baby Biffle)
    Dorothy Adams
    Dorothy Adams
    • Mother in Stalled Car
    • (बिना क्रेडिट के)
    Billy Bevan
    Billy Bevan
    • McDougal
    • (बिना क्रेडिट के)
    Mary Bovard
    • Girl
    • (बिना क्रेडिट के)
    Lynton Brent
    Lynton Brent
    • Reporter
    • (बिना क्रेडिट के)
    Stanley Brown
    Stanley Brown
    • Man
    • (बिना क्रेडिट के)
    Albert Butterfield
    • Boy
    • (बिना क्रेडिट के)
    Chuck Callahan
    • New Year's Party Drunk
    • (बिना क्रेडिट के)
    Nell Craig
    Nell Craig
    • Miss Morgan
    • (बिना क्रेडिट के)
    • निर्देशक
      • George Stevens
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      • Morrie Ryskind
      • Martha Cheavens
    • सभी कास्ट और क्रू
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    उपयोगकर्ता समीक्षाएं134

    7.18.5K
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    10

    फ़ीचर्ड समीक्षाएं

    10Paculliton

    Great watch on a rainy day

    I just love this sweet old movie. Cary Grant is gorgeous, Irene Dunne beautiful, Edgar Buchanan a lovable old codger. A story about falling in love and the deep inner desire to build a family with the one you love -- and the challenges and sadness that can be as great, but never really greater, than the happiness and fulfillment it brings.

    Falling in love, best friends, career challenges, pregnancy, miscarriage, infertility, adoption, death, divorce... it's all covered in this one sweet little movie. And it's all told in a way that reminds us all how important music is as it sets the soundtrack to our lives.

    This is a wonderful movie. It may not be Citizen Kane -- but it is definitely worthy of your time.
    9misslv80

    Unusual, but sad story

    Cary Grant plays a newspaper reporter who falls in love and marries Irene Dunne, whom he meets at a record store. While abroad in Japan, tragedy strikes for the couple, which sets the course for the story. It really is a simple story about how a married couple long for having a home and a family of their own. Grant surprised me with his family man role, quite different from the sophisticated characters he played later on in his career. His monologue during the adoption hearing was one of the best scenes in the whole movie and very well done. Irene Dunne was great in her role as his wife. The little girl who plays their daughter was too cute for words. It was also an interesting insight into how a couple struggles to raise their first child, which is something many people can relate to, no matter what the time period. It was also interesting the way Dunne went through all the flashback scenes in the movie by playing records that reminded her of their life together. Beulah Bondi (who played George Bailey's mother from It's A Wonderful Life) has a great supporting role as the head of the adoption agency who has doubts about the couple at first, but then grows to care a great deal for them. The ending was a complete surprise. If you like Cary Grant or old Hollywood movies, this is something different. Sad, but sentimental. Recommended.
    10makain

    A truly sweet and sentimental film.

    I wasn't much of a Cary Grant fan until I saw this film for the first time about 10 years ago, and I also discovered the embodiment of grace and charm that is Irene Dunne as well. Cary Grant is at his most charming and gives a very amusing and, at times, very very touching performance as a new dad. When he gives his heart-rending speech to the child custody judge and begs to keep his adopted baby girl, it brings a lump to my throat every time I see it. Irene Dunne was a classy lady in anything she did, and can be as quietly funny as she can be dramatic, as she demonstrated in this film. She was a great "straight-man," too, to Cary Grant's more animated role. I truly love this film.
    blissfilm

    A Beauty

    One of the best films made. 1941 was a phenomenal year, not least for this film and Grant's marvelous performance. Call it melodrama, but it's the stuff of life, heartbreak and love and helpless vulnerability. How unfashionable.

    I could watch Edgar Buchanan wash that baby a thousand times. Find me one actor with enough life experience today to do that scene. Just one.

    Independent films today often seem to strive to make the point that human drama is about the struggles and relationships of private life. We call it "sentiment" when studios made films about this sort of drama and what's ultimately important on the most private level.
    SoftKitten80

    Classy Dunne and Grant movie

    Irene Dunne is a class act all the way. A real lady, and it comes out in this film. While she and Grant always look like movie stars in the film, you can't stop noticing that they look like movie stars, they do their job and do it to perfection. Only two A-level actors could carry this tear jerker off well. The adoption lady was also realistic and convincing. The little girl or baby, whichever children played them, were the cutest and sweetest I've ever seen in film. Irene Dunne cannot hit a false note, ever, it seems. She looks marvelous in everything she wears, be it a simple housedress or pajamas. Same with Cary Grant, he wears the clothes. The penny serenade theme and the way the camera plays with the records is really magic. This film is a gift to the audience. Grant and Dunne show their adeptness at establishing and making us believe they are an intimate married couple. Irene Dunne is at the height of sensitivity and softness here, a true lady with beautiful hair and hairstyles. What a movie. And one cannot forget our beloved Apple Jack, such a sweet soul.

    इस तरह के और

    My Favorite Wife
    7.2
    My Favorite Wife
    The Awful Truth
    7.6
    The Awful Truth
    The Bachelor and the Bobby-Soxer
    7.2
    The Bachelor and the Bobby-Soxer
    The Talk of the Town
    7.5
    The Talk of the Town
    The Bishop's Wife
    7.6
    The Bishop's Wife
    I Was a Male War Bride
    7.0
    I Was a Male War Bride
    None But the Lonely Heart
    6.4
    None But the Lonely Heart
    Monkey Business
    6.9
    Monkey Business
    His Girl Friday
    7.8
    His Girl Friday
    Meet John Doe
    7.6
    Meet John Doe
    An Affair to Remember
    7.4
    An Affair to Remember
    Indiscreet
    6.7
    Indiscreet

    कहानी

    बदलाव करें

    क्या आपको पता है

    बदलाव करें
    • ट्रिविया
      Cary Grant, one of the cinema's greatest comedic actors, was only ever nominated twice for an Academy Award for Best Actor, in both instances for lesser-known dramatic roles. This was one of them, followed three years later by None But the Lonely Heart (1944).
    • गूफ़
      The dress Julie wears at the beginning of playing the records is not the same dress she is wearing when she is playing the last record. This is because she changed into a different dress as well as coat while she is packing to leave and left the record playing.
    • भाव

      Judge: [Judge firmly addressing two unseen attorneys] I'll give you an opportunity to better prepare your facts.

      Man: [Hands Judge some papers] Adoption proceedings, the Adams case.

      Judge: What?

      Man: The Adams case.

      Judge: [Looks disturbed] Oh yes, yes. Uh...

      [turns back to attorneys]

      Judge: if either one or both of you gentlemen conduct yourselves like you've been doing today I'll hold you in contempt, the both of ya!

      Judge: [Walks into chambers, sees Roger, Miss Oliver, and the baby all seated. Sits at desk] Uh, oh this is the child in question. Ahem, let me see. Yes, I recall looking over these adoption papers. I see you have no income at present.

      [Looks at Roger]

      Judge: Is that correct?

      Roger Adams: Yes your Honor.

      Judge: Now what is this Miss Oliver? You know this case should never have come before me.

      Miss Oliver: Well your Honor I feel that this is a special case. I kept hoping until the last minute Mr. Adams might be able to resume the operation of his paper or get a job. But unfortunately he hasn't been able to do either, so i thought...

      Judge: Under these conditions I can't grant the adoption. This child will have to revert to the orphanage.

      [Gestures to Roger]

      Judge: Will you draw up a chair please while I prepare these release papers for you to sign? Just a matter of routine.

      Roger Adams: If you please your Honor, it can't just be a matter of routine for people to have their baby taken away from them. This child is ours Judge...

      Judge: [Interrupting] Those are the requirements of the law.

      Roger Adams: Yes but you see we've had her since she was six weeks old. It just doesn't seem reasonable to give her back to-to-to strangers.

      Judge: Mr. Adams, you're not here to plead your case. You've had the regular opportunity to prove your fitness to provide.

      Roger Adams: We are *fit* Judge if you just look at the record.

      Judge: Without any income I have no alternative. Didn't you make that clear Miss Oliver?

      Miss Oliver: Yes your Honor I did, but I thought...

      Judge: [Firmly] I'm sorry but that is the law.

      Roger Adams: Look your Honor, she's not like an automobile or an icebox or a piece of furniture or something you buy on time and when you can't give up the payments they take it away from you!

      [Baby starts to cry]

      Roger Adams: Now sit still and be a good girl. Anyone could give up those kinds of things, but I ask you Judge how can you give up your own child? And she is our child just as much as if she'd been born to us!

      [Baby continues crying]

      Roger Adams: Now, now, Daddy's not going to go away.

      [Baby stops crying and smiles]

      Roger Adams: Look Judge, we've had her over a year now. Why we-we walked the floor with her when she had the colic. We've lost nights of sleep worrying every time she cut a tooth. We've gone through everything, everything real parents have with one of their own. Ask Miss Oliver here about the inspections we've had to have. Her-her weight charts, her vaccination certificates, h-her toys, her toothbrush! How many parents could keep one of their own and

      [voice cracks]

      Roger Adams: go through that? And you sit here and say it's a matter of routine for you to take her away from us.

      Miss Oliver: Please! Mr. Adams...

      Roger Adams: I'm sorry Judge, but we weren't as fortunate as most people. We would've had one of our own only-only... well you don't know how badly my wife wanted a child. It wasn't so important to me. I-I don't know, I suppose most men are like this but children never meant a great deal to me. Oh I liked them alright I suppose, but well what I'm trying to say is your Honor the first time I saw her... she looked so little and helpless. I didn't know babies were so-so little. And then she took a-hold of my finger and I held onto it. She-she just sort of walked into my heart Judge

      [begins to cry]

      Roger Adams: and-and she was there to stay. I didn't know I could feel like that! I'd always been well, kind of careless and irresponsible. I wanted to be a big shot. And I couldn't work for anybody, I had to be my own boss, that sort of thing. Now here I am standing in front of a judge pleading for just a little longer so that I can prove to you I can support a little child that doesn't weigh quite twenty pounds. It's not only for my wife and me I'm asking you to let us keep her Judge, it's for her sake too. She doesn't know any parents but us.

      [starts sobbing]

      Roger Adams: She wouldn't know what'd happened to her. You see there's so many little things about her that nobody would understand her the way Judy and I do. We love her Judge, please don't take her away from us. Look, I'm not a big shot now, I-I'll do anything, I'll work for anybody.

      [Starts to break down]

      Roger Adams: I-I'll beg, I'll borrow, I-I'll... please Judge I'll sell anything I've got until I get going again. And she'll never go hungry, she'll never be without clothes not so long as I've got two good hands so help me!

      [Camera fades out as Judge, Roger, and Miss Oliver all ponder what has just been said]

    • इसके अलावा अन्य वर्जन
      Also shown in computer-colored version.
    • कनेक्शन
      Edited into Know Your Enemy - Japan (1945)
    • साउंडट्रैक
      You Were Meant for Me
      (1929) (uncredited)

      Music by Nacio Herb Brown

      Lyrics by Arthur Freed

      Played on a record and sung by Johnny Johnston four times

      Played as background music often

    टॉप पसंद

    रेटिंग देने के लिए साइन-इन करें और वैयक्तिकृत सुझावों के लिए वॉचलिस्ट करें
    साइन इन करें

    अक्सर पूछे जाने वाला सवाल19

    • How long is Penny Serenade?Alexa द्वारा संचालित
    • Is this available on DVD?
    • What have the critics said?
    • Can I watch this film online?

    विवरण

    बदलाव करें
    • रिलीज़ की तारीख़
      • 24 अप्रैल 1941 (यूनाइटेड स्टेट्स)
    • कंट्री ऑफ़ ओरिजिन
      • यूनाइटेड स्टेट्स
    • भाषाएं
      • अंग्रेज़ी
      • जापानी
    • इस रूप में भी जाना जाता है
      • La canción del recuerdo
    • फ़िल्माने की जगहें
      • Columbia/Sunset Gower Studios - 1438 N. Gower Street, हॉलीवुड, लॉस एंजेल्स, कैलिफोर्निया, संयुक्त राज्य अमेरिका(Studio)
    • उत्पादन कंपनी
      • Columbia Pictures
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    बदलाव करें
    • चलने की अवधि
      • 1 घं 59 मि(119 min)
    • रंग
      • Black and White
    • पक्ष अनुपात
      • 1.37 : 1

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