The Bachelor and the Bobby-Soxer

This is pure, innocent fun. If you're not too jaded by modern life, this film will tickle you. Cary Grant is in fine comic form, as are the rest of the cast.

The thing that really got me, the first time I saw this film, was how gorgeous Shirley Temple was as a young woman. I was only used to seeing her as a little girl in her early movies, but wow, she grew up quite well. Very easy on the eyes. I felt the same way about her when I saw Fort Apache. Fact is, if I was 17 in 1947, they'd have to use fire hoses to keep me away from her. Oh, that little button nose....

The cast comes together well and keeps your interest all the way through. One of those early comedies that doesn't require harsh language, nudity, or gross-out jokes to get its laughs.

This is a movie that I can always enjoy every time it shows up on TV. Great performances by all.

"Mellow greetings, Yookie-Dookie!" (You'll understand why that is funny if you see the movie.)

Want some insight into what titillated movie-goers in the post-war 1940's? This 1947 RKO production is a good place to start. There's the marquee value of a seductively handsome Cary Grant coupled with that spunky symbol of all-American innocence Shirley Temple, enough at the time to draw in ticket-buying throngs with its naughty innuendo of daring departure and forbidden pleasure. In fact, the underage subtext lingers beneath much of the movie's plot and humorous settings, but in a totally innocent manner, proving that this is not yet the more permissive 1960's. One slip, however, and this light-hearted soufflé could easily have become burnt-toast of the most tasteless variety. Fortunately, there are no slips.

Once the pace picks up, this comedy sparkles as brightly as any other Cary Grant madcap, which is to say, about as good as comedy gets. The nightclub scene is an absolute triumph of timing, staging, and scripting. The laughs build as the party table becomes more and more chaotic, interrupted by one petty annoyance after another, finally reducing the worldly Grant to speechless exasperation. This is the type of soaring comedic architecture that requires real artistry, but has been sadly replaced in contemporary film by a dumbed- down world of bathroom jokes, insult gags, and other cheap forms of humor that appeal mainly to juveniles.

The movie itself, directed by an unheralded Irving Reis, is literally brimful of bounce and charm, leaving no one in doubt that the big war is over and America is ready for the future even if its libido is showing. With: a slyly endearing Ray Collins, a bemusedly prim Myrna Loy, a pompously befuddled Rudy Vallee, and a well-deserved Oscar for writer Sidney Sheldon, along with a final scene that could not be more apt. Despite the shift in public mores, audiences now as then should find this a highly entertaining ninety minutes of expert movie- making.

The adolescent Susan Turner (Shirley Temple) is a fashionable and spoiled teenager that lives with her tough and uptight sister Margaret Turner (Myrna Loy), who is a judge. One day, Margaret has to judge the artist Richard "Dick" Nugent (Cary Grant), who is a reckless and wolf playboy, for a fight in a nightclub and she dismiss the case. Richard leaves the court and goes to the high-school where Susan studies to give a lecture of modern arts to the students. Susan has a crush on Richard and she breaks up with her boyfriend Jerry (Johnny Sands). She interviews Richard after the lecture and during the night, she lies to the portlier of his building telling that she is going to model for Richard and she sneaks in his apartment. She sleeps on the couch and when Richard arrives home late night, he does not see her. Meanwhile, Margaret and her friend, the district attorney Tommy (Rudy Vallee), are seeking out Susan. When they find her in Richard's apartment, they believe that she has been seduced by him and Richard is sent to the jail. Margaret's uncle Beemish (Ray Collins), who is the court psychiatrist, convinces Margaret to release Richard; otherwise Susan's crush would not stop. They make a deal with Richard forcing him to date Susan to diminish her passion. Richard dislikes the situation but has no other way out of the problem. While dating Susan, Richard and Margaret fall in love with each other; but Susan is a pain in the ass for them.

"The Bachelor and the Bobby-Soxer" is a dated, but delightful screwball comedy that makes you laugh a lot. Cary Grant is hilarious in the role of a playboy and wolf that is involved by an annoying teenager and sentenced based on his reputation. It is impossible to not laugh with the picnic competition and the meeting in the nightclub during the celebration of one of Richard's "acquaintances". If you need something to relieve you from a stressed day, watch this movie that you will certainly feel better in the end. My vote is seven.

Title (Brazil): "Solteirão Cobiçado" ("Desired Bachelor")

With three appealing stars and a silly but interesting story, this is an enjoyable light comedy that moves at a good pace and makes you feel at home with its offbeat characters. Cary Grant, Myrna Loy, and Shirley Temple all get plenty to work with, as each of their characters is pretty well-suited to their talents. They make their characters believably flawed and engaging at the same time.

The story makes it clear early on that it should not be taken too seriously, yet it is told well enough that it is easy to set aside any plausibility issues. The early misadventures set up the amusing arrangement that the judge (Loy) agrees to, in the hopes of keeping the others out of trouble, and this in turn sets up a new series of outlandish events. Harry Davenport and Ray Collins head up a pretty good supporting cast, and the situation builds pretty well, leading up to a complicated, entertaining set of tangle-ups.

While there is nothing remarkable about it, "The Bachelor and the Bobby-Soxer" is the kind of pleasant silliness that takes the right touch to make it work. It makes for an enjoyable way to spend an hour and a half.

An all star cast leads the best original screenplay of 1947. Cary Grant is my favourite actor, and Myrna Loy, best remembered for her trademark housewife equal in "The Thin Man" are two of Hollywood's brightest comics together in a pretty funny film. Throw in teenaged seventeen year old Shirley Temple falling for a shining knight in armour/playboy/artist Cary and her Judge sister, and a fun packed comedy results. Somehow, Cary playing another play boy who the women keep falling for cannot convince me of the stretch.

There are great scenes, notably at the races. This only further proves that Cary may very well be the funniest straight actor to appear on the screen. The supporting cast itself is a great one, and the leads are fantastic.

This film has been well directed, but not enough to meddle in the great performances. Screenplay manages to simply enough combine humour and creativity. A light hearted romp and good entertainment.

It's a little lesser known as many of these actors other films always overshadow it, but it is still a good example of 1940s film making, with top talent at its best.

Rating: 8.25/10