The Dawn Patrol

Being someone who likes Errol Flynn, David Niven and Basil Rathbone and who has liked/loved a good deal of the films of all three, 'The Dawn Patrol' is a must watch for anybody who likes either actor or all three and for anybody who likes war films.

A remake of the 1930 Howard Hawks film, this is hardly inferior (quite the opposite). Even with scenes lifted from the earlier film, it's a good-looking film, is very nicely shot and has a good deal of authentic atmosphere. Edmund Goulding's direction is very much assured while pacing scenes in a methodical but never overly so way. Max Steiner's score is lushly orchestrated and stirring.

'The Dawn Patrol' has a gripping script, making its points without veering into heavy-handedness while the story is ceaselessly compelling, perfectly conveying the futility and passion of war, the comrades' horrors and conflicts and showing grace even under pressure.

Characters are not stereotypes in any way, instead compellingly real characters with human and relatable conflicts. The sterling supporting cast has Donald Crisp in particular standing out, but the three leads are what make 'The Dawn Patrol' particularly worth watching.

Rathbone has rarely been more tortured and Niven epitomises innocent grace, but it's Flynn's film in a performance that's genuinely moving (proof that he could act and had more range than given credit for when allowed).

In summary, a wonderful and powerful film. 10/10 Bethany Cox

I first saw this movie when I was 16, and didn't understand a lot of its subtleties; I just thought it was an exciting & dramatic war film with a lot of great flying sequences. I caught it again when I was 34 and was surprised at its depth.

I like to watch this movie whenever my own job gets crazy and hectic, with unrealistic deadlines and insufficient support, because it reminds me that I really don't have it so bad after all. The men in this movie were sent up daily in obsolete equipment in a bad state of disrepair; as the film progressed the squadron had about a 70% turnover as the combat veterans were shot down and replaced by green kids whose limited training could not possibly have prepared them for what they would face.

The characters are all dissected, even lesser, supporting roles receive excellent character studies, and the stars of course are downright fascinating. It's a thrill to learn that Errol Flynn (Captain Courtney) really could act, as well as just jump around and wave a sword; David Niven is wonderfully innocent and almost childlike as "Scotty," and Basil Rathbone, a truly great actor who seldom got the chance to strut his stuff since he was usually typecast as a "bad guy" or as Sherlock Holmes, gives a nerve-wrenching performance as Major Brand, who's floundering under the strain. He proves a profound point -- it is often easier to go to your own death than to order others to do so, a lesson Captain Courtney and Lt. Scott must reluctantly learn as well.

I'm now 44, and have seen this movie a couple dozen times, but it never ages. The flying sequences are still exciting; the chivalry and wild antics of the fliers never becomes tiresome or old, and the anguish of war is still as heartbreaking. Truly a movie that will last.

THE DAWN PATROL, Errol Flynn's final film of his busiest year as an actor (1938), is a fascinating counterpoint to his usual swashbuckling and light comic roles. A remake of Howard Hawks' 1930 classic, this is a tale of war-weary WWI aviators, called upon to risk their lives daily, in broken-down aircraft, on missions they consider impossible (a timeless war theme that would reappear in such WWII classics as COMMAND DECISION and TWELVE O'CLOCK HIGH). Directed by WWI veteran Edmund Goulding, best known for his big-budget romances (GRAND HOTEL), the film counterpoints the gritty, harsh realities on the ground with the nearly surreal quality of early air battles, as bi-planes with open cockpits whirl and swoop like insects, and enemy airmen would occasionally drop out possessions of dead pilots over airfields, in a chivalrous gesture.

Fellow pilots Courtney and Scott (portrayed by real-life friends Flynn and David Niven, again showing the rapport they had demonstrated so effectively in 1936's THE CHARGE OF THE LIGHT BRIGADE) are battle-tested veterans, hell-raising survivors of a squadron decimated by the war. Seeing a constant influx of 'green' kids replacing lost friends, and knowing too well that the rookies' inexperience will quickly cost them their lives, the pair vent their anger against their commander, the coldly 'by-the-book' Maj. Brand (in a remarkable performance by frequent Flynn nemesis, Basil Rathbone). Courtney constantly condemns and belittles Maj. Brand, accusing him of placing 'The Mission' over the lives of the men under his command, which makes Courtney a hero in the eyes of the fliers.

Finally, Brand cracks, and is approved for reassignment, and Courtney is chosen to replace him. In a powerful scene, Brand lets his cold 'facade' down, and reveals, bitterly, to the younger man that seeing his men sent on suicide missions, daily, had literally crushed him. Unknown to the squadron, Brand had constantly begged HQ to ease up, but had been 'shot down' each time, as the missions were essential. "Now it's YOUR turn," Brand sneers, "See how YOU enjoy it!"

Brand's words are prophetic, as Courtney quickly discovers himself in the same situation, as the despised scapegoat, with Scott assuming the role of spokesperson and savior to the squadron. And the most dangerous mission yet has just come down from HQ...

DAWN PATROL is a powerful film, with great performances from the entire cast, particularly Flynn, who had often begged the WB to give him roles beyond his 'swashbuckler' image. The critical praise it garnered proved Flynn's versatility as an actor (although public demand would keep him 'locked' into adventure films), and raised David Niven up to 'star' status.

It remains one of the BEST films about the 'Great War', and shouldn't be missed!

The Dawn Patrol - based on a book my John Monk Saunders is the story of a RFC squadron in France during the Great War.

If has three good central performances - Basil Rathbone showing an array of hyper tense emotions - David Niven changing from a happy go lucky drunken fool to a hardened leader of men and the best, by far, Errol Flynn as a guilt ridden hero whose nerves are torn to shreds.

Flynn has had so much bad press over the years and people forget that he was a great actor in the early days. This film demonstrates that superbly. There are no women in this film, no distractions. It's about men up against it, and having to watch their comrades die needlessly against overwhelming odds.

The film has moments of silence, laughter, terror all mixed together with some superb skewed camera angles in the mess to give a feeling of drunken hopelessness.

Flynn's relief at seeing Niven when he thought he was dead is a moving performance. His quiet moments when he talks about England, his control when trying to convince Nivens younger brother to go up for the first time - these scenes show real presence and talent. You feel for him and all around him.

Coming out just before the beginning of WW2 it would have given the home audiences great understanding of what they faced - a hard and bloody task, where young men will die as surely as the older ones will order them to fight.

This film should be reissued on DVD and shown around the world - it's that good. Let's write some more scripts like this and start making some decent films again.

DAWN PATROL was a forerunner of the "men facing war" kind of dramas that became a steady source of entertainment in books and films of the decades that followed, particularly after WWII.

But this takes place during World War I in 1915, when aviation was still young and men in the flying machines were sent into battle against greater odds than anyone could imagine.

Basil Rathbone plays the commander breaking under pressure who has to see young men under his command die in battle against the Germans. He is delighted to be relieved of his command by the young flier who has been chiding him for sending inexperienced men into battle--Errol Flynn.

Flynn soon finds himself hounded by the same sort of pressures facing Rathbone. His best friend (David Niven) is a fun loving pal who has a change of heart when his younger brother (well played by Morton Lowry), turns up for immediate duty despite a scant amount of training. Under Flynn's orders, the boy goes into battle the following day and is killed. This event sets up the dramatic conclusion which has Flynn willing to sacrifice himself and single-handedly take on a most dangerous mission across enemy lines.

Edmund Goulding keeps the story going from one excellent scene to another and all of the performances are first rate. Donald Crisp is less stuffy than usual in a good supporting role.

But it's Errol Flynn who makes the strongest impression in a role that calls for some fine moments of acting. His emotions seem genuine and his performance is crisp and mature. Indeed, one of his best performances in a well written role.

The ultimate message of the film is the anguish and futility of war and it comes across without being preachy. Definitely a Flynn film that is well worth watching.