छपाक के साथ प्यार दाखिल होता है जब एक सजीला व सुयोग्य बड़ा उद्योगपति और एक खूबसूरत कामकाजी औरत सड़क किनारे के गारे के पोखर पर मिलते हैं. वह उसके छोटे शहर के तौर-तरीकों से मुग्ध है; तो वह उसक... सभी पढ़ेंछपाक के साथ प्यार दाखिल होता है जब एक सजीला व सुयोग्य बड़ा उद्योगपति और एक खूबसूरत कामकाजी औरत सड़क किनारे के गारे के पोखर पर मिलते हैं. वह उसके छोटे शहर के तौर-तरीकों से मुग्ध है; तो वह उसके रोमांटिक, खुशमिज़ाज अंदाज़ पर फ़िदा है.छपाक के साथ प्यार दाखिल होता है जब एक सजीला व सुयोग्य बड़ा उद्योगपति और एक खूबसूरत कामकाजी औरत सड़क किनारे के गारे के पोखर पर मिलते हैं. वह उसके छोटे शहर के तौर-तरीकों से मुग्ध है; तो वह उसके रोमांटिक, खुशमिज़ाज अंदाज़ पर फ़िदा है.
- 3 ऑस्कर के लिए नामांकित
- 6 जीत और कुल 5 नामांकन
- Young Man (Harry Clark)
- (as Richard Sargent)
- Stewardess
- (बिना क्रेडिट के)
- Isabella
- (बिना क्रेडिट के)
- Woman
- (बिना क्रेडिट के)
- Miriam
- (बिना क्रेडिट के)
- Model
- (बिना क्रेडिट के)
- Williams
- (बिना क्रेडिट के)
फ़ीचर्ड समीक्षाएं
I should also mention the movie looks beautiful. Movies from this era tend to look great. The quality of production in movies seriously declined the closer Hollywood got to the 70's.
There are also some classic moments: The hand emerging from the 'atuomatic' restaurant where Doris and Audrey work to smack the face of a particularly offending male patron (those where the days when a woman could smack a man in a film and get great laughs...) - Doris's fantasy sequence as she's driven through the streets in a bed - with a man - and they're NOT MARRIED! It's a harmless, light film that still has such a centered beauty and sophistication that shows off the bright side of Hollywood-produced films of that era. As previous posters have commented, HD Digital video just cannot produce the same wonderful hues of celluloid - and there is something irresistible about Ms. Day in this film - her character's innocence is rather genuine, as is her male lead (Cary Grant) who obviously loves her for his ability to win her over with gifts and his own brand of charm.
I think it's important to have a second look at many of Doris Day's films in the lights of the 21st century. Touch of Mink, in particular, holds a dream-bubble of blissful idealism and moral irony that has incredible resonance today, when so many have found that we must reexamine our attitudes toward casual sex. This is the central core of the film, and many would now see's Ms. Day's character's reaction to such a thought as far more intelligent than when it was viewed in the 1970's- 80's.
Give the film a view; especially on a Friday night when you really, truly want to be entertained by a dazzling screen star.
Audrey Meadows is very good as well, as Doris Day's cynical roommate, and John Astin (of "The Addams Family" fame) nearly steals the show as a smarmy Government clerk. "Muscatel, for my lady's pleasure." Sure the plot is dated and predictable, but everything is handled with a light touch and the movie is very watchable. Love the scenes in the automat simply for nostaglia's sake.
Funniest moment. Gig young getting slapped by a hand that emerges from the tiny automat window.
क्या आपको पता है
- ट्रिवियाIn her autobiography, Doris Day wrote: "Of all the people I performed with, I got to know Cary Grant least of all. He is a completely private person, totally reserved, and there is no way into him. Our relationship on That Touch of Mink (1962) was amicable but devoid of give-and-take...Not that he wasn't friendly and polite - he certainly was. But distant. Very distant. But very professional - maybe the most professional, exacting actor I ever worked with. In the scenes we played, he concerned himself with every little detail: clothes, sets, production values, the works. Cary even got involved in helping to choose the kind of mink I was slated to wear in the film."
- गूफ़When Shayne and Roger are talking in the office, Shayne is drinking from a teacup. The camera angle is from behind Shayne's right shoulder, and, as he raises the cup, it can be seen that the cup is empty.
- भाव
Philip Shayne: Why would she go away with someone like that?
Roger: Who knows? He's a man and she's a woman.
Philip Shayne: That's the most dangerous combination to turn loose in a motel.
- क्रेज़ी क्रेडिटClosing credits: Our special thanks to Bergdorf Goodman for being Bergdorf Goodman.
टॉप पसंद
विवरण
- रिलीज़ की तारीख़
- कंट्री ऑफ़ ओरिजिन
- भाषाएं
- इस रूप में भी जाना जाता है
- Amor al vuelo
- फ़िल्माने की जगहें
- Asbury Park, न्यू जर्सी, संयुक्त राज्य अमेरिका(background)
- उत्पादन कंपनियां
- IMDbPro पर और कंपनी क्रेडिट देखें
बॉक्स ऑफ़िस
- US और कनाडा में सकल
- $1,46,28,923
- चलने की अवधि1 घंटा 39 मिनट
- पक्ष अनुपात
- 2.35 : 1