अपनी भाषा में प्लॉट जोड़ेंA traumatized World War I veteran builds a machine to prevent war. When the government subverts his machine and a second world war seems increasingly inevitable, in desperation the inventor ... सभी पढ़ेंA traumatized World War I veteran builds a machine to prevent war. When the government subverts his machine and a second world war seems increasingly inevitable, in desperation the inventor summons the ghosts of the war dead to protest.A traumatized World War I veteran builds a machine to prevent war. When the government subverts his machine and a second world war seems increasingly inevitable, in desperation the inventor summons the ghosts of the war dead to protest.
Sylvie Gance
- Flo
- (as Marie Lou)
फ़ीचर्ड समीक्षाएं
Titan is the right word for a director who is the French equivalent of a David Wark Griffith.He borrowed from Zola his famous sentence "I accuse!" which comes from the Dreyfuss affair.(people should try to see William Dieterle's "life of Emile Zola" which focuses on it).
"J'accuse" is one of the most convincing and impressive pacifist film of the whole history of the seven art.I'm sure its first half-hour influenced Kubrik's "paths for glory".There are three versions of it:the 1919 one,now forever lost,the 1922 one,with a new and watered-down ending,because of the military censors.Then the 1938 one,which is,to my mind ,the best.The historical context was so threatening that Gance's movie seemed like a cry of terror.IT was terribly different of what was going on in the French cinema at the time :Marcel Carné used to hide his fears behind metaphors for instance
The first half-hour depicts life in the trenches.Some lines are as provoking as you can imagine.A soldier:"soon there won't be enough trees to make crosses".A little girl:"I want my dad to bring me back a gun to kill the war".The armistice may come quick in the movie,but you must remember that Gance had a message to send to the world.
Armistice scenes are astounding:a bugle call resounds while the camera shows a dying soldier.The crowds rejoice as the soldiers salute the dead in voices chocked by emotion.The aftermath of war as filmed by Gance had certainly a strong influence on later movies.
The essential of the movie takes place 20 years later .A survivor,played by Victor Francen,had sworn his soldiers pals who died there would not be another war.Then he begins his incredible task.I want to insist on that:Victor Francen is so good,so sublime,that you must see this movie in French,with English subtitles.Dubbed in English,Francen 's tour de force would lose most of its strength.You should hear him screaming "J'accuse! J' accuse!" People around him thinks he's gone nuts.One breath-taking scene shows him breaking everything in sight.A sublime shot:he's just brought under control, then a gun hanging on a wall comes down and fall.
For the last part of his movie,Gance outdoes himself;using horror movie codes,stupefying(for the time) special effects, Francen's extraordinary tragedian skills,and an editing to rival David Wark Griffith's "intolerance",he leads us to believe the unbelievable.The Dead awakening will haunt you long after you've seen the movie.The use of the Verdun memorial and its tower make me think of movies that were yet to come!("2001" and its monolith,for instance)
French movies had never been better than in the thirties.I wish I could find a mathematical formula to prove it.
"J'accuse" is one of the most convincing and impressive pacifist film of the whole history of the seven art.I'm sure its first half-hour influenced Kubrik's "paths for glory".There are three versions of it:the 1919 one,now forever lost,the 1922 one,with a new and watered-down ending,because of the military censors.Then the 1938 one,which is,to my mind ,the best.The historical context was so threatening that Gance's movie seemed like a cry of terror.IT was terribly different of what was going on in the French cinema at the time :Marcel Carné used to hide his fears behind metaphors for instance
The first half-hour depicts life in the trenches.Some lines are as provoking as you can imagine.A soldier:"soon there won't be enough trees to make crosses".A little girl:"I want my dad to bring me back a gun to kill the war".The armistice may come quick in the movie,but you must remember that Gance had a message to send to the world.
Armistice scenes are astounding:a bugle call resounds while the camera shows a dying soldier.The crowds rejoice as the soldiers salute the dead in voices chocked by emotion.The aftermath of war as filmed by Gance had certainly a strong influence on later movies.
The essential of the movie takes place 20 years later .A survivor,played by Victor Francen,had sworn his soldiers pals who died there would not be another war.Then he begins his incredible task.I want to insist on that:Victor Francen is so good,so sublime,that you must see this movie in French,with English subtitles.Dubbed in English,Francen 's tour de force would lose most of its strength.You should hear him screaming "J'accuse! J' accuse!" People around him thinks he's gone nuts.One breath-taking scene shows him breaking everything in sight.A sublime shot:he's just brought under control, then a gun hanging on a wall comes down and fall.
For the last part of his movie,Gance outdoes himself;using horror movie codes,stupefying(for the time) special effects, Francen's extraordinary tragedian skills,and an editing to rival David Wark Griffith's "intolerance",he leads us to believe the unbelievable.The Dead awakening will haunt you long after you've seen the movie.The use of the Verdun memorial and its tower make me think of movies that were yet to come!("2001" and its monolith,for instance)
French movies had never been better than in the thirties.I wish I could find a mathematical formula to prove it.
J'Accuse surely ranks as one of the most stunningly effective anti-war films ever made. Its early scenes involve a group of French soldiers who are compelled to go out on a hopeless and utterly pointless patrol. The men are instantly slaughtered by the Germans. The next morning, an armistice is declared. The men on patrol were the last to die. Think of the great anti-war films you've seen--like "Paths of Glory" or "All Quiet on the Western Front." In my opinion, Abel Gance's "J'Accuse" ranks with these masterpieces and, in its final scenes, even surpasses them.
Jean Diaz is the sole survivor of the doomed patrol. Before the men leave the trenches, Diaz swore to his colleagues that their sacrifice would not be in vain--there would be no more wars. Diaz devotes his life to achieving this goal for which he sacrifices everything. Of course, he fails miserably, as the European powers prepare for a new and even more catastrophic war. In the final scenes, Diaz plays his last and best card in scenes that will not be soon forgotten by those who are fortunate enough to see this great film.
Jean Diaz is the sole survivor of the doomed patrol. Before the men leave the trenches, Diaz swore to his colleagues that their sacrifice would not be in vain--there would be no more wars. Diaz devotes his life to achieving this goal for which he sacrifices everything. Of course, he fails miserably, as the European powers prepare for a new and even more catastrophic war. In the final scenes, Diaz plays his last and best card in scenes that will not be soon forgotten by those who are fortunate enough to see this great film.
This film is a masterpiece with extreme social relevance for the human race. Try to rent it if you can find it. It is still relevant even almost 70 years after it was made. It may be hard to find but it is worth it. Enjoy!!!
An important film for its time with a powerful message that only fell on deaf ears when World War II went ahead. Unfortunately, the film was technically flawed with some campy moments and a messy story structure. Still, the ending is a classic.
Abel Gance, undoubtedly one of the greatest film-makers ever, made this extraordinary film as he saw Europe rushing toward World War 2. It is a remake of a film he made when he was in the trenches of World War 1. At its core is the magnificent performance of Victor Francen as the only survivor of a World War 1 patrol who is determined to prevent war ever happening again. With photography and amazing mis en scene, Gance evokes the waste of war and the terrible effect it has on its survivors. The climax involves Francen conjuring the dead of World War 1 to stop World War 2. This is stunningly shot and extremely powerful.
The only faults this film has is the over reliance on stock footage (I assume because of budgetary problems), and a romantic sub-plot that doesn't quite work. But this is a true work of art - highly political and visionary, and fascinating historically. What a shame humanity didn't listen in 1938!
The only faults this film has is the over reliance on stock footage (I assume because of budgetary problems), and a romantic sub-plot that doesn't quite work. But this is a true work of art - highly political and visionary, and fascinating historically. What a shame humanity didn't listen in 1938!
क्या आपको पता है
- ट्रिवियासभी एंट्री में स्पॉइलर हैं
- कनेक्शनFeatured in Universal Horror (1998)
टॉप पसंद
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विवरण
- चलने की अवधि1 घंटा 44 मिनट
- रंग
- ध्वनि मिश्रण
- पक्ष अनुपात
- 1.37 : 1
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