IMDb रेटिंग
7.2/10
13 हज़ार
आपकी रेटिंग
अपनी भाषा में प्लॉट जोड़ेंA composer and his sister discover that the reason they are able to purchase a beautiful gothic seacoast mansion very cheaply is the house's unsavory past.A composer and his sister discover that the reason they are able to purchase a beautiful gothic seacoast mansion very cheaply is the house's unsavory past.A composer and his sister discover that the reason they are able to purchase a beautiful gothic seacoast mansion very cheaply is the house's unsavory past.
- निर्देशक
- लेखक
- स्टार
- 1 ऑस्कर के लिए नामांकित
- 2 जीत और कुल 1 नामांकन
David Clyde
- Ben - Boat Owner
- (बिना क्रेडिट के)
Betty Farrington
- Carmel's Ghost
- (वॉइस)
- (बिना क्रेडिट के)
Helena Grant
- Servant
- (बिना क्रेडिट के)
Lynda Grey
- Ghost of Mary Meredith
- (बिना क्रेडिट के)
Holmes Herbert
- Charlie Jessup
- (बिना क्रेडिट के)
Leyland Hodgson
- Taxi Driver
- (बिना क्रेडिट के)
John Kieran
- Foreword Narrator
- (वॉइस)
- (बिना क्रेडिट के)
Queenie Leonard
- Mrs. Taylor
- (बिना क्रेडिट के)
Moyna MacGill
- Mrs. Coatsworthy
- (बिना क्रेडिट के)
Jessica Newcombe
- Miss Edith Ellis
- (बिना क्रेडिट के)
फ़ीचर्ड समीक्षाएं
Musician Ray Milland (Rod) and his sister Ruth Hussey (Pam) buy a house on a whim whilst holidaying in Devon. It seems quite a cheap price and the purchase is conducted over a few sentences. The owner Donald Crisp (Commander Beech) seems very keen for the sale. He also stipulates to his grand-daughter Gail Russell (Stella) that she is never to visit the house. It is where she spent the first 3 years of her life. She disobeys as she develops a relationship with Milland. And the house has some other occupants
.. unworldly ones
.
It's an enjoyable film with a strong cast although Russell plays things rather too vulnerably for a 20 year-old. Milland throws in some humorous touches but he succeeds in keeping things in the scary, spooky film genre as opposed to the comedy ghost story genre, which is always a let-down. So, he should be congratulated for making the crossover. This is a good ghost story with genuine chills, scary scenes, a story with a twist and a great ghost effect. Lots of atmosphere in this one.
It's an enjoyable film with a strong cast although Russell plays things rather too vulnerably for a 20 year-old. Milland throws in some humorous touches but he succeeds in keeping things in the scary, spooky film genre as opposed to the comedy ghost story genre, which is always a let-down. So, he should be congratulated for making the crossover. This is a good ghost story with genuine chills, scary scenes, a story with a twist and a great ghost effect. Lots of atmosphere in this one.
10Gafke
Roderick and his sister Pamela are vacationing along the English seaside when they discover a beautiful old house with which they fall immediately in love. They purchase the home from Commander Beech, an elderly man whose daughter and son-in-law once lived in the house. Almost as soon as Roderick and Pamela move in, the disturbances begin. A woman can be heard sobbing in the early morning hours and the smell of mimosa perfume is everywhere. Soon, Roderick takes a liking to the Commander's granddaughter, a very pretty but solemn and haunted looking girl named Stella. When Stella enters the house, the disturbances increase alarmingly, threatening her life and driving her perilously close to the sea cliffs. The Commander forbids her to set foot in the house, for he knows of the terrible tragedy that occurred there 20 years earlier. But the guilty secret he's been keeping all these years, a secret that involves Stella and her heritage, will not stay secret anymore and Roderick must face a vengeful ghost if he wishes to save the woman he loves.
This is a really great ghost story, a true classic of the genre. Everyone involved turns in a brilliant performance, especially Ray Milland as Roderick the sweet and likable composer and Ruth Massey as his spunky sister. Gail Russell as Stella is perfectly cast, always appearing shaken and fragile. The effects are terrific too! The crying ghost in particular will give you shivers as it echoes down the halls of the dark house and disappears with the dawn breeze. Light and shadow are used to maximum effect and despite the fact that this film was made in 1944, it never feels dated and it's lost none of its power to unsettle, disturb and even downright terrify.
Perfect viewing for a dark and stormy night. This is a flawless ghost story. Highly recommended.
This is a really great ghost story, a true classic of the genre. Everyone involved turns in a brilliant performance, especially Ray Milland as Roderick the sweet and likable composer and Ruth Massey as his spunky sister. Gail Russell as Stella is perfectly cast, always appearing shaken and fragile. The effects are terrific too! The crying ghost in particular will give you shivers as it echoes down the halls of the dark house and disappears with the dawn breeze. Light and shadow are used to maximum effect and despite the fact that this film was made in 1944, it never feels dated and it's lost none of its power to unsettle, disturb and even downright terrify.
Perfect viewing for a dark and stormy night. This is a flawless ghost story. Highly recommended.
An excellent ghost story, one I had never heard of. A good building of suspense, almost Hitchcockean, throughout the film. And Gail Russell had such beauty. I was unfamiliar with her as well, and in reading the bio on IMDb, I see why. What a shame. Check this one out. Grade: A
In 1937, the composer and music critic Roderick Fitzgerald (Ray Milland) and his sister Pamela Fitzgerald (Ruth Hussey) are spending a holiday on the English coast. When their dog chases a squirrel, they need to break in an abandoned manor named Windward House and Pamela immediately falls in love with the real state and convinces her brother to invest his savings purchasing the house.
They seek out the owner, Commander Beech (Donald Crisp), who lives with his twenty year-old granddaughter Stella Meredith (Gail Russell) far from the house, and he accepts their offer and sells the house for a very low price. Soon Roderick and Pamela move to the Windward House and he and Stella falls in love with each other. Roderick and Pamela also discover that the house is haunted and in Roderick's studio they feel a chill and near dawn they overhear uncanny sobs of a woman. They investigate and learn that a tragedy happened in the manor: Stella's father had an affair with a Spanish model and her mother died falling of the rocky coast and the model died of pneumonia. They also discover that the house is haunted by two ghosts, one of them evil and the other one trying to protect Stella.
"The Uninvited" is a creepy ghost story, with a great performances and a good story. The mystery is predictable and is not difficult to guess who the evil ghost is, but the movie has many scenes that startle the viewer and is supported by a magnificent cinematography in black and white. In accordance with a documentary about "The Uninvited", Gail Russell was a shy actress and her personality helped her in her performance since she was really scared. The serenade "To Stella by Starlight", by Victor Young, is another plus of this movie. Further, "The Uninvited" is the first Hollywood movie to take ghosts seriously since until this date this theme was explored in comedies. My vote is nine.
Title (Brazil): "O Solar das Almas Perdidas" ("The Manor of the Lost Souls")
They seek out the owner, Commander Beech (Donald Crisp), who lives with his twenty year-old granddaughter Stella Meredith (Gail Russell) far from the house, and he accepts their offer and sells the house for a very low price. Soon Roderick and Pamela move to the Windward House and he and Stella falls in love with each other. Roderick and Pamela also discover that the house is haunted and in Roderick's studio they feel a chill and near dawn they overhear uncanny sobs of a woman. They investigate and learn that a tragedy happened in the manor: Stella's father had an affair with a Spanish model and her mother died falling of the rocky coast and the model died of pneumonia. They also discover that the house is haunted by two ghosts, one of them evil and the other one trying to protect Stella.
"The Uninvited" is a creepy ghost story, with a great performances and a good story. The mystery is predictable and is not difficult to guess who the evil ghost is, but the movie has many scenes that startle the viewer and is supported by a magnificent cinematography in black and white. In accordance with a documentary about "The Uninvited", Gail Russell was a shy actress and her personality helped her in her performance since she was really scared. The serenade "To Stella by Starlight", by Victor Young, is another plus of this movie. Further, "The Uninvited" is the first Hollywood movie to take ghosts seriously since until this date this theme was explored in comedies. My vote is nine.
Title (Brazil): "O Solar das Almas Perdidas" ("The Manor of the Lost Souls")
Old Hollywood may not have had digital, but they sure knew how to fake it. Take this movie. I could swear it was filmed on a rocky British coast. But no. According to IMDb, it looks like production never left the LA area or maybe even the studio lot. In my book, that's quite a technical feat. Besides, the crashing waves and and cliff-side mansion add a ton of atmosphere to a really good ghost story.
Actually, it's as much a mystery movie as it is a haunting. Just who the heck is this sobbing spirit and why is she bugging poor sweet little Stella (Russell). In fact, was there ever a more appealing screen presence in any film than actress Russell is here. She's got a level of innocent appeal that most actresses only dream about, and steals the film with an unforgettable charm.
Speaking of charm, Russell's got a lot of competition from Milland and Hussey who are simply delightful as the urbane brother and sister. Their scenes together amount to little marvels of civilized chemistry. In fact, this may be the most charmingly done story of the occult on record. It's almost like the supernatural happenings are secondary to the array of compelling characters, including the tyrannical Commander (Crisp).
Now, neither the swirling specter nor the ghostly sobbing scared me, but Miss Holloway (Skinner) sure as heck did. Talk about ice-cold intelligence. If you weren't wacko when you entered her Nazi sanitarium, you soon would be. Then there's poor flighty Miss Bird (Stickney). I can see her entering the place as a highly competent librarian, but soon reduced by "therapy" to flapping her arms and collecting rocks. Then too, what's with Holloway's attachment to the deceased Mary Meredith—was this Hollywood maybe pushing the envelope.
Anyhow, the movie is studio (Paramount) craftsmanship at its best, including the enchanting title tune "Stella by Starlight". Whatever old Hollywood's failings, and they had many, the studios could on occasion come up with real winners. Fortunately, this is one of them.
Actually, it's as much a mystery movie as it is a haunting. Just who the heck is this sobbing spirit and why is she bugging poor sweet little Stella (Russell). In fact, was there ever a more appealing screen presence in any film than actress Russell is here. She's got a level of innocent appeal that most actresses only dream about, and steals the film with an unforgettable charm.
Speaking of charm, Russell's got a lot of competition from Milland and Hussey who are simply delightful as the urbane brother and sister. Their scenes together amount to little marvels of civilized chemistry. In fact, this may be the most charmingly done story of the occult on record. It's almost like the supernatural happenings are secondary to the array of compelling characters, including the tyrannical Commander (Crisp).
Now, neither the swirling specter nor the ghostly sobbing scared me, but Miss Holloway (Skinner) sure as heck did. Talk about ice-cold intelligence. If you weren't wacko when you entered her Nazi sanitarium, you soon would be. Then there's poor flighty Miss Bird (Stickney). I can see her entering the place as a highly competent librarian, but soon reduced by "therapy" to flapping her arms and collecting rocks. Then too, what's with Holloway's attachment to the deceased Mary Meredith—was this Hollywood maybe pushing the envelope.
Anyhow, the movie is studio (Paramount) craftsmanship at its best, including the enchanting title tune "Stella by Starlight". Whatever old Hollywood's failings, and they had many, the studios could on occasion come up with real winners. Fortunately, this is one of them.
क्या आपको पता है
- ट्रिवियाWhen Stella enters a trance and speaks in Spanish during the seance, she says, "Listen, listen! It's not her! It's not her! Do not believe anything! Do not listen to her, because she's lying! You thief! Thief of my love!"
- गूफ़The film is set in 1937, but the "going-to-church" sequence features a car with headlights blacked out in the style required due to WWII in the early 1940s.
- भाव
Pamela Fitzgerald: Well, I must dash back to Lizzie. We're fighting over how much Sherry to put in a tipsy pudding. She wants to make it dead drunk.
- कनेक्शनFeatured in 100 Years of Horror: Ghosts (1996)
- साउंडट्रैकTo Stella by Starlight
(uncredited)
Music by Victor Young
Played on piano by Ray Milland (dubbed) and heard as a main theme in the score.
Richard Hayman and his Orchestra performed the music. Richard Hayman also played the harmonica solo in the piece.
टॉप पसंद
रेटिंग देने के लिए साइन-इन करें और वैयक्तिकृत सुझावों के लिए वॉचलिस्ट करें
विवरण
बॉक्स ऑफ़िस
- दुनिया भर में सकल
- $6
- चलने की अवधि1 घंटा 39 मिनट
- रंग
- पक्ष अनुपात
- 1.33 : 1
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