Miss Annie Rooney

This is an adorable coming of age story starring Shirley Temple as the Irish American Miss Annie Rooney. Having lost her mother, Annie lives with her father the dreamer Tim (William Gargan) and her retired police officer grandfather Grandpa Rooney, played by the always fabulous Guy Kibbee.

While on the way to a friends house for a get together and jitterbug dance party she and her friend Joey (Roland Dupree) run into Marty White (Dickie Moore). Marty is from a different social bracket, but seems to become instantly smitten with Annie. Not only does Annie teach him to jitterbug, but she speaks to him of Romeo and Juliet. It's not long before Marty sends her red roses and asks her to his birthday party, which creates all sorts of financial issues for Annie's family as her father has just become unemployed.

This is one of those feel good movies where everything works out...and it is notable as Shirley Temple's first on screen kiss. I hadn't really seen a picture of her in the throws of growing up and she is just as adorable as when she was pint sized. The dancing is a real highlight for me as a dancer and fun to watch. I also got a kick out of the slang and the adults attempts to catch on to the contemporary lingo. Just a fun film that I recommend to classic film fans.

"May you be in heaven half an hour before the devil knows your dead."-Grandpa Rooney.

Shirley had left Fox and was in a sort of limbo waiting for suitable roles when she did 'Miss Annie Rooney' for Edward Small, her first teen-age role before the more successful one in 'Since You Went Away'. I saw this in the colorized video version and, although certainly not one of her best films, it was passable enough and fun seeing Shirley develop into her "older" roles. A lot of teen-age jive talk (1940s-style) makes up most of the dialogue and the plot is a slender one about a poor girl infatuated with a rich boy and facing disapproval of his friends. Guy Kibbee is enjoyable as Shirley's grandfather and William Gargan and Peggy Ryan do well enough in supporting roles. Shirley's teen-age poise is impressive and she looks charming--but this is a distinctly minor item among her credits, an interesting curiosity piece if you want to compare today's teen-agers to the swinging juveniles shown here. The script is weak, and yet Temple manages to be her charming self. As far as the colorization goes, it's one of the better jobs I've seen.

Poor Irish teen, living with her crusty grandpa and unemployed inventor-father, needs a party frock after a wealthy boy she likes asks her to his birthday bash. Naturally, along with a new dress, she'll need a matching wrap and evening sandals, too! Shirley Temple on the wane: she proves not to be a natural movie talent in her teenage years, nor does she seem to connect with this character or with the other kids in the cast (though one can hardly blame her for steering clear of Peggy Ryan's over-the-top Myrtle!). William Gargan, playing Shirl's father--a purveyor of a new technique which turns weeds into a rubbery substance--manages a nice sense of loving desperation, and Temple does break out her dancing shoes in the party sequence. But these teen-trials are completely unreal. This is the kind of penniless movie family with one foot on the street who still manage to live in a large apartment complete with telephone extension in the daughter's room! The film failed to get Temple's career on the right track, and her manner is blasé and indifferent throughout. ** from ****

It would be hard for me not to like any Shirley Temple movie.

It's too bad most people think of her as the cute little tyke, because, as she grew into an adult, she just got better as an actress, and in fact became a beautiful woman.

She was at the in-between stage in this movie, playing a young teenager, which was appropriate since she was 14.

As usual, she was adorable. Even as a fan, I will admit that sometimes she relied too much on pouty expressions left over from her very young years, but she also had the ability necessary to portray the pertinent emotions.

She liked dancing, as she wrote in her autobiography (which I highly recommend, to everyone), and she got to dance here, and was a lot of fun to watch.

Dickie Moore, of whom also I am a fan, was just not quite right as the rich boy. He didn't come across strongly enough, but his performance still does not detract enough to lessen one's enjoyment.

Roland du Pree, on the other hand, gave a very strong performance, strong enough, in fact, that I am dumbfounded he didn't have a major career.

He was a very good-looking young man, a good dancer, and a scene stealer, but apparently nothing is known about him, since even his birth date is not shown here at IMDb.

Look for a very young Noel Neill and a very young June Lockhart in the party scene.

The adults, by the way, rather varied in watchability, but, again, nothing can detract much from this very nice movie.

In my opinion, "Miss Annie Rooney" is the best Shirley Temple movie ever made. The movie features a fourteen year-old Annie Rooney(Temple) who meets a young man(Moore) from a wealthy family by accident(literally). He invites her to his birthday party and Annie's family(her father and grandfather) go through many changes to raise the money for Annie's evening gown and accessories. After she arrives at the party, she soon discovers that the fireworks has just begun. Real good PG family entertainment.