'Til We Meet Again

George Brent stars as a murderer who has been traveling the world avoiding his execution. On his tail the whole way is the detective, played by Pat O'Brien. Once Brent is finally apprehended in China, he's taken aboard a cruise ship bound for America. There he meets Merle Oberon and they fall in love. However, they both are hiding secrets--Brent cannot bring himself to tell her he will be executed and Oberon cannot bring herself to tell him she's got a fatal heart condition. While this may sound a bit sappy and contrived, it did work reasonably well--mostly because the detective agreed to let Brent keep the secret until they docked in San Francisco.

Had I never seen ONE WAY PASSAGE, then I might have been tempted to score this picture much higher. That's because 'TIL WE MEET AGAIN is a remake of ONE WAY PASSAGE and in most every way, the original is a better picture. The original film starred William Powell and he was at his best in this film. While I always love George Brent in films, he just couldn't beat Powell's performance and so he was handicapped from the outset. The original film was also better because it was more concise, didn't rely as much on secondary characters and plots and just sparkled. Side by side, there just isn't much to merit watching 'TIL WE MEET AGAIN. The latter film adds too many plot elements and draws out the eventual parting too long. And, to top it off, create a possible loophole at the end of the film (depending on how you interpret it)--even though there is no way the lovers could have had a happy ending.

Nope...stick with the original.

Excellent and very enjoyable, 'Til We Meet Again is about an escaped prisoner and an ill woman who fall in love on a cruise ship. This movie had me figuratively grabbing for the tissues. But I won't discuss the plot so as not to spoil anything. Suffice it to say, the movie starts sweetly, and quickly becomes unexpectedly compelling and enormously satisfying -- as very few movies are.

It stars Merle Oberon and George Brent, and they are both great! I could hardly believe this was the same George Brent as his sedate character in Dark Victory.

And Merle Oberon is breathtaking. So exquisitely beautiful, and charming and delicate like porcelain. Her looks and mannerisms and innocent style and charm reminded me very much of Audrey Hepburn, and I kept wondering if Hepburn could have played the role (had she been the correct age), but I concluded Oberon was definitely the right actress.

Merle's unusual, exotic dark looks, otherworldly beauty, and rare talent and magnetism prompted me to look up more about her, and I found out she was born in India and was half Indian! Her mother was Indian. That explains her unique look and air, which sets her apart from all other Hollywood stars.

This film, like Now Voyager and Ship of Fools, and all the greatest classic love stories, has a beautiful musical love theme that carries you through the movie, whenever the two lead characters are together. 'Til We Meet Again's love theme is exquisite.

This movie is a well-made, very classy film that's enjoyable, captivating, moving, and extremely fulfilling. The characters are engaging and unforgettable, emotionally identifiable and heartfelt. I certainly recommend 'Til We Meet Again, especially if you love romances, or especially if you love classic films/dramas that are unusual and exquisite.

my ex was a truck driver. The night that I was watching this movie, he called just as they were arriving in Hawaii. I missed the rest of the movie and was extremely disappointed. I tried to find it again on TV and only once that I know, was it shown. I imagined scenarios for many years trying to figure out what the ending would be. I finally found a company that had access to many film archives and obtained a copy. I've only had it a week and I have already watched it 3 times. The rest of the movie was better than anything that I dreamed up. I liked the twists and turns of the plot and the ending was classic. Of course, you could always imagine that the ending was different, but I think that the way it ended enhanced the love story. True love overcomes all difficulties in the end.

There are moments in certain movies that, once experienced, turn you, forevermore, into a movie-lover.

As those two glasses broke, in a bar in Acapulco, the sound nearly masked by New Years' celebrations and the strains of "Auld Lang Syne", I let out a sob that I can still feel, well more than fifty years later.

Dated, trite, corny, awful sound, loud voices, yeah, all of those. But put it aside and revel in this beautiful, gentle, glamorous and romantic love story. Even with all the available cinematographic bells and whistles, it simply could not be made today.

George Brent and Merle Oberon meet in a bar in Hong Kong, share a cocktail of his own concoction, break the glasses and part. He's promptly apprehended by Pat O'Brien, and taken back to be hanged for murder. She's on the same cruise ship, dying of heart disease.

It's a remake of 1932's ONE-WAY PASSAGE, the most romantic movie not directed by Frank Borzage. The musical theme is the same; Frank McHugh is the same; Binnie Barnes takes Aline MacMahon's role, and Geraldine Fitzgerald is present for Miss Oberon to make her illness apparent to. Everyone performs their roles well, but at 99 minutes, this lacks the tightness and sense of racing time that makes the original movie's 67 minutes such a sensation. Those high-speed Pre-Code movies from Warner Brothers made their points and moved ahead. This one works, but not as well.