अपनी भाषा में प्लॉट जोड़ेंStagecoach station manager and his outlaw brother defend station, passengers and cargo from Apache attack in dangerous territory, forcing unlikely allies to band together against the rampagi... सभी पढ़ेंStagecoach station manager and his outlaw brother defend station, passengers and cargo from Apache attack in dangerous territory, forcing unlikely allies to band together against the rampaging indigenous warriors.Stagecoach station manager and his outlaw brother defend station, passengers and cargo from Apache attack in dangerous territory, forcing unlikely allies to band together against the rampaging indigenous warriors.
- निर्देशक
- लेखक
- स्टार
- Man in Stage Office
- (बिना क्रेडिट के)
- Tall Man
- (बिना क्रेडिट के)
- Man in Stage Office
- (बिना क्रेडिट के)
फ़ीचर्ड समीक्षाएं
Ernest Haycox's "Stage Station" was put together as Apache Trail and ended up being a better than average "B" Western. Set essentially at the Tonto Valley Station, story finds Nolan and Lundigan as polar opposite brothers caught in the middle of the Apache's ire on account of Nolan's dastardly ways. Also at the station are a roll call of familiar 1940s Western characters, gruff men of honour, some lovely women causing sexual friction and a token Indian guy working for the whites.
This small group of people will have to defend the Station (come Fort) against what seems like 300 Apache's; that is unless they agree to give up Nolan, who of course has "not" exactly endeared himself to the group during the siege. While there's naturally the "brother" angle hanging heavy in the air, something which almost detracts from the love triangle sub-plot as the "honest as apple pie" Reed (playing a Latino!) and "smoking hot but questionable in morals" Ayars conspire to put hero in waiting Lundigan in a choice situation.
The production is a mixture of poor rear projection and stage work with gorgeous exterior location work (Tucson, Arizona), while the acting is exactly what it is, a group of actors either contracted to the studio, working for food or hopefully taking the first steps on the ladder to better opportunities. The photography is very nice, but the poor racist bravado of the era is not, while Thorpe's staging of action is indicative of his career in how he makes a silk purse out of a sow's ear. Accept it for the time it was made and this is a decent and enjoyable film. It was loosely remade in 1952 as Apache War Smoke, suffice to say that even then, ten years later, the material still didn't advance to anything out of the ordinary. 6/10
The story has all the makings of the 'B' Westerns churned out over at REPUBLIC. Brothers at odds with each other, the good, William Lundigan, the bad, Lloyd Nolan, renegade and all around creep. Usual cast of supporting Actors including Chill Wills, Grant Withers and Connie Gilchrist, etc. Also thrown in, some 'dudes' from the East with a 'femme fa-tales', plus a attack by the Apaches on their lone outpost. Competently directed by Richard Thorpe too the level or the limits of his talents, that were perfectly suited for this effort. At 66" it will not tax the viewer.
This was another of those thankless roles a rookie had to suffer through before making the grade and Stardom. I am sure that Ms. Reed's private thoughts were not that charitable when she first was given this assignment and the script. Though back then if you wanted to make it in the 'Studio System' you did what you were told. Ms. Reed proved not only a apt pupil but was good enough to play M.G.M. politics and soon would be getting more challenging roles. Her skills would finally be rewarded with the Academy Award for Best Supporting Actress in FROM HERE TO ETERNITY (1953) COLUMBIA.
A fairly dependable and enjoyable B-western about a pair of estranged brothers (William Lundigan and Lloyd Nolan) who are thrown together by an Apache uprising. Donna Reed provides the love interest, while Chill Wills supplies the philosophising, and there's an array of interesting characters - it was remade as Apache War Smoke, but Apache Trail is much better, more tighter and engaging with a sharp focus on the characters. The running time, however, is too short for more fleshing out the characters and having more tension. Lloyd Nolan takes the acting honours as a slimy criminal with an eye on the Stagecoach payroll, but his lingo and look seems to come out of a 1930's speakeasy. All he needed to do was flip a coin and say "Curtains."
This is a pretty good (if somewhat set-bound) western, featuring a nice villain turn by Nolan (who really does pull off both his trademark everyman likability and hiss-able villainy) and a ridiculous hot-blooded Latina turn by Midwesterner Donna Reed. There's nothing especially different about this one -- but the careful, somewhat slow MGM pacing and the generally good level of acting keep the subplots moving along. If you like Westerns, you might miss the stunting and outdoor photography you might get in other films like this, but you'll probably like what you see.
All in all, this is not a bad way to spend an hour and a half.
क्या आपको पता है
- ट्रिवियाRichard Rosson worked on the film as director from the pre-production stage starting December 1941 until early April 1942. After 31 days of shooting, he became ill and was replaced by Richard Thorpe, who received sole onscreen credit, despite working on the film for only two weeks.
- गूफ़Although the attacking Indians are supposed to be Apaches, they are wearing the feathered headdresses and war bonnets more typical of those worn by tribes of the Great Plains such as the Sioux, rather than the tribes of the southwestern deserts like the Apaches. The only head gear Apaches usually wore were bandanas.
- भाव
Tom Folliard: [after rescuing Pike, who's tied up and been shot with an arrow by the Apaches] Hold still.
[cutting the rope around Pike]
'Pike' Skelton: What're tryin' to do, knife me, you soft-livin', spineless skunk!
Tom Folliard: Easy, scout, you've been hit pretty bad.
'Pike' Skelton: Dontcha think I know it, that ain't warm turtle soup fillin' mah boots, sabbath-breakin' varmits - I'll teach 'em, goin' around punchin' holes in people's clothes!
Tom Folliard: How'd they getcha?
'Pike' Skelton: I had a right-smart skirmish with 60 of 'em.
Tom Folliard: I only saw 6 bringin' ya in.
'Pike' Skelton: Them was the survivors.
[Tom pulls out the arrow]
'Pike' Skelton: OH!
[Pike grunts in pain]
Tom Folliard: You saved me there - talk - what riled 'em up?
'Pike' Skelton: How do I know, you got me away too soon, blast your maggoty hide... but I hear'd this much - it was a white man!
- कनेक्शनVersion of Apache War Smoke (1952)
टॉप पसंद
विवरण
- चलने की अवधि1 घंटा 6 मिनट
- रंग
- पक्ष अनुपात
- 1.37 : 1