The Big Snooze

In this last Bob Clampett Looney Tunes short, Elmer Fudd is thoroughly appalled by the treatment he always winds up getting from Bugs Bunny, so he decides enough is enough, tears up his Warner Brothers contract and commits himself to fishing for the rest of his days. Bugs is mortified of course (for his own job security mind you) and when he finds Elmer dreaming, he takes a sleeping pill and enters his pleasant dream to turn it into a nightmare. This is a hilarious if a wee bit surreal cartoon that can be seen on Disc 1 of the Looney Tunes Golden Collection Volume 2. It also features an optional commentary by animator Bill Melendez that is pretty good.

My Grade: A

I don't know any of the details surrounding Bob Clampett's departure from Warner Bros., but in this, his last cartoon for them, was one of the weirdest from a long list of strange entries from him. I don't think he got along well with the new studio imposed producer, Edward Selzer. Leon Schlesinger, the previous one, and the creator of Looney Tunes and Merrie Melodies, let him have all the freedom he needed with zany, wild cartoons as the result. Some, like "Porky in Wackyland" and "The Daffy Doc" are considered by many cartoon historians to be important for the bold liberties he took with art and the use of space. He did things that had never been done before, but Warner Bros. bought out Schlesinger for $1,000,000 and Clampett's star never quite shone as brightly as it did in those heady days.

At the beginning of this cartoon, then, it is significant that we see that Elmer Fudd is becoming disenchanted with his cartoon contract with "Mr. Warner" and tears it up in frustration after once again being the fall guy for Bugs Bunny. What follows is a surreal sequence after Elmer falls asleep. Bugs uses "nightmare paint" to make him dream so Bugs can manipulate him in his slumber to save both of their careers. We have the usual assortment of corny Clampett gags mixed in with some stunning scenes that must have had everyone back in 1946 scratching their heads a little, wondering if Clampett had finally lost his mind. The price that innovative people sometimes have to pay is that not everyone will get it, and I don't think Selzer was anywhere near "getting it", so Clampett got the door.

After one time too often falling foul of Bugs Bunny's tricks, Elmer Fudd rips up his contract with Warner Brothers Studios and leaves to get some R&R fishing by the lake. Realising that his strongest career sidekick is important in his own career, Bugs goes after him and enters his dreams to encourage him to return to the job at hand.

The cartoon starts very abruptly and continues in that vein as scenes appear to just jump around very quickly and without a huge amount of internal structure. The plot cleverly acknowledges a reality of contracts (which of course, isn't reality for cartoon characters) and also has some funny asides from Bugs, but it doesn't appear to have a central plot. The dream sequence is colourful and well drawn but not necessarily funny as a result. I never fully got why Bugs took this approach to the problem!

The characters are good. Bugs does his usual stuff but doesn't seem relaxed in the cartoon - the dialogue is edited too fine and close for his style I felt. Fudd has little to do and his character doesn't serve as well as he usually does as a foil to Bugs - he simply isn't given the time to respond in a way he normally is.

Overall, almost any cartoon with Bugs and Fudd is going to be work watching for me, but this one just seemed a bit aimless - like the dream sequence was the original idea and the rest of it was just a thin excuse to get to it. It is all over a bit fast and without any really hilarious action, it is OK but really is a poor entry from this famous double act.

Big Snooze, The (1946)

*** (out of 4)

Elmer Fudd, tired of being abused by Bugs Bunny, decides to tear up his contract to Warner and go on vacation. Bugs needs him back so the rabbit invades his dreams to cause a nightmare. This is certainly a wild short but I've never found it to be a funny one. What does work here are the amazing colors inside the "nightmare", which look absolutely stunning in their remastered form. The visuals are certainly the main reason to watch this film as there aren't too many laughs. The film starts off with a chase, which would normally end a cartoon but here the gag is somewhat funny. The best sequence is the famous one where Elmer is tied to the train tracks and a train of rabbits run over him.

I own the compilation that 'The Big Snooze' is featured on. From the get go....the stand alone cartoon seems pretty much like any of the other Bugs Bunny 'toons. Fudd chases 'wabbit'....wabbit makes him look like a sucker....and so on so forth. Until....Elmer has finally decided he's had enough. At first....seems Elmer is going to finally be free. Or so he thinks. After all....as Bugs put it....'think of your career. And for dat matter think of my career.' From there it just goes into the category of just plain silly. The 'nightmare paint' and the other touches bringing a surreal sense to the whole thing. And then there was 'da Super Chief!' Not to mention the book....aptly titled '1001 Arabian Nightmares.' And of course....what would a cartoon like this with that 'wascally wabbit' be without some clever misdirection from the craziest hare in the world....thereby allowing him to run amok. Elmer after stopping [Why did 'she' stop?] : 'Have any of you girls ever had an experience like this?' Oh sure Elmer....you should've known better when that rabbit set you up by skewing your expression of [surprise] anger over being the 'fall guy' once again. Of course if you had....the cartoon would've been ruined. And to think what we would've missed along the way if you had stayed retired. All in all....not to be missed. If you can find the compilation tape still. 'Bugs vs Elmer.'