A Close Call for Boston Blackie

Every time we think that after so many hilarious and varied adventures, the writers of the 'Boston Blackie' movie series must be running out of ideas sometime, they surprise us with something ENTIRELY new: this time, the story seems to revolve around one of Blackie's romances at first, and when the husband of the girl Blackie was 'sweet on', just released from jail, is found dead in Blackie's apartment, Inspector Faraday comes to the conclusion that, while he's learned by now that Blackie wouldn't kill anybody for diamonds or money and neither is he a deranged strangler - for a woman he MIGHT commit murder...

But the case very soon becomes a lot more complicated: there's a 'borrowed' baby involved that the 'Runt' and his girlfriend Mamie try to hide in the most impossible places (a very talented baby, by the way - literally a BORN actor!), while Blackie once more is at the same time on the run from the police and after the real murderer... Another VERY entertaining and surprising entry in this wonderful series of 40s crime-comedy mix!

Blackie and the Runt rescue a woman (Lynn Merrick) who's been attacked in the street right in front of their building. They carry in the unconscious woman, who is quickly identified as Gerry Peyton, one of Blackie's old flames. Nothing much new so far, but when they open the bedroom door we see the main twist that this series entry has to offer: a baby!

Rather quickly, the rest of the plot is set into motion—Gerry's husband, a gunshot from around the corner of a doorway, some doubts about the identity of the baby and the honesty of Gerry. (Honestly, it's funny that Blackie and the Runt aren't suspicious of Lynn Merrick right away, since she just played a character pulling a similar deception on them in Boston Blackie Booked on Suspicion!)

If you're familiar with the Boston Blackie series, you'll easily guess who is accused of the first murder and also who does the accusing. Yes, Inspector Farraday is—as always—shocked that Blackie has stooped to murder, but after all, Blackie did have a good motive and was caught with the body in his apartment. He must be guilty!

Blackie and the Runt, Farraday and his sidekick Matthews are all in good form. The story's nothing special but it moves fast. Blackie once again disguises himself as an old man…and in a nice touch, Matthews turns up in the same disguise! (Blackie and Farraday had the same idea, it seems.)

Easygoing fun that's all wrapped up in exactly an hour.

In his tenth appearance in the Columbia B series role, Chester Morris is visited by former girlfriend Lynn Merrick. She married the son of a rich man who was sent up to prison. He has just been paroled, and she wants Morris to help her with the baby; daddy is liable to be impulsive in his jealousy. Enter the man, who is quickly shot dead from a mysterious stranger at the door. Enter Inspector Richard Lane and dumb sergeant Frank Sully, and we're off and running.

It's always fun to watch Morris on the screen, and this one is played for very broad comedy. In fact, it's so broad that the seams begin to show, as every single police call in New York City is funneled through to Lane, who puts them all together to make one case, which he then proceeds to get wrong. Morris also goes into disguise, and no one can recognize him.

Oh, well. With George E. Stone, Russell Hicks, and inevitably, Charles Lane.

I didn't really catch the plot of this film very well as it went by, and I really hope to see it again, because I enjoyed it very much. Boston Blackie films are fairly fast paced comedies of error rolled up inside the usual amateur sleuth beats out the dumb police B movie staple fodder. These are light hearted films, and they're made for simple enjoyment.

Beautiful blonde Gerry Payton is rescued by Boston Blackie as she is apparently about to be abducted by some thugs who are trying to drag her into their car. She asks him for help, and of course, he can't refuse such a gorgeous woman.

There is a complex plot which I didn't follow and to heck with it. But, the babe is a crook, and her boyfriend is a crook, and half of the cast are crooks, and everyone but the cops are out to convince the cops that Boston Blackie is a murderer,and the cops didn't need convincing in the first place, so Boston Blackie is sunk and there is no way out for him.

And part of the plot is that the criminals have made up a fictional baby boy, and have somehow managed to convince the grandfather of the non-existent baby boy that he should buy the boy from them for a large amount of money. Also, for some other unknown reason, they have actually managed to obtain a real baby boy, whom they are making no attempt to disguise as the fake Payton scion, since there is no one of any importance to them to see it, but nevertheless they are taking great pains to maintain this useless fiction.

Can Boston Blackie and his partner The Runt figure out the plot, clear Blackie's name, rescue the child and put the criminals into the hands of the incompetent police?

Well, maybe.

Chester Morris is "Boston Blackie" in this 1946 entry into the series. The Boston Blackie series is far superior to many others which seem to have less humor and move a lot more slowly. In this film, Blackie helps out a former girlfriend whose husband is recently out of prison - she's afraid he's going to kill her and their baby. Then the husband is murdered and Blackie is blamed, and he finds out his ex-girl has been using him as part of a plot to shake down her father-in-law for money so that she will give him the baby. Except it's not his grandchild; the child has been borrowed from a crook who has been cut into the scheme. It's up to Blackie to figure out all of this, keep a step ahead of Farraday and the baby out of the wrong hands.

"A Close Call for Boston Blackie" has a lot of humor in it as well as delightful performances from Morris, George E. Stone as The Runt and Claire Carlton as Mamie, The Runt's girlfriend. Viewers will also recognize Kathryn Card, who played Lucy Ricardo's mother and always called Ricky Mickey, at the apartment house reception desk. All and all, quite entertaining.