The Little Princess

This agreeable movie is based on the Francis Burnett children's classic novel. 1899, London, irrepressible Sara(Shirley Temple) is a little girl in Victorian epoch sent to boarding school ruled by a harsh,hateful headmistress named Mischin(Mary Nash) while her widowed father(Ian Hunter) is posted in South African -Transvaal- during the Anglo-Boer war. Her daddy is declared missing but is reported killed in action and the penniless schoolgirl must work as a servant to pay her existence. Kindhearted Sara befriends a young enamored couple(Anita Louise, Richard Greene)who help her. Then Sara in search for her dad, haunting hospitals where she encounters Queen Victoria.

Impactful adaptation has Temple as likable child playing, dancing, and singing. Lively screenplay, vivid performances, dazzling scenarios originate classic in film-making. Colorful cinematography in Technicolor by William Skall and Arthur Miller. The picture is brilliant and skilfully directed by Walter Lang, a musical cinema and comedy genre expert. This is Shirley Temple's biggest success(it cost a big budget, over 1,5 million dollars) and also her fist colour, another Shirley's hits are:¨Poor little girl,The little rebel,The little colonel and Little Miss Marker¨among others. It's remade by a TV version(1987) by Carol Wiseman with Amelia Shankley and Nigel Havers and a superior version by Alfonso Cuaron with Sara incarnation from Liesel Mattews(Shirley Temple lookalike role),Eleanor Brown(eagle-eyed Mary Nash role)and Lian Cunningham(Ian Hunter lookalike). This is a masterpiece of kids' classic cinema and you will soon be caught up in its sympathetic and enjoyable world.

There are those who claim Shirley Temple couldn't really act--but The Little Princess is living proof that she was much more than just a dimpled tot who could sing and dance on cue. Her tearful reunion with her missing dad (Ian Hunter) in a hospital ward at the conclusion of this classic story should move even the most hardened cynic. Her tears range from joy to hysteria as she tries to tell the shell-shocked soldier that she is his daughter.

This is a lavish technicolor delight with Shirley Temple at 12 doing an expert job as Sara, the little miss who has to bear the indignities of a boarding school once her father has been declared dead in the Boer war. The harsh mistress (Mary Nash) has her stripped of all privileges and makes her live in the attic while becoming a servant in the very household where she was once called "the little princess" by the other girls. There are departures from the novel since the script is given a "Shirley Temple formula" to ensure its success as the right vehicle for her at that time. But the addition of a dream sequence does no discernible harm, nor is the brief song-and-dance with Arthur Treacher to "The Old Kent Road" much of a distraction.

It succeeds in being a heart-warming tale of a girl's courage and determination when it seems that there is no hope of finding her father alive. The ending with Queen Victoria giving Shirley an approving nod, is an added delight. One of Shirley's best performances with a wonderful cast of supporting players: Richard Greene, Anita Louise, Mary Nash, Sybil Jason, Arthur Treacher and Cesar Romero all doing expert work.

Shirley Temple, Ian Hunter, Richard Greene, Anita Louise, and Cesar Romero star in this great classic that still is outstanding even though it was released in 1939. This is the story (written by Frances Hodgson Burnett) of Sarah Crewe who was left at a boarding school while her father leaves to fight in the Boer War. She makes few friends but all the other girls think she is a selfish child. Some of the friend's she makes are Becky (Sybil Jason) a kind-hearted servant and two teachers, Rose (Anita Louise) and Birtie Minchin (Arthur Treacher) who is brother of the infamous Miss Minchin (Mary Nash). This truly is a great film that is still a Shirley Temple classic.

This Shirley Temple feature is worth seeing for a number of very nice moments in the story of "The Little Princess". It might be a little longer than necessary, and the story development is sometimes uneven, which keeps it from achieving its full potential. It offers the young Temple a variety of material to work with, and she has some very good sequences.

For the most part, it follows the familiar story, though often embellished, particularly towards the end. The story and Temple's characterization give it a rather different feel from, for example, the silent version that starred Mary Pickford. Here, Temple projects much of her own persona, with her best moments coming with Arthur Treacher, who plays the easygoing brother of the stern headmistress. The character of Becky is still significant, but Temple does not ever have the rapport with her that Pickford and Zasu Pitts had in the earlier version.

As a result, it's a bit uneven overall, but for those who enjoy this kind of story, it's still worthwhile. The public domain print makes it somewhat difficult to evaluate the production end, although it clearly contained plenty of detail and color. It's a decent if unexceptional feature whose high points are usually worth waiting for.

Charming film in color where Shirley Temple's dad goes off to fight in the Boer War. She is left is a fancy girl's school with a headmistress who is stern.

When word is brought to the school that the father, who adored his Sarah (Temple), has been killed and the child is left penniless, poor Sarah is shut up in the attic and made to work in the kitchen. Move over Cinderella.

Sarah never gives up hope that her dad (Ian Hunter) is living and she searches feverishly for him.

When a Indian mystery man (Cesar Romero) makes her room beautiful during a ballet sequence, Sarah is suspected of stealing.

Mary Nash is the wicked headmistress and acts in the same way as Margaret Hamilton in "The Wizard of Oz." Richard Green and Anita Louise play lovers, who are discharged from the school, by Nash for loving each other.

The ending is wonderful when Sarah finds her dad with the help no less of Queen Victoria (Beryl Mercer).

Enjoyable tale for children and adults alike.