Wild and Woolfy

Well, someone had to say it, because Droopy keeps showing up in this cartoon about how Woolfy is now a western bandit who kidnaps Red after she's only finished half of a song. A posse is assembled and they take after the villain, with Droopy popping up -- mostly -- on his little blue horse throughout the short subject.

This being a Tex Avery cartoon, of course the real issue is how many gags he can cram into its length. This being Avery's peak period, the answer is a whole lot. My favorite is the one where they're crossing the river, although you may prefer some other. There are so many of them, after all.

Considering that this film was directed by Tex Avery and stars Droopy, you know that you're in for a good time! It begins with a nasty wolf riding his horse into a western town. Soon, he becomes enamored with a singing beauty (who looks much like a western version of Swingshift Cinderalla from an earlier Avery cartoon) and kidnaps her. What follows is an insane Avery sort of chase--complete with elevators and other wackiness. Ultimately, our hero is able to save the day and get the girl.

As you'd expect from the Tex Avery cartoons that he made for MGM, this one has terrific animation, lots of wonderful gags and a weirdness that makes you shake your head and wonder what was wrong with that guy! Funny and well worth your time.

Droopy is he hero here. The wolf is a holdup man. He is terrorizing the old west, and he has a beautiful young woman, tied up in a cabin. His problem is the ever persistent Droopy who never lets up. No matter where the wolf goes or how evasive he is, the sad little dog is always there. Good Tex Avery stuff.

In the old west, wanted criminal Joe Wolf holds up an ice-cream stage coach and steals a treat. He's followed closely by Droopy. Wolf rides into town and starts shooting up the place. Everybody is scared except Droopy. Wolf is taken with hot lounge singer Red and kidnaps her.

I like everything except Droopy's voice. He doesn't sound like the Droopy that I know and he doesn't talk enough. He has the same style, but the tone is off. They're probably using different voice performers. As for the final reveal, a funnier joke would be Droopy demanding that Wolf pay for the ice cream and let him go afterwards. This is good overall.

Love animation, it was a big part of my life as a child, particularly Disney, Looney Tunes and Tom and Jerry, and still love it whether it's film, television or cartoons.

Also have much admiration for Tex Avery, an animation genius whose best cartoons are animated masterpieces and some of the best he ever did. Generally like the Droopy cartoons and the character himself a lot, his best cartoons are classics and among Avery's best. 'Wild and Woolfy' is not one of the best Droopy cartoons, and is not as good as the previous cartoons 'Dumb-Hounded' and 'The Shooting of Dan McGoo'. It's wonderfully wild fun, even if the basic story is predictable and Droopy is more of a barely seen supporting character.

With that being said, his contribution is still memorable and shows off his remarkably well-established personality beautifully.

The Wolf is a villain that has menace and great comic timing, the girl is beautiful and sexy and the horse steals the cartoon (one of the funniest horses easily in cartoondom). 'Wild and Woolfy' is endlessly inventive and hysterically funny in typical Avery-style cartoon.

Tex Avery does a wonderful job directing, with his unique, unlike-any-other visual and characteristic and incredibly distinctive wacky humour style all over it as can be expected.

Some of 'Wild and Woolfy' is over-the-top and weird in a delicious way, it is also incredibly clever, imaginatively creative and full of inspired visual gags, play on words and hilariously droll asides and puns. The strangeness was an enormous part of its charm. There is enough variety to stop it from being repetitious.

'Wild and Woolfy' is beautifully and brilliantly animated as usual. The character designs are unique, Avery always did have creative character designs, and suitably fluid. The music, courtesy of Scott Bradley, is lushly and cleverly orchestrated, with lively and energetic rhythms and fits very well indeed.

Voice acting is very good from Bill Thompson, Pinto Colvig and especially Paul Frees.

Overall, great and wonderfully wild cartoon. 9/10 Bethany Cox