Objective, Burma!

A good example of a Warner Brothers war drama, it's full of clichés appropriate to the times. The Japanese are "moral idiots," "savages," and "monkeys" (three times). Men shout and wave at a search plane two or three miles away (three times). The men are the usual congeries of ethnicity -- "Gabby" Gordon hollers "Mazeltov" at the departing Sweeney. (Hold on a moment. I'll have to think that one over. I'll also have to figure out how Lt. Sidney Jacobs acquired a Catholic dog tag.) Franz Waxman's music is just catchy enough, without being in the least distinguished. The jungle looks like a dressed-up Santa Anita with eucalyptus trees instead of ebony. The dialogue tends to run along lines like -- "Here we are in the muck and mire." "Hi, Muck!" "Hi, Mire!" Just at the end, when the remaining handful of paratroopers are in despair, the cavalry comes riding to the rescue.

I guess that gets the time-trapped stuff out of the way. This is far from an insulting cartoon of a movie. At its best, it captures the kind of utter physical exhaustion that Norman Mailer caught in his novel, "The Naked and the Dead." It's essentially a "journey" movie. Flynn, who is not bad, and his men are parachuted into Burma to destroy a radar station. Mission accomplished without casualties, they find their pick-up airfield swarming with enemy soldiers and must slog their way out through swamps and over mountains, the trip punctuated by bloody encounters with the Japanese.

Not that the battles are literally bloody. I don't think a drop of blood is spilled in the entire movie despite multiple opportunities. "Saving Private Ryan" is one way to tell a horrifying story -- very explicitly -- but the suggestion that is used in this film is equally effective, as hard as that may be to believe. Maybe the most jarring and moving moment in the film is when Flynn's group finds their friends tortured and killed by the Japanese. Flynn's friend, Jacobs, is barely alive. We see only his legs as Flynn kneels over him and identifies himself. The viewer can only imagine what Jacob's face -- and his eyes -- must look like as he whispers, "Nelson? Is that you, Nelson? Will you do me a favor, Nelson? Kill me?" The movie is a long one but it really needs to be long or we wouldn't so readily feel the agony and the desperation of these dying men. It's long enough for us to get to know the men as more than just anonymous soldiers too.

And the dialogue has its redeeming moments. When the middle-aged journalist is found dead near his foxhole, a supporting player, James Brown, stands over the body and says sincerely but not overdramatically, "Gee, I'm sorry, Mister Williams. Awfully sorry." And when Flynn leads his pitiful group of survivors finally into the base, his commanding officer shakes his hand, gives him a light, and tells him, "You don't know how important it was for you to take that radar station." Flynn says simply, "Here's what it cost," and hands him a fistful of identity tags.

It's an example not of art but of Hollywood craftsmanship. Engaging, and nicely done.

I have always thought that Errol Flynn was a fine actor and this is surely one of his best performances. As the contibutor from Leeds England wrote, this movie does not detract from the British role in Burma. Any knowledgeable person should know that the British were the primary Allied participants in this theater of World War 11. However, this story of an American unit is superb! Errol and the supporting cast are superb. This film portrays the horror of war without the unnecessary crude language and graphic bloodletting of modern war films. Errol Flynn shows a compassion and commitment to saving his men and accomplishing their mission. The direction, dialogue, scenery, and story paints a realistic story of what war really is. No false heroics or unnecessary theatrical baggage. Flynn, Henry Hull, etc. excel in their roles and this movie is a testament to the very best in theatrical productions.

"Objective Burma" is a gritty WWII drama set in Burma and competently directed by Raoul Walsh. This film, as far as I can tell, has never gotten the praise it deserves among WWII movies. It contains one of Errol Flynn's best performances and, correct me if I'm wrong, is the only film of Flynn's in which there are no females.

Captain Nelson (Flynn) heads a group of paratroopers assigned by company commander Colonel Carter (Warner Anderson) to parachute into the dense Burmese jungle and destroy a Japanese radar station. The idea is for them to go "in like Flynn" and then be picked up by plane the next day on an abandoned airstrip. Well, since the film runs 142 minutes, you know that's not going to happen.

The 36 officers and men including Lt. Jacobs (William Prince), S/Sgt Treacy (James Brown), Cpl. Gabby Gordon (George Tobias), Nebraska (Richard Erdman), Hogan (John Alvin), Miggleori (Anthony Carouso), middle aged journalist Mark Williams (Henry Hull) and others, attack the radar station and destroy it in a relatively easy operation where the entire Japanese detachment is wiped out and without casualties to Nelson and his men.

As they are about to be picked up by a plane piloted by Lt. Barka (Mark Stevens aka Stephen Richards), the Japanese prevent the landing and Nelson and his group are then forced to walk out to their camp, a distance of some 200 miles. Along the way the group has several encounters with the Japanese and some are killed. Col. Carter has planes out searching for the men but eventually calls off the search.

Nelson continues to lead his men to the last rendez-vous point given him before his radio was smashed but................................

What makes this film so compelling is the inter play between the various characters and Nelson's efforts to keep them all focused on the task at hand while inwardly believing the situation to be hopeless. True the picture is somewhat a flag waver but it nonetheless conveys the horrors of war without the necessity of a love story or two inserted for Flynn. It's, in my opinion, the best acting job of his storied career.

This is one of the very best of the WWII battle films made during the war. It has excellent action sequences, and is full of the very intense emotions that were felt during that time. It's also one of Errol Flynn's best roles, as the captain of a parachute squad sent to blow up a Japanese radar station as a prelude to the allied re-conquest of Burma. Unlike many of the war films of the same era, this one is shot almost exclusively outdoors, and a considerable effort was made to make the shoot look and sound like it was actually in a jungle.

Considering the film's age, the picture quality of the DVD is very good. A few of the sequences have a lot of scratches and grain, but that was because the film makes good use of real jungle war footage.

A must see for fans of WWII films, or of Errol Flynn fans who want to see him in one of his best roles.

Rauol Walsh directs one the greatest war films that exceeds its criticism. Errol Flynn leads a group of U.S. paratroopers on a mission to destroy an enemy radar station in Japanese-occupied Burma. The objective is accomplished, but the patrol goes through Hell as it makes its way back to base. Realistic war scenes with the more savage implied and off camera. No phony heroics, just hard fighting soldiers doing what needs to be done. Flynn is flawless and this might just be one his finest roles. A very strong cast includes: James Brown(of TV's Rin Tin Tin), Henry Hull, Mark Stevens, George Tobias, Richard Erdman, William Prince and Hugh Beaumont. No complaints about the near two and a half hour run time. Top of the line war movie shot in beautiful black and white. Produced by Jerry Wald.