Bombardier

I saw this movie in the late 1950's or early 1960's on TV and it has always stuck with me. The scene that stands out vividly is when Robert Ryan walks into the church and yells, "The Japs just bombed Pearl Harbor". That scene has stuck in my head over 50 years. Oddly it seems that the ending involves bombing Nagoya. The movie went from Japanese bombing Pearl Harbor to the U.S. bombing the Japanese homeland really quickly. Another interesting thing is the movie never uses the word Norton Bombsight. At the time of the movie, even the word Norton was secret. Also, you never see the actual bomb sight only something being carried in a cloth bag by two airmen. Even a picture of the sight was secret. I did like the picture because it shows the training the men received. It seems like a lot of training just to push a button. I also like of part of the Bombardier controlling the plane. The part of the movie seems right in that the plane, pilot, ground crew, and everything else is there just to take the Bombardier to the target so he can push a button. The Pilot and Bombardier is like playing golf. The drive is for the show (pilot) but the putt (bombardier) is for the dough!. The rest was over the top--the oath and song of the Bombardier. Lastly, wasn't the actor who played the Japanese officer also played "Harry Hoo" on the TV show "Get Smart". All in all a film worth watching.

There were a lot of films made by Hollywood during the war years that were designed to drum up support for our troops from the public. Seen today, some might dismiss them or just see them as propaganda--which they technically are, but of a positive sort and meant to unify the nation. This film is a pretty effective and entertaining example of the genre--having a pretty realistic script and good production values. Pat O'Brien plays pretty much the same character he played in MANY other films (you know, the tough-talking, hard-driven but "swell guy"). Randolph Scott is, as always, competent and entertaining and the rest of the extras are excellent (look for a young Robert Ryan as one of the bombardiers in training). While the story is reminiscent of several other movies about our pilots and crews, the film is well-crafted enough to make it interesting and not too far-fetched. That it, perhaps, except for the very end--where the film is a bit over-the-top but also VERY satisfying. About the only serious negative, and this is mostly for nitpickers, is that some of the stock footage is somewhat sloppily integrated in the film and "nuts" like me who are both history teachers and airplane lovers will probably notice this--all others probably won't notice.

Major "Chick" Davis (Pat O'Brien) argues for precision high altitude bombing rather than dive bombers. He wins in a bombing competition. It's the start of a new bombardier training program and then America is forced into the war.

There is no way that the bombers are that accurate. Those bullseye targets are impossible until laser-guided bombs. In fact, something as big as a tank would be hard to hit by any plane of that era. Of course, this is wartime propaganda and it serves its purpose. There is some miniature work along with the use of the real bombers. For its time, some of it actually looks good. The story is done in a straight, patriotic, and old fashion melodramatic way. There are a couple of familiar faces. It gets rather intense when some of them get captured which culminates in a bombastic patriotic flourish.

This is a typical Hollywood movie made to contribute to the war effort during WWII, using all available means, in this case, cinema. It's a blend of war propaganda to raise awareness of the country's war effort and promote the sale of war bonds, while also serving as a call for new recruits.

For fans of WWII war films, especially those set in the world of aviation, it's undoubtedly an interesting movie. It showcases the training required to become a bombardier, with a focus on precision bombing training, a perspective rarely seen before and not replicated in later films. It can provide a complementary view for fans of the celebrated "12 O'Clock High" series, which omits this training aspect in its production.

The narrative is straightforward and linear, with the actors delivering decent performances without any particular standout.

As always, it's intriguing to watch a movie made during the same period as the events it portrays, as it usually features accurate uniforms and vehicles. However, in this case, it's worth noting that the final mission over Nagoya, depicted in the film, couldn't have been carried out by the B-17 bombers shown because it was beyond the reach of Allied bases in the Pacific. This aspect detracts from the film's credibility in portraying the events. In reality, these planes were later deployed in the Mediterranean theater, where they were used extensively.

One surprising aspect of the film is the clear portrayal of the effort to conceal the Norden bomb sight, a targeting system. In reality, the crews were instructed to destroy it in case of bailout. Yet, the film shows it, which might have been seen by enemies. However, the film doesn't reveal the exact workings of the system, so it might have served as a warning to demoralize the enemy. Lastly, when the pilot orders the crew to bail out due to a control failure, in reality, the manual procedure included attempting to restart the engines as a last resort, something not depicted in the film but done by a crew member who chose not to bail out.

Overall, it's a fairly decent movie with good shots for its time, although it doesn't particularly stand out in terms of cinematic quality.

Richard Martin first played Chito Rafferty in this movie World War 2 movie. He would go on to play that same character 32 times, mostly in Tim Holt Westerns, but he did play it twice along side Robert Mitchem in Nevada and West of the Pecos. The Chito Rafferty character also appeared alongside James Warren in Wanderer of the Wasteland. One wonders how a character that first appeared in a modern war flick ended up being a longtime sidekick in Westerns. Interestingly, the second time Martin played his famous character was not with Tim Holt, but with Robert Mitchum in Nevada. It would not be until 1947, that the Rafferty character appeared alongside cowboy star Tim Holt in Wild Horse Mesa.