The Chance of a Lifetime

This time, "Boston" (Chester Morris) comes up with a proposal to the Governor that would allow some trusted prisoners to come and work in a factory to assist with the war effort. He agrees that they can live at his apartment but before long is embroiled in a plan to prove that "Dooley" (Erik Rolf) was set up for a murder he didn't commit. Unusually, "Insp. Faraday" (Richard Lane) is in on the plot to use "Blackie" as bait for the real criminal - well, him and $60,000 - and using some sleight of hand and his gang of well-meaning convicts lays a trap for... This doesn't hang about, is tightly cast with series regulars and with a more solid story than many of the other outings for an on form Morris, it passes an hour with a few red herrings and a precarious window-dangled confession at the end.

I hope writer Jack Boyle got some of the money that was made off his man "Boston Blackie"... there were TONS of films made with that character. Chester Morris was probably the best known. In this chapter, Blackie is the chaperone for some work release prisoners, and one escapes to dig up some stolen dough. Things go haywire, as they always do, and the caper is on! Blackie has to track down the guy who knows the truth, but the police are after HIM, so he has to stay one step ahead. The usual antics, and boy, the cops were silly back then. The story kind of goes all over the place, but its okay. And it's only a 65 minute shortie. Currently showing on Turner Classics. My favorite line in here is when the desk clerk sees the guy with the beard, and says "Hey, you with the chin drapes!" Most of it is pretty average, and for the last five minutes, the fistfight takes place in the dark... rather pointless. meh. Directed by William Castle, known for low budget yet fairly successful films.

Once again Boston Blackie puts one over on the police who wrongly accuse him of a crime he never committed. He uses his wits and ingenuity to outwit them at every turn--each episode more incredible than the one before. But it's entertaining in a formula way, with CHESTER MORRIS obviously enjoying himself as Blackie and Inspector Farraday finally congratulating him on capturing the real criminal.

DOUGLAS FOWLEY as Nails gives his usual hard-bitten performance as the villain, enjoyable as always in whatever supporting role he assumes.

It's a low-budget entry, designed to fit the second half of a double bill, and moves at a brisk pace in little more than hour. Morris is surrounded by the usual Columbia cast of "Blackie" performers.

Chance of a Lifetime, The (1943)

*** (out of 4)

William Castle made his directorial debut in this sixth film in the Boston Blackie series. This time out Blackie (Chester Morris) gets ten convicts out of prison to work in a factory for the war relief. One of the convicts end up killing a man in self defense but this is enough to get all ten thrown back in prison so instead Blackie takes the blame but breaks away from Captain Farraday (Richard Lane) to find the real bad guy. Castle's direction is a little bland but the screenplay is full of wonderful gags and nice action, which makes this one of the better films I've seen in the series. Once again Morris delivers a wonderful character and I've really enjoyed this character enough to say it's probably my favorite of all these detective/mystery type films. The interplay between Morris and Lane is as fast and sharp as ever and the supporting cast playing the convicts make good.

Inspector Farraday seems nastier than usual in this Boston Blackie picture. Sure, Blackie is used to Farraday hounding him constantly, but now Farraday is out to pounce on Blackie's new convict reclamation project. The project is for the war effort, of course: Blackie has lined up jobs for ten early parolees at a tool and die works, and the convicts are talented welders and craftsmen, their skills much in demand in 1943. Farraday is having none of it, and lurks on the edges of the project, looking for the slightest slip-up. Come on, Inspector, show a little patriotism!

The mystery plot here is solid and the action is fast-moving, though overall the film is perhaps not quite as sharp or quick-hitting as some in the Blackie series. Still, there's disguises (Blackie and the Runt as cleaning ladies, one of whom needs a shave); tight squeezes (Blackie and the Runt on a dumbwaiter); and poor detective Matthews taking insults (Farraday to his officers: "You cover the fire escape, you take the service entrance, and I'll go in the front way alone." Matthews: "Alone! Hey, chief, I'll be with you." Farraday: "It's the same thing.").

Some hilarious newspaper headlines chronicle Farraday's attempts to capture and hold Blackie and a wad of $60,000 that everyone is concerned with.

Good entertainment for us Blackie fans. Chester Morris, as always, is smooth and steady.